Olivia is sad and lonely and angry -- angry that she's been dumped with her sister eel at her grandmother's school, and angrier still that that school turns out to be a stage school where there's no encouragement for her to do what she loves best: practice her circus skills.

Olivia is waiting impatiently to tell her best friends the good news about the highwire act -- it's been picked to perform in New York for a night! But her friends have news of their own... Olivia loses herself in learning the trapeze, while Tom begins his West End stage career in The Sound of Music. But weird things keep happening, and soon Tom is on the verge of losing everything he's ever wanted. It wouldn't have anything to do with the return of Katie Wilkes-Cox, would it? In a nail-biting finale, Olivia performs not one but two daring rescues before tragedy strikes... As for Katie, could it be So Long, Farewell ... for ever...

Their lesson plans didn’t include love. But that’s about to change… When Martin Krause arrives at Rose Owens’s high school, she’s determined to remain chilly with her new colleague. Unfriendly? Maybe. Understandable? Yes, since a loathsome administrator gave Rose’s beloved world history classes to Martin, knowing it would hurt her. But keeping her distance from a man as warm and kind as Martin will prove challenging, even for a stubborn, guarded ice queen. Especially when she begins to see him for what he truly is: a man who’s never been taught his own value. Martin could use a good teacher—and luckily, Rose is the best. Rose has her own lessons—about trust, about vulnerability, about her past—to learn. And over the course of a single school year, the two of them will find out just how hot it can get when an ice queen melts.

The Swan Academy is under threat from closure due to a building development next door. Into this tense atmosphere come Cosmo and Cosmina, the famous singing/acting twins from Hollywood. They are staring in Peter Pan and are learning to fly! A series of mysterious accidents in the theatre threaten to close the production. Who is out to sabotage everything...and why?

It's winter at the Swan Academy, and that means panto! While Olivia practises being the back end of a horse, everyone else is auditioning for a major new movie. Soon the school is full of rivalry and suspicion, nasty tricks and strange mysteries. To lighten the mood, Eel organises a festive ice-skating trip. But as the skaters twirl and leap among the twinkling lights, Olivia realises that the season of goodwill is anything but.

Two best friends face the hardest future of all – a future without each other. In the tradition of ‘The Fault in Our Stars’, critically acclaimed author Melissa Kantor masterfully captures the joy of friendship and the agony of loss.

A secret history of the garage as a space of creativity, from its invention by Frank Lloyd Wright to its use by start-ups and garage bands. Frank Lloyd Wright invented the garage when he moved the automobile out of the stable into a room of its own. Steve Jobs and Steve Wozniak (allegedly) started Apple Computer in a garage. Suburban men turned garages into man caves to escape from family life. Nirvana and No Doubt played their first chords as garage bands. What began as an architectural construct became a cultural construct. In this provocative history and deconstruction of an American icon, Olivia Erlanger and Luis Ortega Govela use the garage as a lens through which to view the advent of suburbia, the myth of the perfect family, and the degradation of the American dream. The stories of what happened in these garages became self-fulfilling prophecies the more they were repeated. Hewlett-Packard was founded in a garage that now bears a plaque: The Birthplace of Silicon Valley. Google followed suit, dreamed up in a Menlo Park garage a few decades later. Also conceived in a garage: the toy company Mattel, creator of Barbie, the postwar, posthuman representation of American women. Garages became guest rooms, game rooms, home gyms, wine cellars, and secret bondage lairs, a no-commute destination for makers and DIYers—surfboard designers, ski makers, pet keepers, flannel-wearing musicians, weed-growing nuns. The garage was an aboveground underground, offering both a safe space for withdrawal and a stage for participation—opportunities for isolation or empowerment.