One of the most important Los Angeles architects, Paul R. Williams' prolific career extended from the 1920s to the 1970s. His vast body of built work stretches across the world from Paris and Colombia to Washington, D.C., New York, and Memphis. However, the Los Angeles area was his personal and professional focus. Overcoming incredible prejudice in an all-white field, Williams became the first African American admitted to the A.I.A and designed over 3,000 projects, including the Jetsons-like theme building at Los Angeles International Airport, Saks Fifth Avenue and W. & J. Sloane's department stores in Beverly Hills, the famous Beverly Hills and Ambassador hotels, and renowned celebrity haunts, such as Chasen's and Perino's restaurants. He also designed mansions for Frank Sinatra, Lucille Ball and Desi Arnaz, Tyrone Power, William "Bojangles" Robinson, Lon Chaney, and other entertainers. While Williams had extraordinary facility with the historical styles popular in southern California at the time, he was equally adept at modern design, as seen in his work for Fisk and Howard universities, Saint Jude Hospital in Memphis, and several banks, churches, and country clubs. Karen E. Hudson, a third-generation Angeleno, is the granddaughter of Paul R. Williams and director of his archives. She chronicles the African-American experience in Los Angeles in writings and photographs. David Gebhard, the renowned historian, was a professor of architectural history and Curator of the Architectural Drawing Collection of the Art Museum at the University of Santa Barbara. Call-out: The first architectural monograph of Williams' extraordinary and inspiring achievements.

Over a career spanning six decades, architect Paul Revere Williams came to define what gracious living looked like for the Hollywood elite. Williams mastered an array of architectural idioms—including American Colonial, Spanish Mediterranean, English Tudor, French Normandy, Art Deco, and, of course, the California ranch style—to create the sophisticated yet understated showplaces that are featured here in all new full-color photography. Among the most celebrated architects of his generation, Williams was also the first African-American member of the American Institute of Architects, and he was deeply involved in the black community in Los Angeles and in African-American affairs nationally. Williams moved among many worlds, and with celebrity clients such as Frank Sinatra, Lucille Ball and Desi Arnaz, Tyrone Power, and Barbara Stanwyck, as well as clients who made Hollywood run behind the scenes, not to mention members of Los Angeles high society, Williams left his mark in the city’s most glamorous and exclusive enclaves—Beverly Hills, Brentwood, Bel Air, and the Hollywood Hills. Paul R. Williams: Classic Hollywood Style is a dazzling tour of this prolific architect’s most spectacular houses, by his granddaughter Karen Hudson, with a special focus on their roles not only as places for high living but also as venues for world-class entertaining.

Discover the remarkable story of an orphaned Black boy who grew up to become the groundbreaking architect to the stars, Paul R. Williams. A stunning nonfiction picture-book biography from the Caldecott Honor–winning author and NAACP Image Award–nominated artist. As an orphaned Black boy growing up in America in the early 1900s, Paul R. Williams became obsessed by the concept of "home." He not only dreamed of building his own home, he turned his dreams into drawings. Defying the odds and breaking down the wall of racism, Williams was able to curve around the obstacles in his way to become a world-renowned architect. He designed homes for the biggest celebrities of the day, such as Frank Sinatra and Lucille Ball, and created a number of buildings in Los Angeles that are now considered landmarks. From Andrea J. Loney, the author of the Caldecott Honor Book Double Bass Blues, and award-winning artist Keith Mallett comes a remarkable story of fortitude, hope, and positivity.

Williams, the first African American Fellow of the American Institute of Architects, designed over three thousand buildings including Beverly Hill estates and the Los Angeles Airport.

Forgotten Modern reveals the work of the innovative architects building in California from the 1930s to the 1970s. With groundbreaking and illuminating examples that will alter the way we think of California architecture, Hess and Weintraub focus on those that exemplify early mid-entury modern, variations on minimalism, and organic architecture. Though architects, historians, and the public alike have overlooked many of these superb architects from California's past century, this book intends to bring them back to our attention. All the architects included here are important in helping to show the breadth of design, that styles like Organic were more widely represented than we have previously realized, and that the fertile soil of California design fostered a wide spectrum of remarkable ideas-even if not all developed a significant school of followers. Chapters Include: A New Introduction to Midcentury California Searching For Midcentury Modern Variations on Wood and Steel Modernism Organic Architecture History Plus Modernism

"Ellen Weiss breaks important new ground in her remarkable monograph on Robert R. Taylor. This volume is by far the most detailed account we have of an African American architect. Weiss vividly conveys the immense challenges faced by black architects and professionals of every kind, especially during the rise of Jim Crow. Along the way we get myriad insights on architectural education, architect-client relationships, and the development of a major institution of higher learning."--- Richard Longstreth, George Washington University "Architectural historian Ellen Weiss's book provides a wealth of little-known factual information about Taylor and a scholarly historical analysis of his many contributions in architectural education and professional practice. A must-read for anyone with an interest in architecture and a certain reference for every architecture student."--- Richard Dozier, Dean, Robert R. Taylor School of Architecture & Construction Science, Tuskegee University "Robert R. Taylor's place in history as the first academically-trained African American architect has been well known, but an authoritative assessment of his contribution to American architectural and planning practice has remained elusive until now. Weiss deftly interweaves the story of the Tuskegee campus with an examination of Taylor's pedagogy and the plight of black architects in the early twentieth century."--- Gary Van Zante, Curator of Architecture and Design, Massachusetts Institute of Technology