This new book explores the music of the great composer Giovanni Pierluigi da Palestrina (1525-1594), its surrounding history and still unfolding potential. It follows the music from love poetry, through changing events in the Church Year, to the composer's record-breaking 104 Mass settings, uncovering many neglected treasures on the way. Its approach is accessible and largely non-technical. There is a focus on relationships with text, belief and ceremony, the individual melodic lines, and the richly interweaving voice parts (cantus, alto, tenor, bass). Not least, the author explores diverse ways - emotional, devotional, imaginative - of enjoying and responding to the music.Here is music which excels in differentiation, equality, consonance and cordiality between the voice parts. Much of it can be interpreted as symbolising ideal community and core beliefs about the eternal God There is a striking avoidance of tight metricality, mighty forces, tumult or disjunction. The music's leading values are those of clarity, balance, affectionate concord and graceful flowingness.{WHAT SOME LEADING PEOPLE ARE SAYING ABOUT THE BOOK}'Historian Jonathan Boswell has brought a lifetime's fascination with the life and music of Palestrina to bear in a new book, the first accessible general guide in English to appear for several decades' (Early Music Today, news, June 2019).'Worthy of its title ... well-chosen examples ... in every way a suitable introduction for music lovers of all descriptions' (Tamesis).'Anyone interested in exploring Palestrina should start with this account ... I very much applaud the author' (Peter Phillips, The Tallis Scholars).'So refreshing, so personal, so illuminating ... I loved this book' (Harry Christophers, The Sixteen).'A very valuable contribution to the field, and it will immensely enrich all those who engage with it' (Chiara Bertoglio, Professor of Musicology, University of Bologna).'Admirably illuminates the fervent response of a great musical poet to the emotion and theology of the sacred texts and liturgy'(Patrick Russill, Royal College of Music and The London Oratory).'A much needed book ... it's first class' (Andrew Carwood, St Paul's Cathedral and The Cardinall's Musick).{CHAPTER HEADINGS, 176 pages}1 - Prince of music ?2 - Palestrina in his own time3 - Love poetry and devotional diversities4 - Sorrow, suffering, hope and glory5 - A music of amity and ideal community6 - 'The quality of mercy': Kyrie eleison7 - Gloria and Credo8 - Controversies, choirs, conductors9 - Sounding the mystery: Sanctus and Benedictus10 - Peace and eternity: Agnus Dei Select bibliographyIndex of works referred toProduct description About the AuthorJonathan Boswell is a general historian whose projects have repeatedly defied narrow specialisation. Following periods in industry he became an academic, working successively at The City University Business School, St Antony's College Cambridge, and the Von Hugel Institute, St Edmund's College Cambridge. He has published books on business history and social ideas.Music has been a lifelong passion. A lover of Palestrina's music since early manhood, Jonathan later sang large quantitites of it in early music choral groups. He loves walking, TV, and chatting about books and current affairs. He lives with his wife in North London. For more about Jonathan and Palestrina for All visit www.jonathanboswell.co.uk

This guide introduces students and scholars to the literature on Palestrina as well as the complicated history of the publication of his works.

Focusing on the reception of Palestrina, this bold interdisciplinary study explains how and why the works of a sixteenth-century composer came to be viewed as a paradigm for modern church music. It explores the diverse ways in which later composers responded to his works and style, and expounds a provocative model for interpreting compositional historicism. In addition to presenting insights into the works of Bruckner, Mendelssohn and Liszt, the book offers fresh perspectives on the institutional, aesthetic and ideological frameworks sustaining the cultivation of choral music in this period. This publication provides an overview and analysis of the relation between the Palestrina revival and nineteenth-century composition and it demonstrates that the Palestrina revival was just as significant for nineteenth-century culture as parallel movements in the other arts, such as the Gothic revival.

Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.

The famous Nile Mosaic of Palestrina, ancient Praeneste in central Italy, dating to c. 100 B.C., is one of the earliest large mosaics which have been preserved from the classical world. It presents a unique, comprehensive picture of Egypt and Nubia. The interpretation of the mosaic is disputed, suggestions ranging from an exotic decoration to a topographical picture or a religious allegory. The present study demonstrates that the mosaic depicts rituals connected with Isis and Osiris and the yearly Nile flood. The presence of these Egyptian religious scenes at Praeneste can be explained by the assimilation of isis and Fortuna, the tutelary goddess of Praeneste, and by the interpretation of the mosaic as a symbol of divine providence.