The Bodhisattva Avalokitesvara was a handsome prince when he entered China. As Guanyin, the bodhisattva was venerated from the eleventh century onward in the shape of a beautiful woman who became a universal savior. Throughout the last millennium, the female Guanyin has enjoyed wide and fervid veneration throughout East Asia and has appeared as a major character in literature and legend. In one tale, Guanyin (as the princess Miaoshan) returns from the dead after being executed by the king, her father, for refusing to marry. The most popular version of this legend is The Precious Scroll of Incense Mountain (Xiangshan baojuan), a long narrative in prose and verse and a work of considerable literary merit. It emphasizes the conflict between father and daughter, in the course of which all conventional arguments against a religious lifestyle are paraded and rebutted. A lengthy description of Guanyin’s visit to the underworld, which focuses on the conflict between grace and justice, is also included. Personal Salvation and Filial Piety offers a complete and fully annotated translation of The Precious Scroll, based on a nineteenth-century edition. The translation is preceded by a substantial introduction that discusses the origin of the text and the genre to which it belongs and highlights the similarities and differences between the scroll and female saints’ lives from medieval Europe. There follows a translation of the much-shorter Precious Scroll of Good-in-Talent and Dragon Daughter, which provides a humorous account of how Guanyin acquired the three acolytes—Sudhana, Nagakanya, and a white parrot—who are often shown surrounding her in popular prints. As the first English-language translation of major "precious scrolls," Personal Salvation and Filial Piety will appeal to a wide range of readers—from scholars of Chinese literature to students of Buddhism. Beyond the field of East Asian studies, it will interest specialists in comparative religion and literature and feminist theologians. Because of its lively and moving narratives, the text is suitable for courses on popular Buddhist religiosity (particularly female religiosity) in Chinese society.

The Bodhisattva Avalokitesvara was a handsome prince when he entered China. As Guanyin, the bodhisattva was venerated from the eleventh century onward in the shape of a beautiful woman who became a universal savior. Throughout the last millennium, the female Guanyin has enjoyed wide and fervid veneration throughout East Asia and has appeared as a major character in literature and legend. In one tale, Guanyin (as the princess Miaoshan) returns from the dead after being executed by the king, her father, for refusing to marry. The most popular version of this legend is The Precious Scroll of Incense Mountain (Xiangshan baojuan), a long narrative in prose and verse and a work of considerable literary merit. It emphasizes the conflict between father and daughter, in the course of which all conventional arguments against a religious lifestyle are paraded and rebutted. A lengthy description of Guanyin’s visit to the underworld, which focuses on the conflict between grace and justice, is also included. Personal Salvation and Filial Piety offers a complete and fully annotated translation of The Precious Scroll, based on a nineteenth-century edition. The translation is preceded by a substantial introduction that discusses the origin of the text and the genre to which it belongs and highlights the similarities and differences between the scroll and female saints’ lives from medieval Europe. There follows a translation of the much-shorter Precious Scroll of Good-in-Talent and Dragon Daughter, which provides a humorous account of how Guanyin acquired the three acolytes—Sudhana, Nagakanya, and a white parrot—who are often shown surrounding her in popular prints. As the first English-language translation of major "precious scrolls," Personal Salvation and Filial Piety will appeal to a wide range of readers—from scholars of Chinese literature to students of Buddhism. Beyond the field of East Asian studies, it will interest specialists in comparative religion and literature and feminist theologians. Because of its lively and moving narratives, the text is suitable for courses on popular Buddhist religiosity (particularly female religiosity) in Chinese society.

Educated men in Song-dynasty China (960–1279) traveled frequently in search of scholarly and bureaucratic success. These extensive periods of physical mobility took them away from their families, homes, and native places for long periods of time, preventing them from fulfilling their most sacred domestic duty: filial piety to their parents. In this deeply grounded work, Ellen Zhang locates the tension between worldly ambition and family duty at the heart of elite social and cultural life. Drawing on more than 2,000 funerary biographies and other official and private writing, Zhang argues that the predicament in which Song literati found themselves diminished neither the importance of filial piety nor the appeal of participating in examinations and government service. On the contrary, the Northern Song witnessed unprecedented literati activity and state involvement in the bolstering of ancient forms of filial performances and the promotion of new ones. The result was the triumph of a new filial ideal: luyang. By labeling highly coveted honors and privileges attainable solely through scholarly and official accomplishments as the most celebrated filial acts, the luyang rhetoric elevated office-holding men to be the most filial of sons. Consequently, the proper performance of filiality became essential to scholar-official identity and self-representation. Zhang convincingly demonstrates that this reconfiguration of elite male filiality transformed filial piety into a status- and gender-based virtue, a change that had wide implications for elite family life and relationships in the Northern Song. The separation of elite men from their parents and homes also made the idea of “native place” increasingly fluid. This development in turn generated an interest in family preservation as filial performance. Individually initiated, kinship- and native place-based projects flourished and coalesced with the moral and cultural visions of leading scholar-intellectuals, providing the social and familial foundations for the ascendancy of Neo-Confucianism as well as new cultural norms that transformed Chinese society in the Song and beyond.

China has become accessible to the west in the last twenty years in a way that was not possible in the previous thirty. The number of westerners travelling to China to study, for business or for tourism has increased dramatically and there has been a corresponding increase in interest in Chinese culture, society and economy and increasing coverage of contemporary China in the media. Our understanding of China’s history has also been evolving. The study of history in the People’s Republic of China during the Mao Zedong period was strictly regulated and primary sources were rarely available to westerners or even to most Chinese historians. Now that the Chinese archives are open to researchers, there is a growing body of academic expertise on history in China that is open to western analysis and historical methods. This has in many ways changed the way that Chinese history, particularly the modern period, is viewed. The Encyclopedia of Chinese History covers the entire span of Chinese history from the period known primarily through archaeology to the present day. Treating Chinese history in the broadest sense, the Encyclopedia includes coverage of the frontier regions of Manchuria, Mongolia, Xinjiang and Tibet that have played such an important role in the history of China Proper and will also include material on Taiwan, and on the Chinese diaspora. In A-Z format with entries written by experts in the field of Chinese Studies, the Encyclopedia will be an invaluable resource for students of Chinese history, politics and culture.

Examines the intersection of politics and intergenerational family relations in China from the Qing period to 1949.

Few religious innovations have shaped Chinese history like the emergence of spirit-writing during the Song dynasty. From a divinatory technique it evolved into a complex ritual practice used to transmit messages and revelations from the Gods. This resulted in the production of countless religious scriptures that now form an essential corpus, widely venerated and recited to this day, that is still largely untapped by research. Using historical and ethnographic approaches, this volume for the first time offers a comprehensive overview of the history of spirit-writing, examining its evolution over a millennium, the practices and technologies used, and the communities involved.