A shaman as well as the leading Navajo modern artist, Paladin is one of the first Native American painters to move beyond traditional themes and styles. Praised by the renowned artist Marc Chagall, Paladin's brilliant and evocative paintings are admired for their exuberance, eclecticism, spirituality, and original use of symbols.

The first-ever history of the representation of dreams in Western painting, illustrated with works by more than 130 artists Organized by period, from the Middle Ages to the present, this engaging book shows how the idea of the dream, and its depictions, have shifted throughout history, from the biblical dream—a communication from God—to the deeply personal dream, the lighthearted fantasy, the nightmare. Sometimes these ideas have existed simultaneously: thus we have, only a few years apart, Raphael’s limpid High Renaissance composition of Jacob dreaming his Ladder; Albrecht Dürer’s watercolor of a mysterious deluge that he saw in his own slumbers; and Hieronymus Bosch’s nightmarish hellscapes. More recently, movements such as Symbolism and Surrealism have taken the dream as a primary source of inspiration, even conflating dreaming and the creative process itself. This rich vein of visionary art runs from Gustave Moreau and Odilon Redon, through De Chirico and Dalí, down to the present—demonstrating, as Bergez reminds us, that Morpheus was a god of form as well as of dreams.

Sumi-e is the classic painting style of Japan, and its graceful simplicity is admired around the world. A natural follow-up to the best-sellingThe Sumi-e Book,The Sumi-e Dream Bookdemonstrates how to take the classic brushstrokes of sumi-e to a new level of painting, where creativity is inspired by deeply felt memories and spiritual expression. First, sumi-e artist Yolanda Mayhall provides a brief history and explains the philosophy behind this classic Japanese painting style. She highlights its many masters, one of them her ancient mentor the master brush painter, woodblock, and dream journey artist Hokosai. Next, she reviews the classic materials and the basic brushstrokes of sumi-e known as the Four Gentlemen: Bamboo, Wild Orchid, Chrysanthemum, and Plum Branch, along with their variations. Finally, Mayhall puts it all together to demonstrate the sumi-e art of dream journey painting. Readers will learn a variety of creative and exciting techniques for using color to add a delightful dimension to the sumi-e image as well as discover exciting techniques for visually capturing important life memories and spiritual reflections in a painting. • Written by the author of the best-sellingThe Sumi-e Book • Taps into the growing number of artists interested in Eastern art forms and spiritual awareness

A beautifully illustrated investigation of Neo-Impressionism in late 19th-century Paris and Brussels This stunning catalogue explores the creative exchange between Neo-Impressionist painters and Symbolist writers and composers in the late 1880s and early 1890s. Symbolism, with its emphasis on subjectivity, dream worlds, and spirituality, has often been considered at odds with Neo-Impressionism's approach to portraying color and light. This book repositions the relationship between these movements and looks at how Neo-Impressionist artists such as Maximilien Luce, Georges Seurat, Paul Signac, and Henry van de Velde created evocative landscape and figural scenes by depicting emptiness, contemplative moods, Arcadia, and other themes. Beautifully illustrated with 130 color images, this book reveals the vibrancy and depth of the Neo-Impressionist movement in Paris and Brussels in the late 19th century.

After reading about dinosaurs and then falling asleep, Wilbur sees a baby apatosaurus outside his bedroom and travels backward through time to return it to its Jurassic time period

The first book by beloved and prolific French artist Nathalie Lété, whose work is sold at Anthropologie, Astier de Villatte, and numerous other upscale homeware stores worldwide.

A biography of the North Carolina painter whose art had its origins in her religious visions and the African traditions of her slave ancestors.