Victorian Art Criticism and the Woman Writer by John Paul M. Kanwit examines the development of specialized art commentary in a period when art education became a national concern in Britain. The explosion of Victorian visual culture--evident in the rapid expansion of galleries and museums, the technological innovations of which photography is only the most famous, the public debates over household design, and the high profile granted to such developments as the Aesthetic Movement--provided art critics unprecedented social power. Scholarship to date, however, has often been restricted to a narrow collection of male writers on art: John Ruskin, Walter Pater, William Morris, and Oscar Wilde. By including then-influential but now lesser-known critics such as Anna Jameson, Elizabeth Eastlake, and Emilia Dilke, and by focusing on critical debates rather than celebrated figures, Victorian Art Criticism and the Woman Writer refines our conception of when and how art criticism became a professional discipline in Britain. Jameson and Eastlake began to professionalize art criticism well before the 1860s, that is, before the date commonly ascribed to the professionalization of the discipline. Moreover, in concentrating on historical facts rather than legends about art, these women critics represent an alternative approach that developed the modern conception of art history. In a parallel development, the novelists under consideration--George Eliot, Charlotte Brontë, Anne Brontë, and Elizabeth Gaskell--read a wide range of Victorian art critics and used their lessons in key moments of spectatorship. This more inclusive view of Victorian art criticism provides key insights into Victorian literary and aesthetic culture. The women critics discussed in this book helped to fashion art criticism as itself a literary genre, something almost wholly ascribed to famous male critics.

Every photographer knows the moment of truth, and every picture tells a story. Over the past four decades, Paul Natkin has had a front-row seat for music history, attending over 10,000 shows and concerts to chronicle the excitement and excess of the music industry. Since the 1970s, he has photographed most of the major music stars of the last half of the 20th century, shooting album covers for Ozzy Ozbourne and Johnny Winter and countless magazine covers, including Newsweek, People, Spin and Ebony. The Moment of Truth is Natkin's documentary as a witness to the music industry during his illustrious 40-plus years as a photographer and fan.

The T&T Clark Handbook of Political Theology is a comprehensive reference resource informed by serious theological scholarship in the three Abrahamic traditions. The engaging and original contributions within this collection represent the epitome of contemporary scholarship in theology, religion, philosophy, history, law, and political science, from leading scholars in their area of specialization. Comprised of five sections that illuminate the rise and relevance of political theology, this handbook begins with the birth of contemporary “political theology,” and is followed by discussions of historical resources and past examples of interaction between theology and politics from all three Abrahamic traditions. The third section surveys the leading figures and movements that have had an impact on the discipline of political theology in the twentieth and twenty-first centuries; and the contributors then build on previously discussed historical resources and methods to engage with contemporary issues and challenges, emphasizing interreligious dialogue, even while addressing concerns of relevance to a particular faith tradition. The volume concludes with three essays that look at the future of political theology from the perspective of each Abrahamic religion. Complete with select bibliographies for each topic, this companion features the most current overview of political theology that will reach a broader, global audience of students and scholars

Biblical Foundations Book Award Few issues are more central to the Christian faith than the nature, scope and means of salvation. Many have thought it to be largely a transaction that gets one to heaven. In this riveting book, N. T. Wright explains that God's salvation is radically more than this. At the heart of much vigorous debate on this topic is the term the apostle Paul uses in several of his letters to describe what happens to those in Christ--justification. Paul uses this dramatic image from the law court to declare that Christians are acquitted of the cosmic accusations against them. But justification goes beyond this in Paul's writings to offer a vision of God's future for the whole world as well as for his people. Here in one place Wright now offers a comprehensive account and defense of his perspective on this crucial doctrine. He provides a sweeping overview of the central points in the debate before launching into a thorough explanation of the key texts in Paul's writings. While fully cognizant of tradition and controversy, the final authority for his conclusions is the letters of Paul themselves. Along the way Wright responds to critics, such as John Piper, who have challenged what has come to be called the New Perspective. For Wright, what Paul means by justification is nothing less than God's unswerving commitment to the covenant promise he made to bless the whole world through Abraham and his family. This irenic response is an important contribution for those on both sides of the debate--and those still in between--to consider. Whether you're a fan of Wright's work or have read his critics and would like to know the other side of the story, here is a chance to interact with Wright's views on the issues at stake and form your own conclusions.

A renowned scholar calls for a change of direction for the study of Jesus in the 21st century.