Paul Blaisdell was the man behind the monsters in such movies as The She Creature, Invasion of the Saucer Men, Not of This Earth, It! Terror from Beyond Space and many others. Working in primarily low-budget films, Blaisdell was forced to rely on greasepaint, guts and, most importantly, an unbounded imagination for his creations. From his inauspicious beginning through The Ghost of Dragstrip Hollow (1959), the construction of Blaisdell’s monsters and the making of the movies in which they appeared are fully detailed here. Blaisdell’s work in the early monster magazines of the 1960s is also covered.

About 2,500 genre films are entered under more than 100 subject headings, ranging from abominable snowmen through dreamkillers, rats, and time travel, to zombies, with a brief essay on each topic: development, highlights, and trends. Each film entry shows year of release, distribution company, country of origin, director, producer, screenwriter, cinematographer, cast credits, plot synopsis and critical commentary.

Michael H. Price's FORGOTTEN HORRORS series of film encyclopedias lurches along through the 1950s with FORGOTTEN HORRORS VOL. 6: UP FROM THE DEPTHS -- a chronicle of the horror-movie revival of 1955-1957, with insightful contributions from Jan Alan Henderson and John Wooley. The rise of Roger Corman and Ray Harryhausen, the trendsetting teenage-monster cycle of Herman Cohen, the obsessions with gigantism of Bert I. Gordon, the emergence of Hammer Films, the unheralded genius of monster-maker Paul Blaisdell -- all are here, along with studies and sketches of numerous films of both prominence and obscurity. Price's unique study of the relationship between the horror-comics scare of the post-WWII years and the resurgence of horror in film rounds out the package -- a 300-page marvel of pop-cultural insights, perceptive social criticism, and irresponsible cheap thrills.

Monster Kid Memories chronicles Bob Burns' role in science fiction and horror film history over the course of more than 65 years. Inside, read all about Bob and his friendships with legendary SF producer-director George Pal (The War of the Worlds, The Time Machine); Glenn Strange, the last of Universal's classic Frankenstein Monsters; William Castle, king of the 'gimmick' horror movies; makeup legend Jack Pierce; the men who made the great Republic serials; Hollywood's greatest "gorilla guy" Charlie Gemora, and many more!

This critical study traces the common origins of film noir and science fiction films, identifying the many instances in which the two have merged to form a distinctive subgenre known as Tech-Noir. From the German Expressionist cinema of the late 1920s to the present-day cyberpunk movement, the book examines more than 100 films in which the common noir elements of crime, mystery, surrealism, and human perversity intersect with the high technology of science fiction. The author also details the hybrid subgenre's considerable influences on contemporary music, fashion, and culture.