The lighthearted tale of a 12-year-old Jewish boy who befriends a British policeman in 1947 Israel, a friendship which leads his comrades to accuse him of treason. The boys have formed a secret liberation army to throw out the British.

For animal lovers and fans of The One and Only Ivan and Hoot, this is the uplifting story of a girl who discovers a family of panthers that were thought to be extinct, and her journey to save the species. Eleven-year-old Kiri has a secret: wild things call to her. More than anyone else, she’s always had a special connection to animals. But when Kiri has an encounter with the last known Florida panther, her life is quickly turned on end. Caught between her conservationist father, who wants to send the panther to a zoo, and the village poachers, who want to sell it to feed their families, Kiri must embark on a journey that will take her deep into the wilderness. There has to be some way to save the panther, and for her dad and the villagers to understand each other. If Kiri can’t figure out what it is, she’ll lose far more than the panthers—she’ll lose the only home she’s ever known, and the only family she has left. 2018 Green Earth Book Award Honor 2018 Colorado Book Award Winner CAL Book Award Winner Green Prize for Sustainable Literature Award Winner A Bank Street "Best Children's Book of the Year" A National Geographic Giant Traveling Map of Florida Selection "A powerful tale of a future to be avoided." —Kirkus Reviews "An eerie cautionary tale about the dangers of not protecting the environment, tackles an important theme in a compelling way...a fantastical tale with roots in real-world issues." —Booklist "Earnest, heartfelt, and passionate, this book will likely inspire new environmentalists." —Bulletin "A boldly original, profoundly wise, deeply moving book. It’s a rare gift to any reader, as well as to our planet.” —T. A. Barron, best-selling author of the Merlin Saga

Winner of the National Jewish Book Award: A “gorgeous, rueful collection of eight linked stories” capturing the collective dreams of Israel in the 1950s (Chicago Tribune). These eight interconnected stories, set in the fictitious Kibbutz Yekhat, draw masterful profiles of idealistic men and women enduring personal hardships in the shadow of one of the greatest collective dreams of the twentieth century. A devoted father who fails to challenge his daughter’s lover, an old friend, a man his own age; an elderly gardener who carries on his shoulders the sorrows of the world; a woman writing perversely poignant letters to her husband’s mistress. Each of these stories is a luminous human and literary study; together they offer an eloquent portrait of an idea, and of a charged and fascinating epoch. Award-winning writer Amos Oz, who spent three decades living on a kibbutz, is at home and at his best in this “lucid and heartbreaking” award-winning collection (The Guardian). “Oz lifts the veil on kibbutz existence without palaver. His pinpoint descriptions are pared to perfection . . . His people twitch with life.” —The Scotsman “A collection of stories . . . that boasts the sense, scope and unity of a novel . . . Breathtaking.” —Irish Examiner “A complex and melancholic vision of people struggling to transcend their individuality for the sake of mundanely idealist goals.” —The Times Literary Supplement

The acclaimed author presents “three passionate lectures about the state of politics in Israel” in this “humorous, mournful, enraged, and uplifting” volume (Kirkus). A National Jewish Book Award Finalist Israeli author Amos Oz has won numerous awards for his novels capturing the cultural and political complexities of his country, including the Frankfurt Peace Prize, the Primo Levi Prize, and the National Jewish Book Award. But these essays on the universal nature of fanaticism and its possible cures, on the Jewish roots of humanism and the need for a secular pride in Israel, and on the geopolitical standing of Israel in the wider Middle East and internationally, “may contain his most urgent message yet.” (Ruth Eglash, Washington Post). These essays were written, Oz states, “first and foremost” for his grandchildren: they are a patient, learned telling of history, religion, and politics, to be thumbed through and studied, clung to even, as we march toward an uncertain future. “Concise, evocative . . . Dear Zealots is not just a brilliant book of thoughts and ideas—it is a depiction of one man’s struggle, who for decades has insisted on keeping a sharp, strident and lucid perspective in the face of chaos and at times of madness.” —David Grossman, winner of the Man Booker International Prize

An exceptional father-son story from the National Book Award–winning author of Between the World and Me about the reality that tests us, the myths that sustain us, and the love that saves us. Paul Coates was an enigmatic god to his sons: a Vietnam vet who rolled with the Black Panthers, an old-school disciplinarian and new-age believer in free love, an autodidact who launched a publishing company in his basement dedicated to telling the true history of African civilization. Most of all, he was a wily tactician whose mission was to carry his sons across the shoals of inner-city adolescence—and through the collapsing civilization of Baltimore in the Age of Crack—and into the safe arms of Howard University, where he worked so his children could attend for free. Among his brood of seven, his main challenges were Ta-Nehisi, spacey and sensitive and almost comically miscalibrated for his environment, and Big Bill, charismatic and all-too-ready for the challenges of the streets. The Beautiful Struggle follows their divergent paths through this turbulent period, and their father’s steadfast efforts—assisted by mothers, teachers, and a body of myths, histories, and rituals conjured from the past to meet the needs of a troubled present—to keep them whole in a world that seemed bent on their destruction. With a remarkable ability to reimagine both the lost world of his father’s generation and the terrors and wonders of his own youth, Coates offers readers a small and beautiful epic about boys trying to become men in black America and beyond. Praise for The Beautiful Struggle “I grew up in a Maryland that lay years, miles and worlds away from the one whose summers and sorrows Ta-Nehisi Coates evokes in this memoir with such tenderness and science; and the greatest proof of the power of this work is the way that, reading it, I felt that time, distance and barriers of race and class meant nothing. That in telling his story he was telling my own story, for me.”—Michael Chabon, bestselling author of The Yiddish Policemen’s Union and The Amazing Adventures of Kavalier & Clay “Ta-Nehisi Coates is the young James Joyce of the hip hop generation.”—Walter Mosley

Art and the Artist in the Contemporary Israeli Novel presents studies of eight contemporary works of Israeli fiction by eight major Israeli novelists. It deals with a society where drama, lived in reality but also in the mind, is a central moving force. What this book shows is the ways these texts deal with the themes of creativity and the creation of a work of art and with the way art and artists are portrayed in a culture that is often perceived as being otherwise preoccupied. The book involves close and painstaking readings of these novels and travels along a broad spectrum of themes. It also shows how these texts engage in dialogue with texts of the Jewish tradition, on the one hand, and, on the other hand, with each other. Two major points of the book are its emphasis on the work as literary art and the way the same themes often find their way into the varied works created by this literary generation. The book notes two tendencies among Israeli writers: that there is a great “urge to tell” their story and the story of Israel; and that to make clear not only what is “happening” in these novels but also what is “going on” in their works of art, the novelist take the leisurely route of “literary emerging”— slowly but surely leading the reader to see how art emerges from the most prosaic of events. Despite its easygoing tone, the book still claims to be a serious book, dealing with serious issues, both ethical and metaphysical. One of the cases this book endeavors to make is that one of the main goals of contemporary Israeli writers is to insert their works of art—via a midrashic mode of writing in which previous texts are constantly being re-written and being made modern—as links in the great chain of the Jewish textual tradition. These novels often refer back to biblical tales and to rabbinic ways of reading them. But they also demonstrate how the writers themselves and their books and are also a part of that tradition. Most of all, however, these writers are supremely aware that they are artists and that they have a particular responsibility to their art.

In Somber Lust, Yair Mazor examines the work of the celebrated Israeli writer Amos Oz. In addition to providing a panoramic, comprehensive study of Oz's work, including his novels, novellas, short stories, and numerous essays on literary, social, and political subjects, Mazor also meticulously documents the evolution of Oz's aesthetic and ideological vision. The book concludes with an extensive interview with Oz himself, in which he offers insights into his own work as well as the creative process in general.