They came to earth--Pestilence, War, Famine, Death--four horsemen riding their screaming steeds, racing to the corners of the world. Four horsemen with the power to destroy all of humanity. They came to earth, and they came to end us all. When Pestilence, the first of the horsemen, comes for Sara Burn's town, one thing is certain: everyone she knows and loves is marked for death. Unless, of course, the angelic-looking horseman is stopped, which is exactly what Sara has in mind when she shoots the unholy beast off his steed. Too bad no one told her Pestilence can't be killed. Alive and furious, the horseman takes Sara prisoner, determined to make her suffer for impeding his mission. Despite her pleas, nothing and no one gets in the way of his orders to destroy humankind. Only, the longer Pestilence spends beside Sara's bravery and compassion, the more he seems to understand her, and understand humanity. And the longer Sara travels with Pestilence and his plague, the more uncertain she grows about his true feelings toward her...and hers toward him. Sara might still be able to save the world, but she'll have to sacrifice her heart in the process.

In the late 1700s, when Euro-Americans began to visit the Northwest Coast, they reported the presence of vigorous, diverse cultures--among them the Tlingit, Haida, Kwakwaka'wakw (Kwakiutl), Nuu-chah-nulth (Nootka), Coast Salish, and Chinookans--with a population conservatively estimated at over 180,000. A century later only about 35,000 were left. The change was brought about by the introduction of diseases that had originated in the Eastern Hemisphere, such as smallpox, malaria, measles, and influenza. The Coming of the Spirit of Pestilence examines the introduction of infectious diseases among the Indians of the Northwest Coast culture area (present-day Oregon and Washington west of the Cascade Mountains, British Columbia west of the Coast Range, and southeast Alaska) in the first century of contact and the effects of these new diseases on Native American population size, structure, interactions, and viability. The emphasis is on epidemic diseases and specific epidemic episodes. In most parts of the Americas, disease transfer and depopulation occurred early and are poorly documented. Because of the lateness of Euro-American contact in the Pacific Northwest, however, records are relatively complete, and it is possible to reconstruct in some detail the processes of disease transfer and the progress of specific epidemics, compute their demographic impact, and discern connections between these processes and culture change. Boyd provides a thorough compilation, analysis, and comparison of information gleaned from many published and archival sources, both Euro-American (trading-company, mission, and doctors' records; ships' logs; diaries; and Hudson's Bay Company and government censuses) and Native American (oral traditions and informant testimony). The many quotations from contemporary sources underscore the magnitude of the human suffering. The Coming of the Spirit of Pestilence is a definitive study of introduced diseases in the Pacific Northwest. For more information on the author go to http: //roberttboyd.com/

In the spring of 1576, the Health Office of Venice, fearful of a growing outbreak of plague, imposed a quarantine upon the city. The move was controversial, with some in power questioning the precise nature of the disease and concerned about the economic and political impact of the closure. A tribunal of physicians was summoned by the Doge, among them Girolamo Mercuriale, professor of medicine in nearby Padua and perhaps the most famous physician in all of Europe. Whatever the disease was that was affecting Venice, Mercuriale opined, it was not and could not be plague, for it was neither fast-moving nor widespread enough for that diagnosis. Following Mercuriale's advice and against the objections of the Health Office of the Republic, the quarantine was lifted. The rejoicing of the Venetian populace was short-lived. By July 1577, when the outbreak had run its course, the plague had killed an estimated 50,000 Venetians, or approximately a third of the city's population. In January 1577, in the midst of a plague he now recognized he had misdiagnosed, Mercuriale offered a series of lectures from his seat in Padua. Published under the title On Pestilence, the work surveyed past epidemics, including the Justinianic Plague of the sixth century and the Black Death of the fourteenth, and accounts of plague in Hippocrates, Galen, Avicenna, and other sources. Plague, Mercuriale pronounced, was characterized by its lethal nature and the rapidity with which it spread. He contended it was primarily airborne and was not caught through microbial transmission, but because the air itself became pestiferous and promoted putrefaction. Using his observations, he evaluated recently developed theories of contagion and concluded that pestiferous vapors could also emanate from the diseased bodies of its victims, and that one might also contract the disease from the contaminated clothing or bedding of the ill. In Craig Martin's translation, On Pestilence appears for the first time in English, accompanied by an introduction that places the work within the context of sixteenth-century Italy, the history of medicine, and our own responses to epidemic disease.

An eye-opening anthology from the bestselling editor of Histories of Nations, exploring how people around the globe have suffered and survived during plague and pandemic, from the ancient world to the present. Plague, pestilence, and pandemics have been a part of the human story from the beginning and have been reflected in art and writing at every turn. Humankind has always struggled with illness; and the experiences of different cities and countries have been compared and connected for thousands of years. Many great authors have published their eyewitness accounts and survivor stories of the great contagions of the past. When the great Muslim traveler Ibn Battuta visited Damascus in 1348 during the great plague, which went on to kill half of the population, he wrote about everything he saw. He reported, "God lightened their affliction; for the number of deaths in a single day at Damascus did not attain 2,000, while in Cairo it reached the figure of 24,000 a day." From the plagues of ancient Egypt recorded in Genesis to those like the Black Death that ravaged Europe in the Middle Ages, and from the Spanish flu of 1918 to the Covid-19 pandemic in our own century, this anthology contains fascinating accounts. Editor Peter Furtado places the human experience at the center of these stories, understanding that the way people have responded to disease crises over the centuries holds up a mirror to our own actions and experiences. Plague, Pestilence and Pandemic includes writing from around the world and highlights the shared emotional responses to pandemics: from rage, despair, dark humor, and heartbreak, to finally, hope that it may all be over. By connecting these moments in history, this book places our own reactions to the Covid-19 pandemic within the longer human story.

Since the late fourteenth century, European artists created an extensive body of images, in paintings, prints, drawings, sculptures, and other media, about the horrors of disease and death, as well as hope and salvation. This interdisciplinary study on disease in metaphysical context is the first general overview of plague art written from an art-historical standpoint. The book selects masterpieces created by Raphael, Titian, Tintoretto, Rubens, Van Dyck, and Poussin, and includes minor works dating from the fourteenth to twentieth centuries. It highlights the most important innovative artistic works that originated during the Renaissance and the Catholic Reformation. This study of the changing iconographic patterns and their iconological interpretations opens a window to the past.

As the daughter of the Lord of Wynham Castle, Elaisse hears rumors of a great pestilence in France. She tells herself that God is punishing the French people because of the on-going war with England. She consoles herself that England is on the side of all that is right, therefore England is safe. And then Elaisse travels to London where suddenly the whole world changes around her. Circumstances arise beyond her control and she goes from a structured, sheltered life into one where normalcy falls by the wayside. The pestilence has come to England. The threads of her existence begin to unravel as the cart-man in the street calls for people to "Bring out your dead." PESTILENCE: A MEDIEVAL TALE OF PLAGUE is historic fiction, delving into a first-person account of life during the European plague years of 1346-1350. Today there are many end-of-the-world tales, but the bubonic plague pandemic in the 14th Century is the original apocalypse story. "A very well-researched book full of facts about that time, how people lived, and the disease itself, yet it tells the story at an exciting pace." - Larry Green, Death Head Grin Magazine

To read the book of Revelation is to see a myriad of representations pass by our gaze, offering and kaleidoscope of bizarre and incongruent images. This world strikes us at first as fearfully and mysteriously strange and fantastic. But once these symbols are properly deciphered, they combine to present crucial messages for those living in the last days. These messages were designed by God to lead all successfully through these troubled times if they will read, hear, and do his will. This commentary presents a comprehensive analysis of John's book aided by the lens of LDS doctrine and Mormon experience. God delivered his messages in the form of images housed within discrete visions, with each symbol explaining, exposing, or emphasizing various aspects of the message conveyed. The challenge is getting beyond the symbols to the represented realities. Information is drawn from all the Standard Works, the Joseph Smith Translation of the Bible, and from modern Prophets and Apostles.