Climate disruption is often discussed on a global scale, affording many a degree of detachment from what is happening in their own backyards. Yet the consequences of global warming are of an increasingly acute and serious nature. In Virginia Climate Fever, environmental journalist Stephen Nash brings home the threat of climate change to the state of Virginia. Weaving together a compelling mix of data and conversations with both respected scientists and Virginians most immediately at risk from global warming’s effects, the author details how Virginia’s climate has already begun to change. In engaging prose and layman’s terms, Nash argues that alteration in the environment will affect not only the state’s cities but also hundreds of square miles of urban and natural coastal areas, the 60 percent of the state that is forested, the Chesapeake Bay, and the near Atlantic, with accompanying threats such as the potential spread of infectious disease. The narrative offers striking descriptions of the vulnerabilities of the state’s many beautiful natural areas, around which much of its tourism industry is built. While remaining respectful of the controversy around global warming, Nash allows the research to speak for itself. In doing so, he offers a practical approach to and urgent warning about the impending impact of climate change in Virginia.

Filled Z99 color photographs and memorable descriptions this tribute to the Old Dominion features an introduction written by Virginia author and columnist Guy Friddell

In most college and university libraries, materials published before 1800 have been moved into special collections, while the post-1923 books remain in general circulation. But books published between these dates are vulnerable to deaccessioning, as libraries increasingly reconfigure access to public-domain texts via digital repositories such as Google Books. Even libraries with strong commitments to their print collections are clearing out the duplicates, assuming that circulating copies of any given nineteenth-century edition are essentially identical to one another. When you look closely, however, you see that they are not. Many nineteenth-century books were donated by alumni or their families decades ago, and many of them bear traces left behind by the people who first owned and used them. In Book Traces, Andrew M. Stauffer adopts what he calls "guided serendipity" as a tactic in pursuit of two goals: first, to read nineteenth-century poetry through the clues and objects earlier readers left in their books and, second, to defend the value of keeping the physical volumes on the shelves. Finding in such books of poetry the inscriptions, annotations, and insertions made by their original owners, and using them as exemplary case studies, Stauffer shows how the physical, historical book enables a modern reader to encounter poetry through the eyes of someone for whom it was personal.

Before 1660, English readers and theatergoers had never heard of a "coquette"; by the early 1700s, they could hardly watch a play, read a poem, or peruse a newspaper without encountering one. Why does British literature of this period pay so much attention to vain and flirtatious young women? Our Coquettes examines the ubiquity of the coquette in the eighteenth century to show how this figure enables authors to comment upon a series of significant social and economic developments—including the growth of consumer culture, widespread new wealth, increased travel and global trade, and changes in the perception and practice of marriage. The book surveys stage comedies, periodical essays, satirical poems, popular songs, and didactic novels to show that the early coquette is a figure of capacious desire: she finds pleasure in a wide range of choices, refusing to narrow any field of possibilities (admirers, luxury goods, friends, pets, public gatherings) down to a single option. Whereas scholars of the period have generally read the coquette as a simple and self-evident type, Our Coquettes emphasizes what is strange and surprising about this figure, revealing the coquette to be a touchstone in developing discourses about sexuality, consumerism, empire, and modernity itself. Winner of the Walker Cowen Memorial Prize for an outstanding work of scholarship in eighteenth-century studies