An engaging historical look at fin de siécle Buenos Aires that brings to life the vibrant culture behind one of the world’s largest anarchist movements: the radical schools, newspapers, theaters, and social clubs that made revolution a way of life. Cultural history in the best sense, Paradoxes of Utopia explores how a revolutionary ideology was woven into the ordinary lives of tens of thousands of people, creating a complex tapestry of symbols, rituals, and daily practices that supported—and indeed created the possibility of—the Argentine labor movement. Juan Suriano is a professor of social history at the University of Buenos Aires.

Driving human reason too far in the analysis of deep problems often leads to irresolvable inconsistencies and contradictions. In this 2002 J.F. Lewis Award-winning monograph, Gunther Stent traces the origins and development of the paradoxes of free will in this well-crafted introduction to philosophical debates regarding freedom of will. Free will poses one of the oldest and most vexatious philosophical problems, dating back to the beginnings of moral philosophy in ancient Greece. Pure theoretical reason implies that our actions are determined, while practical theoretical reason tells us that our will is free. Stent examines the arguments of moral responsibility versus determinism, from Socrates, Plato, and Aristotle to Immanuel Kant, Niels Bohr, and Max Planck.

Traces the history of utopian thinking, covering the reasons for their failures and how they are still being pursued.

Utopia is a work of fiction and socio-political satire by Thomas More published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society and its religious, social and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.

Other Englands examines the rise of the early English utopia in the context of emergent capitalism. Above all, it asserts that this literary genre was always already an expression of social crisis and economic transition, a context refracted in the origin stories and imagined geographies common to its early modern form. Beginning with the paradigmatic popular utopias of Thomas More and Francis Bacon but attentive to non-canonical examples from the margins of the tradition, the study charts a shifting and, by the time of the English Revolution, self-critical effort to think communities in dynamic socio-spatial forms. Arguing that early utopias have been widely misunderstood and maligned as static, finished polities, Sarah Hogan makes the case that utopian literature offered readers and writers a transformational and transitional social imaginary. She shows how a genre associated with imagining systemic alternatives both contested and contributed to the ideological construction of capitalist imperialism. In the early English utopia, she finds both a precursor to the Enlightenment discourse of political economy and another historical perspective on the beginnings and enduring conflicts of global capital.

In the mid twentieth century the philosopher Ludwig Wittgenstein famously asserted that games are indefinable; there are no common threads that link them all. "Nonsense," says the sensible Bernard Suits: "playing a game is a voluntary attempt to overcome unnecessary obstacles." The short book Suits wrote demonstrating precisely that is as playful as it is insightful, as stimulating as it is delightful. Suits not only argues that games can be meaningfully defined; he also suggests that playing games is a central part of the ideal of human existence, so games belong at the heart of any vision of Utopia. Originally published in 1978, The Grasshopper is now re-issued with a new introduction by Thomas Hurka and with additional material (much of it previously unpublished) by the author, in which he expands on the ideas put forward in The Grasshopper and answers some questions that have been raised by critics.

Postcolonial Studies is more often found looking back at the past, but in this brand new book, Bill Ashcroft looks to the future and the irrepressible demands of utopia. The concept of utopia – whether playful satire or a serious proposal for an ideal community – is examined in relation to the postcolonial and the communities with which it engages. Studying a very broad range of literature, poetry and art, with chapters focussing on specific regions – Africa, India, Chicano, Caribbean and Pacific – this book is written in a clear and engaging prose which make it accessible to undergraduates as well as academics. This important book speaks to the past and future of postcolonial scholarship.