Irene Sardanis was born into a Greek family in the Bronx in the 1940s in which fear and peril hovered. Her mother had come to New York for an arranged marriage. Her father drank, gambled, and enjoyed other women—and then, when Irene was eleven, abandoned her family altogether. Faced with their mother’s violent outbursts in the wake of this betrayal, Irene’s older siblings found a way out, but Irene was trapped, hostage to her mother’s rage and despair. When she finally escaped her mother as a young adult, she married a neighbor, also Greek, who controlled and dominated her just like her mother always had. But Irene wasn’t ready to let her story end there. With therapy, she eventually found the courage to leave her husband and pursue her own dreams. Out of the Bronx is her story of coming to terms with the mother and past that terrified and paralyzed her for far too long—and of how she went on to create a new life free of those fears.

The Bronx is a fascinating history of a singular borough, mapping its evolution from a loose cluster of commuter villages to a densely populated home for New York's African American and Hispanic populations. In recounting the varied and extreme transformations this community has undergone, Evelyn Gonzalez argues that racial discrimination, rampant crime, postwar liberalism, and big government were not the only reasons for the urban crisis that assailed the Bronx during the late 1960s. Rather, a combination of population shifts, public housing initiatives, economic recession, and urban overdevelopment caused its decline. Yet she also proves that ongoing urbanization and neighborhood fluctuations are the very factors that have allowed the Bronx to undergo one of the most successful and inspiring community revivals in American history. The process of building and rebuilding carries on, and the revitalization of neighborhoods and a resurgence of economic growth continue to offer hope for the future.

Thirty-five years after this landmark of urban history first captured the rise, fall, and rebirth of a once-thriving New York City borough—ravaged in the 1970s and ’80s by disinvestment and fires, then heroically revived and rebuilt in the 1990s by community activists—Jill Jonnes returns to chronicle the ongoing revival of the South Bronx. Though now globally renowned as the birthplace of hip-hop, the South Bronx remains America’s poorest urban congressional district. In this new edition, we meet the present generation of activists who are transforming their communities with the arts and greening, notably the restoration of the Bronx River. For better or worse, real estate investors have noticed, setting off new gentrification struggles.

Hip hop map of the Bronx on inside of dust jacket.

"Still known as "Baby", although a younger brother has come along, young Charyn makes pocket money delivering eggs, belongs to a group of twelve-year-old wannabe gangsters who meet in a soda shop run by an ex-con, and spends afternoons telling stories to the adoring wife of a wealthy Russian emigre. He becomes famous for his black-and-tans - a concoction of coffee ice cream, seltzer, milk, chocolate sauce, crushed pecans, and "a touch of bitterness that may have been the Bronx". So famous, indeed, that he walks away the winner of an annual black-and-tan contest sponsored by the real-life top gangster, called "The Little Man", Meyer Lansky."--BOOK JACKET.

A Comanche boy listens to his grandmother reminisce about the days of the buffalo.

Residents of New York City's South Bronx neighborhood live amidst what is frequently described as the most severe and widespread poverty in any U.S. metropolitan area. In the South Bronx of America is a work which, through documentary photographs, counterpointed with statements by residents and by newspaper reports and statistical information, offers both an intimate view of life in this neighborhood and a context for understanding the last two decades of accelerated social decay. In the words of Penny Coleman, New York Times photographer, In the South Bronx of America, "is important because it is not cynical, because it is a sincere attempt to provide the awareness necessary for change."