A glamorous and unprecedented exploration of Palladio's work in one of the most beautiful of all cities

"Palladio is the Bible," Thomas Jefferson once said. "You should get it and stick to it." With his simple, gracious, perfectly proportioned villas, Andrea Palladio elevated the architecture of the private house into an art form during the late sixteenth century -- and his influence is still evident in the ample porches, columned porticoes, grand ceilings, and front-door pediments of America today. In The Perfect House, bestselling author Witold Rybczynski, whose previous books (Home, A Clearing in the Distance, Now I Sit Me Down) have transformed our understanding of domestic architecture, reveals how a handful of Palladio's houses in an obscure corner of the Venetian Republic should have made their presence felt hundreds of years later and halfway across the globe. More than just a study of one of history's seminal architectural figures, The Perfect House reflects Rybczynski's enormous admiration for his subject and provides a new way of looking at the special landscapes we call "home" in the modern world.

Palladio lived and worked some 500 years ago in the Veneto, yet his influence, and particularly his impact on American architecture, has been greater than that of any architect since. This book shows how Palladio studied and reinterpreted the architecture of antiquity, how he developed his ideas, how his message spread, and how Palladianism developed.

Cities are shaped as much by a repertoire of buildings, works and objects, as by cultural institutions, ideas and interactions between forms and practices entangled in identity formations. This is particularly true when seen through a city as forceful and splendid as Venice. The essays in this volume investigate these connections between art and identity, through discussions of patronage, space and the dissemination of architectural models and knowledge in Venice, its territories and beyond. They celebrate Professor Deborah Howard?s leading role in fostering a historically grounded and interdisciplinary approach to the art and architecture of Venice. Based on an examination and re-interpretation of a wide range of archival material and primary sources, the contributing authors approach the notion of identity in its many guises: as self-representation, as strong sub-currents of spatial strategies, as visual and semantic discourses, and as political and imperial aspirations. Employing interdisciplinary modes of interpretation, these studies offer ground-breaking analyses of canonical sites and works of art, diverse groups of patrons, as well as the life and oeuvre of leading architects such as Jacopo Sansovino and Andrea Palladio. In so doing, they link together citizens and nobles, past and present, the real and the symbolic, space and sound, religion and power, the city and its parts, Venice and the Stato da Mar, the Serenissima and the Sublime Port.

Inspired by Deborah Howard’s leading role in fostering a historically grounded and interdisciplinary approach to the art and architecture of Venice, the essays here examine the connections and rapports between art and identity through the discussion of patronage, space (domestic and ecclesiastical), and dissemination of architectural knowledge as well as models within Venice, its territories and beyond.

Award-winning historian Joanne M. Ferraro's The Renaissance and the Wider World skillfully surveys the economic, political, social, and cultural history of Europe for the period between 1250 and 1600. The book examines how the Renaissance manifested itself through developments in the high culture of art, architecture, philosophy, science, technology, and education, as well as material culture in the form of worldly goods and consumption patterns. Ferraro expertly shows how Renaissance high culture began in 13th-century Italy, with important ancient and medieval legacies and cultural infusions from China, North Africa, and Islam and, from the 16th century, the Ottomans and the Americas; she also examines some of the ways in which this Renaissance then impacted the rest of Europe, the Americas, and the Ottoman Empire during the 15th and 16th centuries. Vital and innovative themes that permeate the text's discussions of science, art, architecture, philosophy, and technology are that: * Global encounters helped shape the material, intellectual and artistic cultures of the age * Both women and men contributed significantly to the advances made * The daily lives of ordinary men and women are fundamental to understanding this remarkable period Highly illustrated and with valuable pedagogical features, such as timelines and a glossary, The Renaissance and the Wider World is the essential guide to a European era of profound global importance.

Andrea Palladio (1508�-1580), one of the most famous architects of all time, published two enormously popular guides to the churches and antiquities of Rome in 1554. Striving to be both scholarly and popular, Palladio invited his Renaissance readers to discover the charm of Rome’s ancient and medieval wonders, and to follow pilgrimage routes leading from one church to the next. He also described ancient Roman rituals of birth, marriage, and death. Here translated into English and joined in a single volume for the first time, Palladio’s guidebooks allow modern visitors to enjoy Rome exactly as their predecessors did 450 years ago. Like the originals, this new edition is pocket-sized and therefore easily read on site. Enhanced with illustrations and commentary, the book also includes the first full English translation of Raphael’s famous letter to Pope Leo X on the monuments of ancient Rome. For architectural historians, tourists, and armchair travelers, this book offers fresh and surprising insights into the antiquarian and ecclesiastical preoccupations of one of the greatest of the Renaissance architectural masters.