This volume contains work by scholars actively publishing on origin legends across early medieval western Europe, from the fall of Rome to the high Middle Ages. Its thematic structure creates dialogue between texts and regions traditionally studied in isolation.

This holistic study demonstrates the interconnected nature of early medieval origin legends and traces their growth over time.

Between the fall of the Roman Empire and the Renaissance, the classic culture of Greece and Rome, with its gods and legends, was forgotten; and from among the many races and tribes that had spread over Western Europe following the collapse of the Empire there emerged new legends, indigenous to the newcomers. The collection in this book brings together the most famous of the European stories, some with roots dating back to pagan times, other extolling the virtues of more recent heroes--Christian paladins, kings, and emperors. Originally published in 1896, book presents the legends of Beowulf, Gudrun, Reynard the Fox, The Nibelungenlied, Charlemagne, Merlin, The Round Table, The Cid, Titurel, the Holy Grail, and others. This anthology introduced many young people in turn of the century America to these tales.

The papers gathered in this volume were all given in 1999 - at the International Congress on Medieval Studies in Kalamazoo, at the International Medieval Congress in Leeds and during a day conference held at York. They agree that looking at the wide range of narrative forms available provides new ways of viewing the Middle Ages.

The inhabitants of early medieval Britain and Ireland shared the knowledge that the region held four peoples and the awareness that they must have originally come from 'elsewhere'. The Origin Legends of Early Medieval Britain and Ireland studies these peoples' origin stories, an important genre that has shaped national identity and collective history from the early medieval period to the present day. These multilingual texts share many common features that repay their study as a genre, but have previously been isolated as four disparate traditions and used to argue for the long roots of current nationalisms. Yet they were not written or read in isolation during the medieval period. Individual narratives were in constant development, written and rewritten to respond to other texts. This book argues that insular origin legends developed together to flesh out the history of the insular region as a whole.

Situates Celtic languages and literatures in relation to European movements, in the tradition of Helen Fulton's groundbreaking research. Professor Helen Fulton's influential scholarship has pioneered our understanding of the links between Welsh and European medieval literature. The essays collected here pay tribute to and reflect that scholarship, by positioning Celtic languages and literatures in relation to broader European movements and conventions. They include studies of texts from medieval Wales, Ireland, and the Welsh March, alongside discussions of continental multicultural literary engagements, understood as a closely related and analogous field of enquiry. Contributors present new investigations of Welsh poetry, from the pre-Conquest poetry of the princes to late-medieval and early Tudor urban subject matters; Welsh Arthuriana and Irish epic; the literature of the Welsh March - including the writings of the Gawain-poet; and the multilingual contexts of medieval and post-medieval Europe, from the Dutch speakers of polyglot medieval Calais to the Romantic poet Shelley's probable ownership of a Welsh Bible.

The Merovingian centuries were a foundational period in the historical consciousness of western Europe. The memory of the first dynasty of Frankish kings, their origin myths, accomplishments, and failures were used by generations of chroniclers, propagandists, and historians to justify a wide range of social and political agendas. The process of curating and editing the source material gave rise to a recognisable 'Merovingian narrative' with three distinct phases: meteoric ascent, stasis, and decline. Already in the seventh-century Chronicle of Fredegar, this tripartite model was invoked by a Merovingian queen to prophesy the fate of her descendants. This expert commentary sets out to understand how the story of the Merovingians was shaped through a process of continuous historiographical adaptation. It examines authors from across a millennium of historical writing and analyses their influences and objectives, charting the often-unexpected ways in which their narratives were received and developed.