'A writer who provokes, almost as much as he entertains' Daily Mail 'Engaging and smartly plotted' Observer ___ With old friends like these, who needs enemies? It's a question mild mannered detective Edward Newson is forced to ask himself when, in romantic desperation, he logs on to the Friends Reunited website in search of the girlfriends of his youth. Newson is not the only member of the Class of '88 who has been raking over the ashes of the past. As his old class begins to reassemble in cyberspace, the years slip away and old feuds and passions burn hot once more. Meanwhile, back in the present, Newson's life is no less complicated. He is secretly in love with Natasha, his lovely but very attached sergeant, and failing comprehensively to solve a series of baffling and peculiarly gruesome murders. A school reunion is planned and as history begins to repeat itself, the past crashes headlong into the present. Neither will ever be the same again. ___ What readers are saying: ***** 'Fun, frightful and relentlessly gripping.' ***** 'Clever and original . . . a great read' ***** 'Darkly comic, intriguing . . . and with a real twist in the tail.'

A day in the life of Carla Valentine - curator, pathology technician and 'death professional' - is not your average day. She spent ten years training and working as an Anatomical Pathology Technologist: where the mortuary slab was her desk, and that day's corpses her task list. Past Mortems tells Carla's stories of those years, as well as investigating the body alongside our attitudes towards death - shedding light on what the living can learn from dead and the toll the work can take on the living souls who carry it out. Fascinating and insightful, Past Mortems reveals the truth about what happens when the mortuary doors swing shut or the lid of the coffin closes.

Spanning ages and species and cultures, Heather Altfeld's Post-Mortem pays tribute to the passing glory of this planet and all that our hands have made.

She closed her eyes and saw, as if on a loop, a repeating backdrop of square windows, blue sky and concrete spinning and passing, passing, passing. She could not escape the horror of it: falling unstoppably, irretrievably until the hard concrete reaches up. That last glimpse of them at the edge. A long-serving beat cop in the Met and a teenage girl fall to their deaths from a tower block in London's East End. Left alive on the roof are a five year old boy and rookie police officer Lizzie Griffiths. Within hours, Lizzie Griffiths has disappeared, and DPS officer Sarah Collins sets out to uncover the truth around the grisly deaths, in an investigation which takes her into the dark heart of policing in London. Grounded in the terrifying realities of policing a city where the affluent middle-classes live cheek-by-jowl with the poorest immigrants, this is a complex, intelligent, thrilling crime novel by an author who has walked the beat.

Discover the “dazzling…fascinating” (Los Angeles Times) forensic thriller that launched the New York Times bestselling Kay Scarpetta series from #1 bestselling crime writer Patricia Cornwell. Under cover of night in Richmond, Virginia, a monster strikes, leaving a gruesome trail of stranglings that has paralyzed the city. Medical examiner Kay Scarpetta suspects the worst: a deliberate campaign by a brilliant serial killer whose signature offers precious few clues. With an unerring eye, she calls on the latest advances in forensic research to unmask the madman. But this investigation will test Kay like no other, because it’s being sabotaged from within—and someone wants her dead.

Architecture Post Mortem surveys architecture’s encounter with death, decline, and ruination following late capitalism. As the world moves closer to an economic abyss that many perceive to be the death of capital, contraction and crisis are no longer mere phases of normal market fluctuations, but rather the irruption of the unconscious of ideology itself. Post mortem is that historical moment wherein architecture’s symbolic contract with capital is put on stage, naked to all. Architecture is not irrelevant to fiscal and political contagion as is commonly believed; it is the victim and penetrating analytical agent of the current crisis. As the very apparatus for modernity’s guilt and unfulfilled drives-modernity’s debt-architecture is that ideological element that functions as a master signifier of its own destruction, ordering all other signifiers and modes of signification beneath it. It is under these conditions that architecture theory has retreated to an 'Alamo' of history, a final desert outpost where history has been asked to transcend itself. For architecture’s hoped-for utopia always involves an apocalypse. This timely collection of essays reformulates architecture’s relation to modernity via the operational death-drive: architecture is but a passage between life and death. This collection includes essays by Kazi K. Ashraf, David Bertolini, Simone Brott, Peggy Deamer, Didem Ekici, Paul Emmons, Donald Kunze, Todd McGowan, Gevork Hartoonian, Nadir Lahiji, Erika Naginski, and Dennis Maher.