Regiments from Chester County fought bravely in all theaters of World War II, while locals at home took extraordinary measures to support the Allies. West Chester resident G. Raymond Rettew developed a process to mass produce vitally needed penicillin while a peaceful farm transformed into the bustling Valley Forge General Hospital in 1943. Women entered labor positions at companies, including Lukens Steel, to meet production demands. The Coatesville YMCA created and distributed a newsletter to soldiers so the boys on the front had the news from back home. Author Marion Piccolomini celebrates the resilience and perseverance of Chester County residents in the midst of total war.

This book looks at the multiple ways that the people and institutions of Erie County, Pennsylvania, responded when the United States went to war in 1917. It gives special attention to those who served in the military and, especially, to those who fell. It lists some 200 names and short biographies of those who lost their lives during the war or shortly after. It also has a listing of approximately 2,300 men and women connected in some way to Erie County who served in the United States military during World War One. Another listing includes those cited for valor during the war. Chapters on U.S. Army and Navy units with connections to Erie County are featured. Produced by the Erie County World War One Centennial Committee, the book also looks at notable individuals, homefront efforts, the contribution of women's groups, the postwar pilgrimage of mothers to battlefield cemeteries, and the construction of Erie's ultimate memorial to its veterans, the Erie Veterans Memorial Stadium.

In this comprehensive guide to Pennsylvania's participation in the First World War, the Pennsylvania War History Commission provides a wealth of information on the political, social, and military aspects of this pivotal conflict. From its causes and consequences to the role of Pennsylvania soldiers in the trenches, this book offers a unique and detailed perspective on the war that changed the course of modern history. With maps, photographs, and detailed descriptions, this book is a must-read for anyone interested in the history of the First World War and its impact on the United States and the world. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

-World War I and American Art provides an unprecedented look at the ways in which American artists reacted to the war. Artists took a leading role in chronicling the war, crafting images that influenced public opinion, supported mobilization efforts, and helped to shape how the war's appalling human toll was memorialized. The book brings together paintings, drawings, prints, photographs, posters, and ephemera, spanning the diverse visual culture of the period to tell the story of a crucial turning point in the history of American art---

During World War II 51,000 Italian prisoners of war were detained in the United States. When Italy signed an armistice with the Allies in September 1943, most of these soldiers agreed to swear allegiance to the United States and to collaborate in the fight against Germany. At the Letterkenny Army Depot, located near Chambersburg, Pennsylvania, more than 1,200 Italian soldiers were detained as co-operators. They arrived in May 1944 to form the 321st Italian Quartermaster Battalion and remained until October 1945. As detainees, the soldiers helped to order, stock, repair, and ship military goods, munitions and equipment to the Pacific and European Theaters of war. Through such labor, they lent their collective energy to the massive home front endeavor to defeat the Axis Powers. The prisoners also helped to construct the depot itself, building roads, sidewalks, and fences, along with individual buildings such as an assembly hall, amphitheater, swimming pool, and a chapel and bell tower. The latter of these two constructions still exist, and together with the assembly hall, bear eloquent testimony to the Italian POW experience. For their work the Italian co-operators received a very modest, regular salary, and they experienced more freedom than regular POWs. In their spare time, they often had liberty to leave the post in groups that American soldiers chaperoned. Additionally, they frequently received or visited large entourages of Italian Americans from the Mid-Atlantic region who were eager to comfort their erstwhile countrymen. The story of these Italian soldiers detained at Letterkenny has never before been told. Now, however, oral histories from surviving POWs, memoirs generously donated by family members of ex-prisoners, and the rich information newly available from archival material in Italy, aided by material found in the U.S., have made it possible to reconstruct this experience in full. All of this historical documentation has also allowed the authors to tell fascinating individual stories from the moment when many POWs were captured to their return to Italy and beyond. More than seventy years since the end of World War II, family members of ex-POWs in both the United States and Italy still enjoy the positive legacy of this encounter.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.