On a September night in 1958, three New Orleans college students went looking for a gay man to assault. They chose Fernando Rios, who died from the beating he received. In perhaps the earliest example of the "gay panic" defense, the three defendants argued that they had no choice but to beat Rios because he had made an "improper advance." When the jury acquitted the three, the courtroom cheered. The author offers a detailed examination of the murder and the trial.

Frames blood donation as a performance of civic identity closely linked to the meaning of citizenship In Banning Queer Blood, Jeffrey Bennett frames blood donation as a performance of civic identity closely linked to the meaning of citizenship. However, with the advent of HIV came the notion of blood donation as a potentially dangerous process. Bennett argues that the Food and Drug Administration, by employing images that specifically depict gay men as contagious, has categorized gay men as a menace to the nation. The FDA's ban on blood donation by gay men served to propagate the social misconceptions about gay men that continue to circulate within both the straight and LGBT/Queer communities. Bennett explores the role of scientific research cited by these banned-blood policies and its disquieting relationship to government agencies, including the FDA. Bennett draws parallels between the FDA's position on homosexuality and the historical precedents of discrimination by government agencies against racial minorities. The author concludes by describing the resistance posed by queer donors, who either lie in order to donate blood or protest discrimination at donation sites, and by calling for these prejudiced policies to be abolished.

In a series of journal entries—some original passages, others revisited and expanded in retrospect—Cherrié Moraga details her experiences with pregnancy, birth, and the early years of lesbian parenting. The premature birth of her son, when HIV-related mortality rates were at their highest, forced Moraga, a new mother at 40-years-old, to confront the fragile volatility of life and death; in these recorded dreams and reflections, her terror and resilience are made palpable. The particular challenges of queer parenting prove transformative as Moraga navigates her interesecting roles as mother, child, lover, friend, artist, activist, and more. With an updated introduction and other additions, this 25th anniversary edition of Waiting in the Wings is thoughtful and emotive, with prose that is sharp and beautifully written, from the voice of a beloved and incomparable writer.

On June 24, 1973, a fire in a New Orleans gay bar killed 32 people. This still stands as the deadliest fire in the city's history. Though arson was suspected, and though the police identified a likely culprit, no arrest was ever made. Additionally, government and religious leaders who normally would have provided moral leadership at a time of crisis were either silent or were openly disdainful of the dead, most of whom were gay men. Based upon review of hundreds of primary and secondary sources, including contemporary news accounts, interviews with former patrons of the lounge, and the extensive documentary trail left behind by the criminal investigations, The Up Stairs Lounge Arson tells the story of who used to go to this bar, what happened on the day of the fire, what course the investigations took, why an arrest was never made, and what the lasting effects of the fire have been.

Using bisexuality as a frame, Go the Way Your Blood Beats questions the division of sexuality into straight and gay, in a timely exploration of the complex histories and psychologies of human desire. A challenge to the idea that sexuality can either ever be fully known or neatly categorised, it is a meditation on desire’s unknowability. Interwoven with anonymous addresses to past loves - the sex of whom remain obscure - the book demonstrates the universalism of desire, while at the same time the particularity of each individual act of desiring. Part essay, part memoir, part love letter, Go the Way Your Blood Beats asks us to see desire and sexuality as analogous with art - a mysterious, creative force, and one that remakes us in the act itself.

Zľie Adebola remembers when the soil of Ors̐ha hummed with magic. Burners ignited flames, Tiders beckoned waves, and Zľie's Reaper mother summoned forth souls.