In the European Middle Ages, the harm a person’s gaze could cause was greatly feared. A stare was considered an act of aggression; intense gazing was believed to exert immense power over the individual observed. The love of looking, or scopophilia, is a common motif among female figures in medieval art and literature where it is usually expressed as a motherly or sexually interested gaze--one sanctioned, the other forbidden. Sandra Summers investigates these two major variants of female voyeurism in exemplary didactic and courtly literature by medieval German authors. Setting the motif against the period’s dominant patriarchal ethos and its almost exclusive pattern of male authorship, Summers argues that the maternal gaze was endorsed as a stabilizing influence while the erotic gaze was condemned as a threat to medieval order. Summers examines whether medieval artists and writers invented the idea of “ogling,” or whether they were simply recording a behavioral practice common at the time. She investigates how the act of ogling altered the narrative trajectory of female characters, and she also considers how it may have affected the regulation and restriction of women during Europe’s Middle Ages. Drawing upon contemporary gender studies, women’s studies, film studies, and psychology, Summers argues that the female gaze ultimately governs social formation. The exploration of the female gaze in period literature transcends medieval scholarship and impacts our understanding of the broader problem of gender perceptions and social structuring in Western civilization.

Defying industry logic and gender expectations, women started flocking to see horror films in the early 1940s. The departure of the young male audience and the surprise success of the film Cat People convinced studios that there was an untapped female audience for horror movies, and they adjusted their production and marketing strategies accordingly. Phantom Ladies reveals the untold story of how the Hollywood horror film changed dramatically in the early 1940s, including both female heroines and female monsters while incorporating elements of “women’s genres” like the gothic mystery. Drawing from a wealth of newly unearthed archival material, from production records to audience surveys, Tim Snelson challenges long-held assumptions about gender and horror film viewership. Examining a wide range of classic horror movies, Snelson offers us a new appreciation of how dynamic this genre could be, as it underwent seismic shifts in a matter of months. Phantom Ladies, therefore, not only includes horror films made in the early 1940s, but also those produced immediately after the war ended, films in which the female monster was replaced by neurotic, psychotic, or hysterical women who could be cured and domesticated. Phantom Ladies is a spine-tingling, eye-opening read about gender and horror, and the complex relationship between industry and audiences in the classical Hollywood era.

This illustrated collection of humorous essays and fun extras makes the case for one of our most iconic celebrities, from the wrestling mat to the silver screen. There are three certainties in life: death, taxes, and the awesomeness of Dwayne “The Rock” Johnson. Sporting a proverbial Rotten Tomatoes score of 100 percent, Certified Fresh, The Rock embodies everything we want from our Hollywood superstars...and everything we admire in those who so boldly pursue the American dream. But how did it all happen? How did a loathed professional wrestler become the most famous person in the world? Was it just good timing? Years of trial and error? Countless hours in the gym? A winning smile? Or his total mastery of Instagram Stories? Composed of five critical essays and fun extras, For Your Consideration: Dwayne “The Rock” Johnson looks at the distinct phases of the legend’s career, examining the ways in which he has become both an on-screen heartthrob and an off-screen hero to the millions (AND MILLIONS!) who’ve followed him from the wrestling mat to the silver screen.

Leo Cornelia, also known as the Undefeatable Holy Blade, is hailed as the strongest knight in all the land. It's precisely this strength that has barred anyone from treating her like a proper woman before⁠—that is, until sorcerer Houli Dent comes along! He professes his love to Leo out of the blue, but how will she handle being treated like a lady for the first time in her entire life?

This meticulously edited collection is formatted for your eReader with a functional and detailed table of contents: Novels: Uther and Igraine Love Among the Ruins The Slanderers The Seven Streams Bess of the Woods A Woman's War Bertrand of Brittany Mad Barbara (These White Hands) The Red Saint The Pride of Eve King Behind The King (The Shield of Love) Apples of Gold The Secret Sanctuary (The Saving of John Stretton) Sorrell and Son Doomsday Kitty Old Pybus Roper's Row Exiles The Road (The Ten Commandments) Old Wine and New The Challenge of Love (Sincerity) Smith The Eyes of Love (Fox Farm) Two Black Sheep Seven Men Came Back The Man on the White Horse Valour Sackcloth into Silk (The Golden Cord) The White Gate No Hero—This Blind Man's Year The Woman at the Door The Malice of Men Shabby Summer (Folly Island) The Man Who Went Back The Dark House Mr Gurney and Mr Slade (The Cleric's Secret) The Impudence of Youth Laughing House Man in Chains Caroline Terrace Slade Short Stories: Countess Glika and Other Stories: Countess Glika The Red Shirt The Girl on the Mountain The Lady of the Terrace Bitter Silence The Short Stories of Warwick Deeping: Wilmer's Wife Two Men The Pool of the Satyr Old Fagus That Vulgar Person The Immortals The Harmless Satyr Silver's Bus Poet and Peasant Gustave Sand Dunes The First Wrinkle Shipwreck and a Shrew Caliban Noise Six Months to Live Sennen Climbs a Wall Rachel in Search of Reality Ridicule The Great Saaba Bridge The Blue Tulip A Red Blind The Three Trees The Red Van Stockings Sappho The Black Cat The Other Woman About It? Contraband Heritage Discord Restitution At "The Golden Palace" The Hesperides Elizabeth The Man Who Came Back The Child Paternity The Strange Case of Sybil Carberry The Cave Precious Stones Barron's Broken Head In the Snow Laughing Sickness The Man with the Red Tie Escape The Sand-pit The Liars The Broken Violin The Son Two in a Train and Other Stories: Two in a Train The Rainbow The Madness of Professor Pye Lucky Ship A Waxwork Sow Compassion Francois Jack and Andrew Out of the Sea...

DigiCat Publishing presents to you this meticulously edited collection of the greatest works by Warwick Deeping: Novels:_x000D_ Uther and Igraine_x000D_ Love Among the Ruins_x000D_ The Slanderers_x000D_ The Seven Streams_x000D_ Bess of the Woods_x000D_ A Woman's War_x000D_ Bertrand of Brittany_x000D_ Mad Barbara (These White Hands)_x000D_ The Red Saint_x000D_ The Pride of Eve_x000D_ King Behind The King (The Shield of Love)_x000D_ Apples of Gold_x000D_ The Secret Sanctuary (The Saving of John Stretton)_x000D_ Sorrell and Son_x000D_ Doomsday_x000D_ Kitty_x000D_ Old Pybus_x000D_ Roper's Row_x000D_ Exiles_x000D_ The Road (The Ten Commandments)_x000D_ Old Wine and New_x000D_ The Challenge of Love (Sincerity)_x000D_ Smith_x000D_ The Eyes of Love (Fox Farm)_x000D_ Two Black Sheep_x000D_ Seven Men Came Back_x000D_ The Man on the White Horse_x000D_ Valour_x000D_ Sackcloth into Silk (The Golden Cord)_x000D_ The White Gate_x000D_ No Hero—This_x000D_ Blind Man's Year_x000D_ The Woman at the Door_x000D_ The Malice of Men_x000D_ Shabby Summer (Folly Island)_x000D_ The Man Who Went Back_x000D_ The Dark House_x000D_ Mr Gurney and Mr Slade (The Cleric's Secret)_x000D_ The Impudence of Youth_x000D_ Laughing House_x000D_ Man in Chains_x000D_ Caroline Terrace_x000D_ Slade_x000D_ Short Stories:_x000D_ Countess Glika and Other Stories:_x000D_ Countess Glika_x000D_ The Red Shirt_x000D_ The Girl on the Mountain_x000D_ The Lady of the Terrace_x000D_ Bitter Silence_x000D_ The Short Stories of Warwick Deeping:_x000D_ Wilmer's Wife_x000D_ Two Men_x000D_ The Pool of the Satyr_x000D_ Old Fagus_x000D_ That Vulgar Person_x000D_ The Immortals_x000D_ The Harmless Satyr_x000D_ Silver's Bus_x000D_ Poet and Peasant_x000D_ Gustave_x000D_ Sand Dunes_x000D_ The First Wrinkle_x000D_ Shipwreck and a Shrew_x000D_ Caliban_x000D_ Noise_x000D_ Six Months to Live_x000D_ Sennen Climbs a Wall_x000D_ Rachel in Search of Reality_x000D_ Ridicule_x000D_ The Great Saaba Bridge_x000D_ The Blue Tulip_x000D_ A Red Blind_x000D_ The Three Trees_x000D_ The Red Van_x000D_ Stockings_x000D_ Sappho_x000D_ The Black Cat_x000D_ The Other Woman_x000D_ About It?_x000D_ Contraband_x000D_ Heritage_x000D_ Discord_x000D_ Restitution_x000D_ At "The Golden Palace" _x000D_ The Hesperides_x000D_ Elizabeth_x000D_ The Man Who Came Back_x000D_ The Child_x000D_ Paternity_x000D_ The Strange Case of Sybil Carberry_x000D_ The Cave_x000D_ Precious Stones_x000D_ Barron's Broken Head_x000D_ In the Snow_x000D_ Laughing Sickness_x000D_ The Man with the Red Tie_x000D_ Escape_x000D_ The Sand-pit_x000D_ The Liars_x000D_ The Broken Violin_x000D_ The Son_x000D_ Two in a Train and Other Stories:_x000D_ Two in a Train_x000D_ The Rainbow_x000D_ The Madness of Professor Pye_x000D_ Lucky Ship_x000D_ A Waxwork Sow_x000D_ Compassion_x000D_ Francois_x000D_ Jack and Andrew_x000D_ Out of the Sea..._x000D_ _x000D_