Although we often think of friendship today as an indisputable value of human social life, for thinkers and writers across late medieval Christian society friendship raised a number of social and ethical dilemmas that needed to be carefully negotiated. On Amistà analyses these dilemmas and looks at how Dante’s strategic articulations of friendship evolved across the phases of his literary career as he manoeuvred between different social groups and settings. Elizabeth Coggeshall reveals that friendship was not an unequivocal moral good for the writers of late medieval Italy. Instead, it was an ambiguous term to be deployed strategically, describing a wide range of social relationships such as allies, collaborators, servants, patrons, rivals, and enemies. Drawing on the use of the language of friendship in the letters, correspondence poems, dedications, narratives, and treatises composed by Dante and his interlocutors, Coggeshall examines the way they skillfully negotiated around the dilemmas that friendship raised in the spheres of medieval Italian literary society. The book addresses instances of inclusivity and exclusivity, collaboration and self-interest, hierarchy and equality, and alterity and identity. Employing literary, historical, and sociological analysis, On Amistà presents a genealogy for the innovative and tactical use of the terms of friendship among the works of late medieval Italian authors.

The Japanese word gaijin means "unwelcome foreigner." It's not profanity, but is sometimes a slur directed at non-Japanese people in Japan. My novel is called Gaijin...======

A London writer falls into a trap of romance and false identityKatinka Jones spends her days beautifying, trying out the latest ointments, corsets, and creams in order to pass the information on to the thankful readers of Girls Together. When not immersed in a mud bath, she answers advice letters, and none are so compelling as those of Amista, a Welsh girl in love with a modern-day Heathcliff. Amista’s dramatic stories and beautiful descriptions of her village spark Tinka’s interest. For her next holiday, Tinka travels to Wales, where she finds that beauty-product salesmen aren’t the only people who lie. No one in Pentre Trist has heard of Amista, and no one will admit to writing the letters. As she tries to learn the identity of her pen pal, Tinka stumbles into an ancient Welsh mystery. The letters may have been lies, but the danger they described is all too real.

Spend an evening stitching any of the designs in this book and you'll instantly remember what you've always loved about embroidery: it's fun, you can see the design quickly take shape right before your eyes, and in the end you have a delightful piece to brighten your home or office. From beautiful florals to inspirational sayings to whimsical tacos (yes, tacos!), you'll find more than a dozen designs to make you smile. Beverly McCullough of Flamingo Toes provides easy embroidery and finishing instructions so you can display pieces in hoops, on pillows or zip bags, and even on cork and clothing. Beverly's inspiring designs and ideas will make it a pleasure to take each stitch.

This volume presents the first full-scale treatment of the only instance in history where African blacks, seized by slave dealers, won their freedom and returned home. Jones describes how, in 1839, Joseph Cinqué led a revolt on the Spanish slave ship, the Amistad, in the Caribbean. The seizure of the ship by an American naval vessel near Montauk, Long Island, the arrest of the Africans in Connecticut, and the Spanish protest against the violation of their property rights created an international controversy. The Amistad affair united Lewis Tappan and other abolitionists who put the "law of nature" on trial in the United States by their refusal to accept a legal system that claimed to dispense justice while permitting artificial distinctions based on race or color. The mutiny resulted in a trial before the U.S. Supreme Court that pitted former President John Quincy Adams against the federal government. Jones vividly recaptures this compelling drama--the most famous slavery case before Dred Scott--that climaxed in the court's ruling to free the captives and allow them to return to Africa.