"Partners in Gatekeeping illuminates a complex, distinctly transnational story that recasts the development of US immigration policies and institutions. Braun-Strumfels challenges existing ideas about the origins of remote control by paying particular attention to two programs supported by the Italian government in the 1890s: a government outpost on Ellis Island called the Office of Labor Information and Protection for Italians and rural immigrant colonization in the American South-namely a "plantation" in Arkansas called Sunnyside. Through those places, Braun-Strumfels argues that we must consider Italian migration, and the asymmetric partnership that emerged between the United States and Italy to manage that migration, an essential piece in the history of how the United States became a gatekeeping nation. In so doing, Partners reveals that the last ten years of the nineteenth century were critical to the establishment of the modern gatekeeping system by establishing the antecedents for "remote control" beyond the well-studied Chinese and Mexican cases"--

This book looks back to the early days of new and social media, to examine the potential threat that such technologies and platforms posed to the mainstream corporate media’s gatekeeping, and its ability to exploit, humiliate, and even violate famous women. Drawing on her own experiences working as part of this gatekeeping system, Stephanie Patrick argues that, in order to combat this threat, the mainstream media doubled down on gendered narratives of meritocracy that legitimized certain (male) celebrities over others. Using a range of case studies spanning "old" media sites and "new," including Disney, Playboy, and reality television, this book demonstrates that sexual exploitation and violation could be considered constitutive of female celebrity, rather than a side effect. Patrick’s case studies include some of America’s most (in)famous celebrities, including Miley Cyrus, Lindsay Lohan, Anna Nicole Smith, Paris Hilton, and Donald Trump, urging readers to question their assumptions about these figures and their public trajectories. This nuanced exploration of patriarchal capitalism and women’s ongoing sexual exploitation by the media will be an important reference for scholars and students of digital and new media, journalism, celebrity studies, and gender studies.

"Journalist Smith (A Necessary War) grants readers an unusual insider's view of F.D.R.'s political career by profiling his longtime private secretary. Marguerite 'Missy' LeHand, a young woman with a modest background, an agile intellect, a pleasant personality, and remarkable stenographer's skills, began working for F.D.R. in 1920, when he ran for vice president. Smith writes particularly well about F.D.R.'s struggle to bounce back from being struck with polio in 1921, explaining the disease and the origins of the Warm Springs, Ga., health spa that he frequented. LeHand was F.D.R.'s most constant companion during the 1920s, sparking rumors--convincingly dismissed by Smith--that they were lovers. The real core of the story is the White House years from 1933 until 1942, when LeHand helped create the vast New Deal bureaucracy. She decided who would see the president and when; today her title would be chief of staff. LeHand worked long hours but took time to enjoy the perks of the job, including a barrage of social invitations and fawning press coverage. Though Smith overstates her claim about LeHand's importance to F.D.R. and his work as president, she delivers a fascinating account of one woman's involvement in an important administration"--Publishersweekly.com.

This book is about the business of distribution, around which the international film business revolves. Considering sales agents and distributors as primary gatekeepers, the book examines the networks in which they operate, how they operate, how their practices have evolved, and the power and control they exert over the business of independent film distribution. Critically, it also considers how they are affected by the powerful influence of Netflix and Amazon in the online era. At a time of disruption and change to traditional business models and industry professions, Roderik Smits argues that gatekeepers remain equally – if not more – crucial to the distribution and circulation of films in international markets.

Gatekeeping is one of the media’s central roles in public life: people rely on mediators to transform information about billions of events into a manageable number of media messages. This process determines not only which information is selected, but also what the content and nature of messages, such as news, will be. Gatekeeping Theory describes the powerful process through which events are covered by the mass media, explaining how and why certain information either passes through gates or is closed off from media attention. This book is essential for understanding how even single, seemingly trivial gatekeeping decisions can come together to shape an audience’s view of the world, and illustrates what is at stake in the process.

Much of what journalism scholars thought they knew about gatekeeping—about how it is that news turns out the way it does—has been called into question by the recent seismic economic and technological shifts in journalism. These shifts come with new kinds of gatekeepers, new routines of news production, new types of news organizations, new means for shaping the news, and new channels of news distribution. Given these changing realities, some might ask: does gatekeeping still matter? In this internationally-minded anthology of new gatekeeping research, contributors attempt to answer that question. Gatekeeping in Transition examines the role of gatekeeping in the twenty-first century from organizational, institutional, and social perspectives across digital and traditional media, and argues for its place in contemporary scholarship about news and journalism.