Painting, Ethics, and Aesthetics in Rome
Title | Painting, Ethics, and Aesthetics in Rome PDF eBook |
Author | Nathaniel B. Jones |
Publisher | Cambridge University Press |
Total Pages | 311 |
Release | 2019-01-24 |
Genre | Art |
ISBN | 1108420125 |
Demonstrates how ancient Roman mural paintings stood at the intersection of contemporary social, ethical, and aesthetic concerns.
Roman Painting
Title | Roman Painting PDF eBook |
Author | Roger Ling |
Publisher | Cambridge University Press |
Total Pages | 284 |
Release | 1991-03-07 |
Genre | Art |
ISBN | 9780521315951 |
A general survey of Roman wall painting from the second century B.C. through the fourth century A.D., traces the origins, chronological development, subjects, techniques, and social context of the influential art form.
Greek Myths in Roman Art and Culture
Title | Greek Myths in Roman Art and Culture PDF eBook |
Author | Zahra Newby |
Publisher | Cambridge University Press |
Total Pages | 409 |
Release | 2016-09-15 |
Genre | Art |
ISBN | 1107072247 |
A new reading of the portrayal of Greek myths in Roman art, revealing important shifts in Roman values and identities.
Painting, Poetry, and the Invention of Tenderness in the Early Roman Empire
Title | Painting, Poetry, and the Invention of Tenderness in the Early Roman Empire PDF eBook |
Author | Hérica Valladares |
Publisher | Cambridge University Press |
Total Pages | 267 |
Release | 2020-12-17 |
Genre | Art |
ISBN | 1108835414 |
This book connects the emergence of Latin love elegy and a new, tender style in Roman wall painting.
Greek and Roman Aesthetics
Title | Greek and Roman Aesthetics PDF eBook |
Author | Oleg V. Bychkov |
Publisher | Cambridge University Press |
Total Pages | 295 |
Release | 2010-06-24 |
Genre | History |
ISBN | 052154792X |
An anthology of works commenting on the perception of beauty in art, structure and style in literature, and aesthetic judgement.
The Frame in Classical Art
Title | The Frame in Classical Art PDF eBook |
Author | Verity Platt |
Publisher | Cambridge University Press |
Total Pages | 737 |
Release | 2017-04-20 |
Genre | Art |
ISBN | 1316943275 |
The frames of classical art are often seen as marginal to the images that they surround. Traditional art history has tended to view framing devices as supplementary 'ornaments'. Likewise, classical archaeologists have often treated them as tools for taxonomic analysis. This book not only argues for the integral role of framing within Graeco-Roman art, but also explores the relationship between the frames of classical antiquity and those of more modern art and aesthetics. Contributors combine close formal analysis with more theoretical approaches: chapters examine framing devices across multiple media (including vase and fresco painting, relief and free-standing sculpture, mosaics, manuscripts and inscriptions), structuring analysis around the themes of 'framing pictorial space', 'framing bodies', 'framing the sacred' and 'framing texts'. The result is a new cultural history of framing - one that probes the sophisticated and playful ways in which frames could support, delimit, shape and even interrogate the images contained within.
The Ancient Middle Classes
Title | The Ancient Middle Classes PDF eBook |
Author | Ernst Emanuel Mayer |
Publisher | Harvard University Press |
Total Pages | 276 |
Release | 2012-06-20 |
Genre | History |
ISBN | 0674070100 |
Our image of the Roman world is shaped by the writings of Roman statesmen and upper class intellectuals. Yet most of the material evidence we have from Roman times—art, architecture, and household artifacts from Pompeii and elsewhere—belonged to, and was made for, artisans, merchants, and professionals. Roman culture as we have seen it with our own eyes, Emanuel Mayer boldly argues, turns out to be distinctly middle class and requires a radically new framework of analysis. Starting in the first century bce, ancient communities, largely shaped by farmers living within city walls, were transformed into vibrant urban centers where wealth could be quickly acquired through commercial success. From 100 bce to 250 ce, the archaeological record details the growth of a cosmopolitan empire and a prosperous new class rising along with it. Not as keen as statesmen and intellectuals to show off their status and refinement, members of this new middle class found novel ways to create pleasure and meaning. In the décor of their houses and tombs, Mayer finds evidence that middle-class Romans took pride in their work and commemorated familial love and affection in ways that departed from the tastes and practices of social elites.