This book is a fascinating look into the history of the Catholic papacy. A devout Catholic will pull no punches as he describes the barbaric and ridiculous affairs found with some of the popes of the past and what it means for the Catholic Church today.

"Explores the views of Eugenio Pacelli, who served as pope during the tumultuous period of 1939 to 1958. Prodigious in his output, Pius XII produced 40 encyclicals, 19 highly regarded Christmas messages, and a series of addresses to groups and organizations, laying the groundwork for the economic views of his successors"--P. [4] of cover.

Recent studies of the concepts and ideologies of Romanticism have neglected to explore the ways in which Romanticism defined itself by reconfiguring its literary past. In Wordsworth's Pope Robert J. Griffin shows that many of the basic tenets of Romanticism derive from mid-eighteenth-century writers' attempts to free themselves from the literary dominance of Alexander Pope. As a result, a narrative of literary history in which Pope figured as an alien poet of reason and imitation became the basis for nineteenth-century literary history, and still affects our thinking on Pope and Romanticism. Griffin traces the genesis and transmission of "romantic literary history", from the Wartons to M. H. Abrams; in so doing, he calls into question some of our most basic assumptions about the chronological and conceptual boundaries of Romanticism.

For years, historians have argued that Catholicism in the United States stood decisively apart from papal politics in European society. The Church in America, historians insist, forged an "American Catholicism," a national faith responsive to domestic concerns, disengaged from the disruptive ideological conflicts of the Old World. Drawing on previously unexamined documents from Italian state collections and newly opened Vatican archives, Peter D'Agostino paints a starkly different portrait. In his narrative, Catholicism in the United States emerges as a powerful outpost within an international church that struggled for three generations to vindicate the temporal claims of the papacy within European society. Even as they assimilated into American society, Catholics of all ethnicities participated in a vital, international culture of myths, rituals, and symbols that glorified papal Rome and demonized its liberal, Protestant, and Jewish opponents. From the 1848 attack on the Papal States that culminated in the creation of the Kingdom of Italy to the Lateran Treaties in 1929 between Fascist Italy and the Vatican that established Vatican City, American Catholics consistently rose up to support their Holy Father. At every turn American liberals, Protestants, and Jews resisted Catholics, whose support for the papacy revealed social boundaries that separated them from their American neighbors.

How was Alexander Pope's personal experience of women transformed into poetry? How characteristic of his age was Pope's attitude toward women? What was the influence of individual women such as his mother, Patty Blount and Lady Mary Montagu on his life and work? Valerie Rumbold's is the first full-length study to address these issues. Referring to previously unexploited manuscripts, she focuses both on Pope's own life and art, and on early eighteenth-century assumptions about women and gender. She offers readings of some of the well-known poems in which women feature prominently, and follows Pope's response throughout his writings in general. The poet's own alienation from the dominant culture (through religion, politics and physical handicap), and his troubled fascination with certain kinds of women, make this subject complex and compelling, with wide implications. Dr. Rumbold provides new insight, and shows how women with whom Pope dealt can themselves be seen as individuals with presence and dignity.

The illegitimate daughter of Pope Julius II, Felice della Rovere became one of the most powerful and accomplished women of the Italian Renaissance. Now, Caroline Murphy vividly captures the untold story of a rare woman who moved with confidence through a world of popes and princes. Using a wide variety of sources, including Felice's personal correspondence, as well as diaries, account books, and chronicles of Renaissance Rome, Murphy skillfully weaves a compelling portrait of this remarkable woman. Felice della Rovere was to witness Michelangelo paint the Sistine Chapel, watch her father Pope Julius II lay the foundation stone for the new Saint Peter's, and see herself immortalized by Raphael in his Vatican frescos. With her marriage to Gian Giordano Orsini--arranged, though not attended, by her father the Pope--she came to possess great wealth and power, assets which she turned to her advantage. While her father lived, Felice exercised much influence in the affairs of Rome--even negotiating for peace with the Queen of France--and after his death, Felice persevered, making allies of the cardinals and clerics of St. Peter's and maintaining her control of the Orsini land through tenacity, ingenuity, and carefully cultivated political savvy. She survived the Sack of Rome in 1527, but her greatest enemy proved to be her own stepson Napoleone. The rivalry between him and her son Girolamo had a sudden and violent end, and brought her perilously close to losing everything she had spent her life acquiring. With a marvelous cast of characters, this is a spellbinding biography set against the brilliant backdrop of Renaissance Rome.

Focuses exclusively on Evangelii Gaudium as interpreted from a variety of interdisciplinary and denominational perspectives, with a sharper focus on the ecclesiological as well as the ecumenical potentialities for the reform and renewal of the church contained within this reorientation and reappreciation of the church’s primary mission to evangelization in the modern world.