“[The] Ukrainian American heroine of this sweet-bitter debut is a wisecracking fatalist who can be counted on to say the inappropriate thing, a tendency that becomes more pronounced as doomed crushes and family crises pile up on the road to adulthood.”—O: The Oprah Magazine When Oksana and her family move from the Ukraine to Florida to begin a new American life, her physicist father delivers pizza at night to make ends meet, her cranky mother sits at home all day worrying, and her flamboyant grandmother relishes the attention she gets from men. All Oksana wants is to be as far away from her family as possible, to have friends, and to be normal—and though she constantly tries to do the right thing, she keeps getting in trouble. As she grows up, she continues to misbehave, from somewhat accidentally maiming the school-bus bully, to stealing the much-coveted key to New York City’s Gramercy Park, to falling in love with a married man. After her grandmother moves back to Ukraine, Oksana longs for the motherland that looms large in her imagination but is a country she never really knew. When she visits her grandmother in Yalta and learns about her romantic past, Oksana comes to a new understanding of how to live without causing harm to the people she loves. But will Oksana ever quite learn to behave? Praise for Oksana, Behave! “Tragicomic and bittersweet . . . an immigrant's coming-of-age tale done with brio.”—Kirkus Reviews “What luck for readers that Oksana can’t behave! Little devil, infinite imbecile, poor futureless child—all the names her displaced, loving family give to her as she crashes and burns and wanders the wilderness of her inheritance, fit perfectly. As outrageous as she is, as funny and as awful as she can be, though, in Oksana, Maria Kuznetsova has also created a character of great passion and depth—of tragedy, even, too—the very sort that populate the stories of Chekhov and Tolstoy, the poems of Anna Akhmatova, and all the other Russian writers Oksana looks to for comfort and company and some sort of bearing in this absurd world. This novel is a stark, hilarious delight.”—Paul Harding, Pulitzer Prize–winning author of Tinkers

An "irresistible" (Anthony Marra) debut about a Russian American girl's bumpy path to adulthood "The voice is so, so sharp and so funny that I am just like tickled--tickled --to be reading it."--Emma Straub, The Wall Street Journal When Oksana's family begins their new American life in Florida after emigrating from Ukraine, her physicist father delivers pizza at night to make ends meet, her depressed mother sits home all day worrying, and her flamboyant grandmother relishes the attention she gets when she walks Oksana to school, not realizing that the street they're walking down is known as Prostitute Street. Oksana just wants to have friends and lead a normal life--and though she constantly tries to do the right thing, she keeps getting herself in trouble. As she grows up, she continues to misbehave, from somewhat accidentally maiming the school bus bully, to stealing the much-coveted (and expensive-to-replace) key to New York City's Gramercy Park, to falling in love with a married man. As her grandmother moves back to Ukraine, her father gets a job at Goldman Sachs, and her mother knits endless scarves, Oksana longs for a Russia that looms large in her imagination but is a country she never really knew. When she visits her grandmother in Yalta and learns about Baba's wartime past and her lost loves, Oksana begins to see just how much alike they are, and comes to a new understanding of how to embrace life and love without causing harm to the people dearest to her. But will Oksana ever quite learn to behave? Praise for Oksana, Behave "Tragicomic and bittersweet . . . an immigrant's coming-of-age tale done with brio."--Kirkus Reviews "What luck for readers that Oksana can't behave Little devil, infinite imbecile, poor futureless child--all the names her displaced, loving family give to her as she crashes and burns and wanders the wilderness of her inheritance, fit perfectly. As outrageous as she is, as funny and as awful as she can be, though, in Oksana, Maria Kuznetsova has also created a character of great passion and depth--of tragedy, even, too--the very sort that populate the stories of Chekhov and Tolstoy, the poems of Anna Akhmatova, and all the other Russian writers Oksana looks to for comfort and company and some sort of bearing in this absurd world. This novel is a stark, hilarious delight."--Paul Harding, Pulitzer Prize-winning author of Tinkers

An overwhelmed new mom discovers unexpected parallels between life in twenty-first-century America and her grandmother’s account of their family’s escape from the Nazis in this sharp, heartfelt novel. “A fresh perspective—one that’s both haunting and hilarious—on dual-timeline war stories, a feat that only a writer of Kuznetsova’s caliber could pull off.”—Fiona Davis, New York Times bestselling author of The Lions of Fifth Avenue Larissa is a stubborn, brutally honest woman in her eighties, tired of her home in Kiev, Ukraine—tired of everything really, except for her beloved granddaughter, Natasha. Natasha is tired as well, but that’s because she just had a baby, and she’s struggling to balance her roles as a new mother, a wife, a struggling actress, and a host to her husband’s slacker best friend, Stas, who has been staying with them in their cramped one-bedroom apartment in upper Manhattan. When Natasha asks Larissa to tell the story of her family’s Soviet wartime escape from the Nazis in Kiev, she reluctantly agrees. Maybe Natasha is just looking for distraction from her own life, but Larissa is desperate to make her happy, even though telling the story makes her heart ache. Larissa recounts the nearly three-year period when she fled with her self-absorbed sister, parents, and grandmother to a factory town in the Ural Mountains where they faced starvation, a cholera outbreak, a tragic suicide, and where she was torn in her affections for two brothers from a wealthy family. But neither Larissa nor Natasha can anticipate how loudly these lessons of the past will echo in their present moments. Something Unbelievable explores with piercing wit and tender feeling just how much our circumstances shape our lives and what we pass on to the younger generations, willingly or not.

A gripping and deftly plotted narrative of family and belonging, Lights All Night Long is a dazzling debut novel from an acclaimed young writer "Lights All Night Long is utterly brilliant and completely captivating. . . . One of the most propulsive, un-put-downable literary novels I've read in ages."--Anthony Marra, author of A Constellation of Vital Phenomena Fifteen-year-old Ilya arrives in Louisiana from his native Russia for what should be the adventure of his life: a year in America as an exchange student. But all is not right in Ilya's world: he's consumed by the fate of his older brother Vladimir, the magnetic rebel to Ilya's dutiful wunderkind, back in their tiny Russian hometown. The two have always been close, spending their days dreaming of escaping to America. But when Ilya was tapped for the exchange, Vladimir disappeared into their town's seedy, drug-plagued underworld. Just before Ilya left, the murders of three young women rocked the town's usual calm, and Vladimir found himself in prison. With the help of Sadie, who has secrets of her own, Ilya embarks on a mission to prove Vladimir's innocence. Piecing together the timeline of the murders and Vladimir's descent into addiction, Ilya discovers the radical lengths to which Vladimir has gone to protect him--a truth he could only have learned by leaving him behind. A rich tale of belonging and the pull of homes both native and adopted, Lights All Night Long is a spellbinding story of the fierce bond between brothers determined to find a way back to each other.

TheSkimm’s Best of Skimm Reads NPR’s Guide to Great Reads The Washington Post’s 50 Notable Works of Fiction of the Year Minnesota Public Radio’s The Best Books to Give and Get: Fiction Picks of the Year An uproarious novel ("Both heart-piercing and, crucially, very funny." —Louise Erdrich, The New York Times) from the celebrated author of Single, Carefree, Mellow about the challenges of a good marriage, the delight and heartache of raising children, and the irresistible temptation to wonder about the path not taken. When Graham Cavanaugh divorced his first wife it was to marry his girlfriend, Audra, a woman as irrepressible as she is spontaneous and fun. But, Graham learns, life with Audra can also be exhausting, constantly interrupted by chatty phone calls, picky-eater houseguests, and invitations to weddings of people he’s never met. Audra firmly believes that through the sheer force of her personality she can overcome the most socially challenging interactions, shepherding her son through awkward playdates and origami club, and even deciding to establish a friendship with Graham’s first wife, Elspeth. Graham isn't sure he understands why Audra longs to be friends with the woman he divorced. After all, former spouses are hard to categorize—are they enemies, old flames, or just people you know really, really well? And as Graham and Audra share dinners, holidays, and late glasses of wine with his first wife he starts to wonder: How can anyone love two such different women? Did I make the right choice? Is there a right choice? A hilarious and rueful debut novel of love, marriage, infidelity, and origami, Standard Deviation never deviates from the superb.

A Dostoevskian psychological novel of ideas, Novel with Cocaine explores the interaction between psychology, philosophy, and ideology in its frank portrayal of an adolescent's cocaine addiction. The story relates the formative experiences of Vadim at school and with women before he turns to drug abuse and the philosophical reflections to which it gives rise. Although Ageyev makes little explicit reference to the Revolution, the novel's obsession with addictive forms of thinking finds resonance in the historical background, in which "our inborn feelings of humanity and justice" provoke "the cruelties and satanic transgressions committed in its name.

Recounts the author's early experiences as a fifteen-year-old Gypsy emigrating with her family from the Soviet Union to the United States.