This early work by Sigmund Freud was originally published in 1912 and we are now republishing it with a brand new introductory biography. 'On the Universal Tendency to Debasement in the Sphere of Love' is an essay on the causes of psychological impotence. Sigismund Schlomo Freud was born on 6th May 1856, in the Moravian town of Příbor, now part of the Czech Republic. He studied a variety of subjects, including philosophy, physiology, and zoology, graduating with an MD in 1881. Freud made a huge and lasting contribution to the field of psychology with many of his methods still being used in modern psychoanalysis. He inspired much discussion on the wealth of theories he produced and the reactions to his works began a century of great psychological investigation.

Selections span Freud's career from early case histories through his work on dreams, essays on sexuality, and his later philosophical writings. Most are reproduced in full and have been selected from the standard edition. Gay ties all together with an analytical introduction, chronology of life and work, and commentary throughout. Ideal size book for reading and browsing marred only by the inexplicable use of poor quality (and acidic) paper. Annotation copyrighted by Book News, Inc., Portland, OR

An abundance of rich and memorable female roles is one of the most striking features of turn-of-the-century European drama. Gail Finney traces the source of this phenomenon to large-scale upheavals in prevailing contemporary attitudes toward women. She cites two major developments in particular: the culmination in the years 1880–1920 of the first feminist movement; and Freud's formulation of his theories of sexuality, which emphasize differences between the sexes. Taking into account these strong, sometimes conflicting intellectual currents, Women in Modern Drama explores the dynamics of gender identity and family relationships in major plays by European make dramatists, including Ibsen, Strindberg, Shaw, Wilde, Schnitzler, Synge, Hofmannsthal, Wedekind, and Hauptmann.

When first published in 1992, The Critical and Cultural Theory Reader served the growing need for essays and extracts for the study of culture. Now, the second and expanded edition of this highly successful reader reflects the growing diversity of the field and includes thirteen new essays.

Few thinkers have enjoyed so pervasive an influence as Rousseau, who originated dissatisfaction with modernity. By exploring polarities articulated by Rousseau—nature versus society, self versus other, community versus individual, and compassion versus competitiveness—these fourteen original essays show how his thought continues to shape our ways of talking, feeling, thinking, and complaining. The volume begins by taking up a central theme noted by the late Allan Bloom—Rousseau's critique of the bourgeois as the dominant modern human type and as a being fundamentally in contradiction, caught between the sentiments of nature and the demands of society. It then turns to Rousseau's crucial polarity of nature and society and to the later conceptions of history and culture it gave rise to. The third part surveys Rousseau's legacy in both domestic and international politics. Finally, the book examines Rousseau's contributions to the virtues that have become central to the current sensibility: community, sincerity, and compassion. Contributors include Allan Bloom, François Furet, Pierre Hassner, Christopher Kelly, Roger Masters, and Arthur Melzer.

In this major book, renowned art historian Griselda Pollock makes a compelling intervention into a debate at the very centre of feminist art history: should the traditional canon of the Old Masters be rejected, replaced or reformed?

Through an innovative use of style, her literary examples articulate an art of seduction and an aesthetic that transforms, suspends, or erases identity - individual, gender, social, and cultural."--BOOK JACKET.