Gardens are immobile, literally rooted in the earth, but they are also shaped by migration and by the transnational movement of ideas, practices, plants, and seeds. In Paradise Transplanted, Pierrette Hondagneu-Sotelo reveals how successive conquests and diverse migrations have made Southern California gardens, and in turn how gardens influence social inequality, work, leisure, status, and our experiences of nature and community. Drawing on historical archival research, ethnography, and over one hundred interviews with a wide range of people including suburban homeowners, paid Mexican immigrant gardeners, professionals at the most elite botanical garden in the West, and immigrant community gardeners in the poorest neighborhoods of inner-city Los Angeles, this book offers insights into the ways that diverse global migrations and garden landscapes shape our social world.

After centuries of unresolved dispute over the question of whether the Mystagogic Catecheses belongs among the works of St. Cyril of Jerusalem, this book finally settles the controversy. These post-baptismal Easter sermons are a prized witness to the way the rites of initiation (baptism, confirmation, and Eucharist) were celebrated in fourth-century Jerusalem and for the rich sacramental theology they contain. Uncertain authorship has prevented the text from being fully appreciated as an integral part of Cyril's works. Cyril's reputation as a catechist is time-honored, and his Baptismal Catecheses has served as an invaluable source of early Church doctrine and practice. Scholars can now confidently include the mystagogic sermons in their study of Cyril's doctrinal and sacramental theology and practice. This study addresses much more than the question of authorship. A thorough examination of the Mystagogic Catecheses in conjunction with Cyril's Baptismal Catecheses provides a new view into his life and thought as both catechist and mystagogue. It begins with a survey of those aspects of Cyril's life and his Jerusalem church that are relevant to reassessing the authorship of the Mystagogic Catecheses. It then examines the text's manuscript tradition, literary tradition, and date. There follows the most extensive section, a comparative analysis of the disputed sermons and Cyril's Baptismal Catecheses in the areas of liturgical rites, theology, spirituality, and literary style. The text is then compared to the known works of the contending author, John II of Jerusalem. Finally, the sermons are subjected to a stylometric analysis, that is, a computer-based statistical analysis of literary style. This book will be welcomed by scholars of early Christianity, especially those interested in the life and works of Cyril of Jerusalem. Of special interest is its treatment of the history and development of liturgy in the Christian East through the fourth century. This is the first volume in the Patristic Monograph Series of the North American Patristic Society to be published by the Catholic University of America Press. ABOUT THE AUTHOR: Alexis James Doval is associate professor of religious studies at Saint Mary's College of California. PRAISE FOR THE BOOK: "[A] considerable contribution to a vexed but vital question about Cyril and the mystagogical catacheses. . . . Doval's study is a must for any patrologist interested in liturgical history and theology, concerned about the resurgence of the Jerusalem church, studying the development of catachesis and catechumenate, or exploring questions related to the controversies of the fourth century."--Prof. Thomas Finn, College of William and Mary "The persistent question of authorship receives a comprehensive treatment in this work. . . . The door on John's authorship of the mystagogical catechesis is not completely closed, but for Doval it remains an improbability at best. Barring new evidence, it will probably never be opened wide again in the wake of this study."--William P. McDonald, Journal of Early Christian Studies "[A]n important purchase for libraries which have patristics collections or collections in the history of doctrine and liturgy." Cecil R. White, Catholic Library World "Doval's cumulative case is compelling, and the onus must now be on those who dispute Cyril's authorship to justify continued dissent. . . . [A]n important contribution to studies of Cyril of Jerusalem and the fourth-century liturgy of the Holy City."--Bryan D. Spinks, Journal of Ecclesiastical History "[This] book offers a very carefully defined structure and method for dealing with a highly complicated question." -- Pablo F. Argarate, Toronto Journal of Theology

From its first publication, what is now known as the Immortality Ode has been praised for the magnificence of its verse and disparaged for its paucity of meaning - the 'immortality' of the subtitle unsubstantiated, and the 'recollections' insubstantial. Yet Wordsworth's idea of immortality has clear precedents in the seventeenth century, and recollections of childhood are Traherne's starting point for the recovery of a lost vision comparable to Wordsworth's. Via the power of the imagination, or reason, they believed they could experience a renewed vision that both termed variously Paradise, or infinity, or immortality. Graham Davidson traces the origins of Wordsworth's poetic impetus to his resistance to the Cartesian division between mind and nature, first adumbrated by the Cambridge Platonists. If reunited, Paradise was regained, but this personal trajectory was tempered by a deep sympathy for the woes of mortal life. Davidson explores the consequent dialogue through some of Wordsworth's best-known poems, at the heart of which is the Ode. In the last section, he demonstrates how Wordsworth's publishing history led the Victorians and modernists to misinterpret his work; if one considers Eliot's Four Quartets as odes, facing several of the same problems as did Wordsworth, there is some irony in Eliot's dismissal of the Immortality Ode as 'verbiage'.

This volume of essays honours Henry Chadwick, probably the greatest and best-known of English scholars of early Christianity. The essays, written by many of the leading theologians and church historians in the English-speaking world, discuss different aspects of how Christianity developed norms and standards in its teaching, how it came to have - and to enforce - a definition of orthodoxy and heresy. It is a collection of fundamental work by internationally recognised experts. It covers issues of orthodoxy from the first right up to the sixth century, and its wide-ranging surveys of centrally important material in early Christianity will find broad appeal among scholars and students of Old and New Testaments, medieval history and patristics.

This 1923 book studies the development of English staging during the Renaissance, and its relationship with the classical revival of stage decoration in Italy. The text attempts to show how from the beginning of the classical revival of drama in Italy, staging was regarded as an accepted part of dramatic production.