In this explosive thriller, a fiendishly clever serial bomber and self-styled "eco-terrorist" hits targets across America--and a conflicted young FBI agent may be the only person possessing the unique skills needed to catch him. “A provocative, important, and very thrilling novel. I loved it. I savored the pages.” —James Patterson “A gripping, complex and heart-wrenching story that is as provocative as it is thrilling. Klass can weave a tale like few others.” —David Baldacci A massive FBI manhunt is underway for an elusive and terrifyingly adept serial bomber. He's just struck his sixth target, Idaho's Boon Dam, killing a dozen innocent people. But the bomber, who the press has dubbed "Green Man," insists these drastic acts of violence--each one carefully selected to destroy a target that threatens the environment--are necessary to draw the world's attention to the climate-change emergency. The FBI has no real leads. It's as if Green Man can predict every step of their investigation, skillfully evading all their standard tactics. Until young agent Tom Smith approaches the task-force leader with an unexpected insight. Tom, a computer programmer by training, may be the only person with the unique skill set needed to catch Green Man before he strikes again....

When a diphtheria epidemic hits her 1840 village, thirteen-year-old Jessie discovers it is actually a 1996 tourist site under unseen observation by heartless scientists, and it's up to Jessie to escape the village and save the lives of the dying children.

What happens when you live longer than you wanted to? Parvin Blackwater wanted to die, but now she's being called to be a leader. The only problem is, no one wants to follow. The Council uses Jude's Clock-matching invention to force "new-and-improved" Clocks on the public. Those who can't afford one are packed into boxcars like cattle and used for the Council's purposes. Parvin and Hawke find themselves on a cargo ship of Radicals headed out to sea. What will the Council do to them? And why are people suddenly dying before their Clocks have zeroed-out?

When Allie, Vic, and their friend, Max, are mysteriously sent back in time to the Titanic, they have to find a way to save their parents' shop, save their futures, and get off the ship before it sinks! Join the Treasure Travelers as they explore the Titanic in its prime and attempt to find their way back to the present!

This pioneering work aims at understanding the impact of non-standard (evening, night, weekend) working time on family cohesion, meaning parent-child interaction, partnership quality and divorce or partnership dissolution. ‘Out of time - the Consequences of Non-standard Employment Schedules for Family Cohesion’ is the first work to treat this important topic in a cross-national, comparative way by using data from two large comparable surveys. The impact of work in non-standard schedules on workers can be divided into individual and social consequences. Research so far has shown the clear individual effects of these schedules, such as increased stress levels and sleeping and physical disorders. There is less clarity about social consequences. Either no or positive effects of these types of schedules on workers and their families are found, or a significant negative impact on the relations between the workers and others, especially other members of the family is shown in research results. This Brief compares the Netherlands and the United States of America, countries that both show a high prevalence of non-standard schedule work, whereas both operate in very different institutional and welfare regime settings of working time regulation. By combining both quantitative and qualitative data, the authors are able to provide generalized views of comparative surveys and challenging those generalizations at the same time, thus enabling the reader to get a better understanding and more balanced view of the actual relationship between non-standard employment schedules and family cohesion.

How would you live if you knew the day you'd die? Parvin Blackwater believes she has wasted her life. At only seventeen, she has one year left according to the Clock by her bedside. In a last-ditch effort to make a difference, she tries to rescue Radicals from the government's crooked justice system. But when the authorities find out about her illegal activity, they cast her through the Wall -- her people's death sentence. What she finds on the other side about the world, about eternity, and about herself changes Parvin forever and might just save her people. But her clock is running out.

In Falling Out of Time, David Grossman has created a genre-defying drama - part play, part prose, pure poetry - to tell the story of bereaved parents setting out to reach their lost children. It begins in a small village, in a kitchen, where a man announces to his wife that he is leaving, embarking on a journey in search of their dead son.The man - called simply the 'Walking Man' - paces in ever-widening circles around the town. One after another, all manner of townsfolk fall into step with him (the Net Mender, the Midwife, the Elderly Maths Teacher, even the Duke), each enduring his or her own loss. The walkers raise questions of grief and bereavement: Can death be overcome by an intensity of speech or memory? Is it possible, even for a fleeting moment, to call to the dead and free them from their death? Grossman's answer to such questions is a hymn to these characters, who ultimately find solace and hope in their communal act of breaching deathâe(tm)s hermetic separateness. For the reader, the solace is in their clamorous vitality, and in the gift of Grossmanâe(tm)s storytelling âe" a realm where loss is not merely an absence, but a life force of its own.