Paolo Hewitt has known Paul Weller since they were both teenagers in the depths of Woking, through his ascent to fame with The Jam, the halcyon years of The Style Council and for all of his critically acclaimed solo career. Hewitt has even been the inspiration for some of Weller's songs - and he has extraordinary in-depth knowledge of the inspiration behind the rest. Once, when Hewitt interviewed Weller for a music magazine, he complained - 'I don't know why people ask me all these questions. All the answers are in my songs.' Largely unnoticed, Weller has used thirty-years of lyrics to explore his personal history and beliefs. Taking as his starting point these lyrics, alongside a lifetime's friendship, Paolo Hewitt shows us the real Paul Weller, the man inside the music.

Always uncomfortable in the pop limelight, Paul Weller has at times suffered for his art. His fascination with contemporary black music eventually led The Style Council to a dead end, and his moral convictions, championing causes like CND and Red Wedge, left him disillusioned with politics. Weller's return was slow but gradual, and for the last decade he enjoyed an artistic renaissance that continues unabated. Traces Weller's career from his upbringing in Woking, through his years with The Jam and the difficulties he faced after it's demise to his current status as one of Britain's most respected performers and songwriters. This new paperback edition has been revised and updated to take Weller's story into the 21st century. and lovingly compiled album of cover versions Studio 150. remarkable careers. Includes comprehensive discography and many previously unpublished photographs. John Reed, a former Research Editor of Record Collector magazine has interviewed many of Weller's friends and colleagues and presents a comprehensive picture 'The Modfather'.

2017 is the 40th anniversary of the start of Paul Weller’s recording career. His first album, In The City, which he recorded with The Jam, was released in 1977. He then went on to record a further 22 albums with The Jam, The Style Council and his solo career. Sounds from the Studio starts in 2015 with the release of his most recent album Saturn’s Pattern then works backwards to the groundbreaking debut from The Jam - In the City. The book includes interviews with artists who have worked with Paul including Noel Gallagher, Steve Cradock, Sir Peter Blake, Mick Talbot, and both Rick Buckler and Bruce Foxton from The Jam as well as many of the studio hands, sleeve designers and interviews with members from Paul’s family.

THE COMPLETE HISTORY OF THE STYLE COUNCIL by Iain Munn

This book highlights how the diverse nature of spiritual practices are experienced and manifest through the medium of popular music. At first glance, chapters on Krishnacore, the Rave Church phenomenon and post-punk repertoire of Psychic TV may appear to have little in common; however, this book draws attention to some of the similarities of the nuances of spiritual expression that underpin the lived experience of popular music. As an interdisciplinary volume, the extensive introduction unpacks and clarifies terminology relating to the study of religion and popular music. The cross-disciplinary approach of the book makes it accessible and appealing to scholars of religious studies, cultural studies, popular music studies and theology. Unlike existing collections dealing with popular music and religion that focus on a specific genre, this innovative book offers a range of music and case studies, with chapters written by international contributors.

Based on new archival evidence and interviews, and setting out a new theoretical framework for music video analysis, Emily Caston presents a major new analysis of music videos from 1966-2016, identifying not only their distinctive British traits, but their parallels with British film genres and styles. By analysing the genre, craft and authorial voice of music video within the context of film and popular music, the book sheds new light on existing theoretical and historical questions about audiences, authorship, art and the creative industries. Far from being an American cultural form, the book reveals music video's roots in British and European film traditions, and suggests significant ways in which British video has impacted popular film and music culture.

Provides profiles of solo performers, bands, producers, and record labels from the alternative rock movement, ranging from the mid-1970s to the present, and includes discographies, album reviews, and photographs.