Some really great books just keep getting better! For seventeen years The Betrayal Bond has been the primary source for therapists and patients wrestling the effects of emotional pain and harm caused by exploitation from someone they trusted. Divorce, litigation, incest and child abuse, domestic violence, kidnapping, professional exploitation and religious abuse are all areas of trauma bonding. These are situations and relationships of incredible intensity or importance lend themselves more easily to an exploitation of trust or power. In The Betrayal Bond, Dr. Carnes presents an in-depth study of these relationships; why they form, who is most susceptible, and how they become so powerful. Dr. Carnes also gives a clear explanation of the bond that compels people to tolerate the intolerable, and for the first time, maps out the brain connection that makes being with hurtful people comparable to 'a drug of choice.' Most importantly, Carnes provides practical steps to identify compulsive attachment patterns and ultimately to change or end them for good. This new edition includes: New science for understanding how our brains can make a prison of bad relationships New assessments and insights based on 50,000 research participants A new section utilizing the latest findings in attachment research and narrative therapy to concretely rewrite and rescript bad experiences A redefinition of the factors contributing to addictive relationships

When faced with the choice between saving Milo’s life and embracing her destiny, Libby Sparks knew there was only one answer.Become the Destroyer. Libby is about to learn that accepting her fate is only the first step in figuring out what being the Destroyer truly means. Libby must reign in and develop her talents while planning to rescue her captive army of Ciphers from the hands of Guardians. Rescuing the Ciphers is already dangerous enough, but everything becomes even more precarious when Cipher hunter, Braden, pushes his way into Libby’s life. The strange connection they share frightens Libby, but it also pushes her to trust him despite her better judgment. When Libby’s feelings of trust begin to morph into something more, her relationship with Milo isn’t the only thing tested. If she is wrong about Braden’s motives, everyone involved in the Cipher rescue may pay the ultimate price for her mistake.

"Canada's journey to Confederation kicked off with a bang - or rather, a circus, a Civil War (American), a small fortune's worth of champagne, and a lot of making love in the old-fashioned sense (courting, that is). Miss Confederation is a rare opportunity to look back through a woman's eyes at the men and events at the centre of this pivotal time in Canada's history. Mercy Coles, the daughter of PEI delegate George Coles, kept a diary of the social happenings and political manoeuvrings as they affected her and her desires. A unique historical document, her diary is now being published for the first time, offering a window into the events that led to Canada's creation, from a point of view that has long been neglected."--

Are trust and honesty dead, leaving betrayal as the singular course of normal human behavior? Whitney Danica, thirty-one years old, really isnt a nasty, mean-spirited, and self-centered person. Its just that shes been misled too many times, starting from when she was given up for adoption as a child. Today, she is protective of her personal life and works harder than most of the rest of the workforce, leaving not much time to develop any meaningful healthy personal relationships. She finds intimacy by paying male escorts to gratify her. When new owners take over the company, her internal alarm system picks up a threat. Shes got to find a way to not just survive but to thrive. Yet with no apparent person to turn to for help, how will she get through this danger? Is there someone she can trust?

Psychotherapy is profoundly indebted to Carl Jung, who among others, discovered the mappings of soul psychology. Carl Jung and Soul Psychology is a fascinating exploration of the identity and unifying work of soul psychology. The editors have met a monumental challenge in enlisting the scope of wisdom represented in this unique book.

The aroma of beach and coconut wafted through the studio of the artist Elfie Bennett, over the smell of the acrylics and pastels. The consulting room of Dr. Stratton, a psychotherapist, is dominated by the discreet chill of pine forests. In the nightmares of world-famous top model Leslie van Adelaide, the booming echoes of a long-ended cult concert from Donauinsel can still be felt. The truth will restore its throne, says the Wiseman. But how? The personae of the book are victims, provocateurs, or initiators of love betrayal, and this will continue until they find the courage to seek the painful truth about themselves. Ten questions will come closer to finding their answers, in each of the personae the ten answers will provoke the most unexpected responses. I have assembled a city from the most beautiful places I have lived, equipped it with underground clubs and shops for lavender and honey, filled it with residents who aspire to the sunny heights of art and friendship. Any ambiguities are elucidated in the analyses of dreams, the obsessions of artists, and tears of sadness or happiness. This is My universe in which I take refuge when I am overcome by a sense of tedium here. In this way I live several lives. The same applies to you. You too will live a complementary life as you wander through the streets I invented and drink beer to the sounds of Grand Funk Railroad at the Kobe Blues Bar. This is how it is in the novel “Elfie: A Dissection of Betrayal”

Arthur Laurents's career as a playwright, screenwriter, book writer for musicals and director spanned over half a century. His first Broadway play, Home of the Brave, was produced in 1945; his last play, Come Back, Come Back, Wherever You Are, was produced in 2009 when he was ninety-one. Although he is best known for his work on the classic musicals Gypsy and West Side Story and for his screenplays for Rope, The Way We Were, and The Turning Point, Laurents is the author of seventeen full-length plays, numerous screenplays and three volumes of memoirs. Despite the length and distinction of Laurents's career, until now no one has written a full-length critical study of his work. Laurentss' name was associated with a few hit musicals and films, but his best work, the plays he wrote since 1975, are not as well known. One reason is that the economics of the American theatre have changed during the writer's lifetime and Laurents's serious plays were performed Off-Broadway or at regional theatres. Few were published, except in acting editions, until a volume of Selected Plays was assembled in 2005. Moreover, Laurents's highly controversial volumes of memoirs, filled with attacks on people who he felt betrayed him over the years, overshadowed his later work. Ignoring most his own plays in the memoirs did not help to maintain his reputation as a serious playwright This book rectifies the absence of a serious examination of all of Laurents's major work. This first comprehensive study of Laurents's work focuses on the subjects and themes that recur in his work, particularly the interrelated topics of gender politics, homosexuality and the dynamics of marriage. The position of women and gay men changed greatly over the sixty-plus years of Laurents's career and we see those changes reflected in his work, particularly in the shifting power dynamics within a marriage. Laurents was fascinated by the dynamics of marriage. In his plays there is always a tension between love and the difficulty, if not impossibility, of monogamy. In works like The Enclave, we also see a variety of ways in which gay men try to live proud lives in a heteronormative society. In that play and in Two Lives, Laurents examines how gay men negotiate something like a marriage before gay marriages were legally sanctioned. The book also covers the ways in which Laurents's plays reflect his interest in leftist politics from the 1940s through the various liberations of the late 1960s and 1970s. Above all, the study argues that if there is any common theme running through the plays, films and memoirs, it is betrayal-betrayal of marriage partner, friend, artistic collaborator and, most important, betrayal of one's own ideals. The Works of Arthur Laurents will be of particular interest to students and scholarsof American drama, musical theatre, American film, gender studies, gay studies, and Jewish studies.