As the country sought healing and peace after the Civil War, Wisconsin citizens took up Pres. Abraham Lincoln's challenge "to care for him who shall have borne the battle." Their efforts paved the way for the establishment in Milwaukee of one of the original three branches of the National Asylum for Disabled Volunteer Soldiers. In May 1867, the first 60 veterans, including a musician from the War of 1812, moved to a single building on 400 rolling acres west of Milwaukee. By the end of the 19th century, the bustling campus boasted its own hospital, chapel, library, theater, and recreation hall, in addition to the grand main building. Subsequent wars and military conflicts created a need for additional buildings and services. Designated a National Historic Landmark in 2011, the campus continues to offer a healing environment for today's patients and stands as a testimony to advances in veteran health care.

The sole survivors of the Dinochrome Brigade's 39th Battalion--Captain Maneka Trevor and Bolo known as Lazarus--are all that stand between a deperate, secret colony of humanity and destruction of the human race.

For tens of thousands of Union veterans, Patrick Kelly argues, the Civil War never ended. Many Federal soldiers returned to civilian life battling the lifelong effects of combat wounds or wartime disease. Looking to the federal government for shelter and medical assistance, war-disabled Union veterans found help at the National Home for Disabled Volunteer Soldiers. Established by Congress only weeks prior to the Confederate surrender, this network of federal institutions had assisted nearly 100,000 Union veterans by 1900. The National Home is the direct forebear of the Veterans Administration hospital system, today the largest provider of health care in the United States. Kelly places the origins of the National Home within the political culture of U.S. state formation. Creating a National Home examines Congress's decision to build a federal network of soldiers' homes. Kelly explores the efforts of the Home's managers to glean support for this institution by drawing upon the reassuring language of domesticity and "home." He also describes the manner in which the creators of the National Homes used building design, landscaping, and tourism to integrate each branch into the cultural and economic life of surrounding communities, and to promote a positive image of the U.S. state. Drawing upon several fields of American history--political, cultural, welfare, gender--Creating a National Home illustrates the lasting impact of war on U.S. state and society. The building of the National Home marks the permanent expansion of social benefits offered to citizen-veterans. The creation of the National Home at once defined an entitled group and prepared the way for the later expansion of both the welfare and the warfare states.

Finalist for the Pulitzer Prize in History Winner of the Gov. John Andrew Award (Union Club of Boston) An acclaimed, groundbreaking, and “powerful exploration” (Washington Post) of the fate of Union veterans, who won the war but couldn’t bear the peace. For well over a century, traditional Civil War histories have concluded in 1865, with a bitterly won peace and Union soldiers returning triumphantly home. In a landmark work that challenges sterilized portraits accepted for generations, Civil War historian Brian Matthew Jordan creates an entirely new narrative. These veterans— tending rotting wounds, battling alcoholism, campaigning for paltry pensions— tragically realized that they stood as unwelcome reminders to a new America eager to heal, forget, and embrace the freewheeling bounty of the Gilded Age. Mining previously untapped archives, Jordan uncovers anguished letters and diaries, essays by amputees, and gruesome medical reports, all deeply revealing of the American psyche. In the model of twenty-first-century histories like Drew Gilpin Faust’s This Republic of Suffering or Maya Jasanoff ’s Liberty’s Exiles that illuminate the plight of the common man, Marching Home makes almost unbearably personal the rage and regret of Union veterans. Their untold stories are critically relevant today.

"Based on a breathtaking range of research in British and German archives, The War Come Home is written in an engaging, immediately accessible style and filled with rich anecdotes that are excellently told. This impressive book offers a powerful set of insights into the lasting effects of the First World War and the different ways in which belligerent states came to terms with the war's consequences."—Robert Moeller, author of War Stories: The Search for a Usable Past in the Federal Republic of Germany "With verve, compassion, and above all else, clarity, The War Come Home makes the dismal story of the failed reconstructions of disabled veterans in interwar Britain and German into engaging and provocative reading. Cohen moves from astute analysis of the interventions of high level bureaucrats to sensitive interpretations of how disabled veterans wrote and talked about their lives and the treatment they received at the hands of public and private agencies. She beautifully interweaves histories from below and above, showing how the two shaped -- but also collided with -- one another in profoundly consequential ways for the history of the 20th century."—Seth Koven, coeditor (with Sonya Michel) of Mothers of a New World: Maternalist Politics and the Origins of Welfare States

"Chef Matthew Wendel provides a first-hand account of his years working for President George W. Bush and his family at Camp David and at their Texas home on Prairie Chapel Ranch. He offers a collection of recipes, photographs, stories, and memories of daily life as senior advance representative in the Office of Presidential Advance and as the personal chef and personal assistant to the president. Included with recipes of the author's signature hot cinnamon rolls and fried chicken are the Bush family's favorite dishes, meals that world leaders were served, and a behind-the-scenes look at how he prepared for head of state visits and shopped for the first family. Wendel's account reveals a unique window into the hard work, detail, and protocol involved in working for the first family and reveals how the president welcomed world leaders using both his home and the power of sharing a meal in an intimate setting as a bridge-building diplomatic tool. Smoked beef tenderloin, stacked enchiladas, hot rolls, soups, and plenty of fresh salads were staples for the Bushes, but cheeseburgers became a tradition for their luncheons with world leaders at Prairie Chapel Ranch. Providing wholesome, delicious, comforting food to guests was their way of saying "Welcome. We're glad you are here." -- Amazon.com.

"One of the many scandals of the war in Iraq is how the administration has betrayed our returning servicemen. I'm grateful that the facts surrounding these tragedies are finally being exposed."--Paul Haggis, Academy-Award-winning director of Crash and In the Valley of Elah, screenwriter of Flags of Our Fathers and Letters from Iwo Jima "A must-read for those who claim to support our troops."--Robert G. Gard, Lt. General, U.S. Army (ret.) "The treatment by the Bush Administration of America's returning veterans from the wars in Iraq and Afghanistan is one of the saddest chapters in American history. This story is painfully documented by Aaron Glantz. This book is a must-read for anyone who wants to make the phrase, 'Support the Troops,' more than a slogan."--Former US Senator Max Cleland "A fitting tribute to what these men and women fought and risked their lives and well-being for."--Gerald Nicosia, author of Home to War "This superbly documented and eloquent book is a clarion call for honesty, compassion, outrage, and an end to the lies that cause so much suffering in far-off countries and in our own nation."--Norman Solomon, author of War Made Easy: How Presidents and Pundits Keep Spinning Us to Death "Aaron Glantz draws on his eyewitness experiences of reporting in Iraq to bring the courage and the suffering of our troops into vivid relief. The War Comes Home exposes how physical and mental injuries plague our returning servicemen and what we can do about it."--Linda Bilmes, coauthor of The Three Trillion Dollar War "Weep, America, cringe, America. We talk a good game about honoring all those who go into harm's way for our sake and caring for those who get physically and psychologically broken, but do we go beyond fine words and a few gold-plated flagship medical facilities? Are we walking the walk? Are we getting it right? Aaron Glantz is in our face on the military treatment facilities, the VA, and civilian society at large."--Jonathan Shay, MD, PhD, author of Achilles in Vietnam and Odysseus in America. MacArthur Fellow "Aaron Glantz reports on the human cost of war, what it does physically and emotionally to those young men and women who carry out industrial slaughter. He rips apart the myths we tell ourselves about war and illustrates, in painful detail, the dark psychological holes that those who have been through war's trauma endure and will always endure. He reminds us that the essence of war is not glory, heroism, and honor but death."--Chris Hedges, former New York Times foreign correspondent, author of War is a Force That Gives Us Meaning "We should all be reading people like Greg Palast and Aaron Glantz."--Al Kennedy, The Guardian (UK)