The stories presented here are true slices of life taken from an underworld where people don't play by the rules and where the good guys don't always win. These are real-life stories about wiseguys and drug dealers, con men and murders. In these pages, you'll find the true noir stories that have bubbled up under the magnifying glass of a 30-year veteran reporter at the The Philadelphia Inquirer. It's a fascinating look into the minds, crimes, fates, and lives of Philadelphia's most intriguing criminals. So sit back and enjoy this illuminating look into the dark world of Philadelphia True Noir.

“A collection enhanced by an unerring sense of place, with no clinkers . . . that will please the most discriminating lovers of the dark side.” —Kirkus Reviews From its posh Main Line to its blue-collar enclaves, Philadelphia is a city of contrasts. History has shown that brotherly love and murderous intentions can exist, if not side-by-side, then at least on the same block. Its this dichotomy that gives local writers their inspiration in this gritty collection of stories from Meredith Anthony, Diane Ayres, Cordelia Frances Biddle, Keith Gilman, Cary Holladay, Solomon Jones, Gerald Kolpan, Aimee LaBrie, Halimah Marcus, Carlin Romano, Asali Solomon, Laura Spagnoli, Duane Swierczynski, Dennis Tafoya, and Jim Zervanos. “It took long enough for Akashic’s noir series to get to Philly. Now that it has, compiled under the shadowy auspices of Inquirer literary critic/West Philly native Carlin Romano, the fun begins.” —Philadelphia City Paper “One of the US’s oldest, and darkest cities has a collection of its own . . . Overall, this collection was excellent, but left me wanting more.” —MostlyFiction Book Reviews

The Killers is a tale of gang violence, revenge, kidnapping, racial and ethnic conflict, international intrigue, and working-class triumph. Based on the real-life events of a Philadelphia race riot, this long-out-of-print sensational novella showcases the political and literary interests of its author, bestselling novelist George Lippard.

Race, Gender, and Comparative Black Modernism revives and critiques four African American and Francophone Caribbean women writers sometimes overlooked in discussions of early-twentieth-century literature: Guadeloupean Suzanne Lacascade (dates unknown), African American Marita Bonner (1899--1971), Martinican Suzanne Césaire (1913--1966), and African American Dorothy West (1907--1998). Reexamining their most significant work, Jennifer M. Wilks demonstrates how their writing challenges prevailing racial archetypes -- such as the New Negro and the Negritude hero -- of the period from the 1920s to the 1940s, and explores how these writers tapped into modernist currents from expressionism to surrealism to produce progressive treatments of race, gender, and nation that differed from those of currently canonized black writers of the era, the great majority of whom are men. Wilks begins with Lacascade, whom she deems "best known for being unknown," reading Lacascade's novel Claire-Solange, âme africaine (1924) as a protofeminist, proto-Negritude articulation of Caribbean identity. She then examines the fissures left unexplored in New Negro visions of African American community by showing the ways in which Bonner's essays, plays, and short stories highlight issues of economic class. Césaire applied the ideas and techniques of surrealism to the French language, and Wilks reveals how her writings in the journal Tropiques (1941-45) directly and insightfully engage the intellectual influences that informed the work of canonical Negritude. Wilks' close reading of West's The Living Is Easy (1948) provides a retrospective critique of the forces that continued to circumscribe women's lives in the midst of the social and cultural awakening presumably embodied in the New Negro. To show how the black literary tradition has continued to confront the conflation of gender roles with social and literary conventions, Wilks examines these writers alongside the late twentieth-century writings of Maryse Condé and Toni Morrison. Unlike many literary analysts, Wilks does not bring together the four writers based on geography. Lacascade and Césaire came from different Caribbean islands, and though Bonner and West were from the United States, they never crossed paths. In considering this eclectic group of women writers together, Wilks reveals the analytical possibilities opened up by comparing works influenced by multiple intellectual traditions.

Since 1884, Temple University alumni have overcome poverty, hardship and disappointment to achieve greatness. Daniel Aaron, a refugee from Nazi Germany, grew up in foster care and went on to co-found Comcast Cable, the largest cable television provider in the United States. Theo-Ben Guriab was born in apartheid Namibia and became president of the United Nations General Assembly. Edith Windsor, a daughter of immigrants, brought a case before the Supreme Court at the age of seventy-seven ensuring that all gay people in the United States receive equal protection under the law. Author Ronnyjane Goldsmith, who received her BA, MA and PhD from Temple, presents thirty inspiring profiles of what it means to be Temple Made. The author's proceeds from the book are dedicated to the Temple University Alumni Scholarship Fund established by the author to assist future alumni.

Literary and Sociopolitical Writings of the Black Diaspora in the Nineteenth and Twentieth Centuries traces the historiography of literary and sociopolitical movements of the Black Diaspora in the writings of key political figures. It comparatively and dialogically examines such movements as Pan-Africanism, Garveyism, IndigZnisme, New Negro Renaissance, NZgritude, and Afrocriollo. To study the key ideologies that emerged as collective black thought within the Diaspora, particular attention is given to the philosophies of Black Nationalism, Black Internationalism, and Universal Humanism. Each leader and writer helped establish new dimensions to evolving movements; thus, the text discerns the temporal, spatial, and conceptual development of each literary and sociopolitical movement. To probe the comparative and transnational trajectories of the movements while concurrently examining the geopolitical distinctions, the text focuses on leaders who psychologically, culturally, and/or physically traveled throughout Africa, the Americas, and Europe, and whose ideas were disseminated and influenced a number of contemporaries and successors. Such approach dismantles geographic, language, and generation barriers, for a comprehensive analysis. Indeed, it was through the works transmitted from one generation to the next that leaders learned the lessons of history, particularly the lessons of organizational strategies, which are indispensable to sustained and successful liberation movements.

THE ACCLAIMED DARK CIRCLE SERIES RETURNS! “Flor de Muerto” After the soul-crushing events of “Bullet’s Kiss,” disfigured cop Greg Hettinger leaves Philly and checks into a Southern California rehab clinic. But a plane ride can’t separate Greg from his troubles. A fellow patient believes her former drug dealer (and lover) has sent someone to kill her, and it’s up to Greg to figure out which member of their circle is preparing to pull the trigger... New to the dark, twisted world of The Black Hood? Then check yourself in for this thrilling one-shot from novelist Duane Swierczynski and superstar artist Howard Chaykin.