A look at the human sense of time, a biological rhythm that may follow a different beat from that dictated by external, "official," "objective" timepieces. Time and Place—Timeplace—is a continuum of the mind, as fundamental as the spacetime that may be the ultimate reality of the material world.Kevin Lynch's book deals with this human sense of time, a biological rhythm that may follow a different beat from that dictated by external, "official," "objective" timepieces. The center of his interest is on how this innate sense affects the ways we view and change—or conserve, or destroy—our physical environment, especially in the cities.

J.B. Jackson, a pioneer in the field of landscape studies, here takes us on a tour of American landscapes past and present, showing how our surroundings reflect important changes in our culture. Because we live in urban and industrial environments that are constantly evolving, says Jackson, time and movement are increasingly important to us and place and permanence are less so. We no longer gain a feeling of community from where we live or where we assemble but from common work hours, habits, and customs. Jackson examines the new vernacular landscape of trailers, parking lots, trucks, loading docks, and suburban garages, which all reflect this emphasis on mobility and transience; he redefines roads as scenes of work and leisure and social intercourse--as places, rather than as means of getting to places; he argues that public parks are now primarily for children, older people, and nature lovers, while more mobile or gregarious people seek recreation in shopping malls, in the street, and in sports arenas; he traces the development of dwellings in New Mexico from prehistoric Pueblo villages to mobile homes; and he criticizes the tendency of some environmentalists to venerate nature instead of interacting with it and learning to share it with others in temporary ways. Written with his customary lucidity and elegance, this book reveals Jackson's passion for vernacular culture, his insights into a style of life that blurs the boundaries between work and leisure, between middle and working classes, and between public and private spaces.

In this memoir, Lucy S. Dawidowicz recounts her time in Vilna where she went to study in 1938-39. She also reconstructs the history of Vilna Jews through the centuries and gives a first-hand account of Vilna’s Jewish community right before its destruction by the Nazis. Dawidowicz fled days before the German invasion of Poland, and returned to the American zone in Germany in 1946-47 to help Jews in Displaced Persons camps with the American Jewish Joint Distribution Committee. It was in that role that Dawidowicz helped salvage remnants of YIVO’s Vilna archives that were shipped to New York. “Dawidowicz, a well-known historian of the Jews, has presented us... a memoir on Vilna, a city she left on Aug. 24, 1939, just before World War II began. It is a tremendous collection of facts and names. There are sketches depicting the everyday life of a thriving community and reflections upon its unique culture. But the book is more than that: it is a monument to the community destroyed, not by forces of nature, but by the evil human hand.” — Tomas Venclova, The New York Times “In this deeply moving personal reminiscence, eminent historian Dawidowicz recounts the year she spent in Vilna, Poland [in 1938-39]... [a] poignant memoir... Her piercingly eloquent narrative gives us a sharp first-hand impression of a world in ruins and of the irreparable losses suffered by European Jewry.” — Publishers Weekly “The story of Dawidowicz’s early years and a tribute to the Jewish community and culture of Vilna... Crammed with descriptive details of a people and culture now destroyed and of WW II's chaotic aftermath: chastening, compelling, powerful.” —Kirkus Reviews “A leading historian of the Holocaust, Dawidowicz transports the reader from 1938, when she studied in Vilna, Poland, through 1946, when she returned to Europe to assist Jewish survivors. This is a powerful and absorbing memoir” — Library Journal “Lucy Dawidowicz's memoir comprises several books for the price of one: it portrays Jewish Vilna as the plucky American student encountered it in 1938, describes the fate of Jewish cultural treasures as she helped recover them after the War, and exposes the mind and spirit of an intrepid historian-in-the making.” — Ruth R. Wisse, Harvard University “Lucy Dawidowicz was an historian of monumental importance, best known for her classic The War Against the Jews. But she was also a vital chronicler of the world of European Jewry before its destruction... [A] compelling memoir of Vilna on the brink of destruction.” — Jonathan Rosen, author of The Talmud and the Internet: A Journey Between Worlds

**A New York Times Editor's Choice selection!** This outrageous and hilarious memoir follows a film and television director’s life, from his idiosyncratic upbringing to his unexpected career as the director behind such huge film franchises as The Addams Family and Men in Black. Barry Sonnenfeld's philosophy is, "Regret the Past. Fear the Present. Dread the Future." Told in his unmistakable voice, Barry Sonnenfeld, Call Your Mother is a laugh-out-loud memoir about coming of age. Constantly threatened with suicide by his over-protective mother, disillusioned by the father he worshiped, and abused by a demonic relative, Sonnenfeld somehow went on to become one of Hollywood's most successful producers and directors. Written with poignant insight and real-life irony, the book follows Sonnenfeld from childhood as a French horn player through graduate film school at NYU, where he developed his talent for cinematography. His first job after graduating was shooting nine feature length pornos in nine days. From that humble entrée, he went on to form a friendship with the Coen Brothers, launching his career shooting their first three films. Though Sonnenfeld had no ambition to direct, Scott Rudin convinced him to be the director of The Addams Family. It was a successful career move. He went on to direct many more films and television shows. Will Smith once joked that he wanted to take Sonnenfeld to Philadelphia public schools and say, "If this guy could end up as a successful film director on big budget films, anyone can." This book is a fascinating and hilarious roadmap for anyone who thinks they can't succeed in life because of a rough beginning.

"The author shares his insider knowledge of housing options to help older adults make the best decision about their place of residence by evaluating factors such as financial budget, health, and family considerations. He provides a step-by-step approach to evaluating one's current living situation and then reviews the different options to consider, including aging in place, downsizing, community living, and more"--

The first book from renowned New York-based designer Steven Gambrel showcases his bold and innovative designs. Featuring 10 individual residences photographed by Eric Piasecki, Steven Gambrel illustrates the designer's fresh approach to color and composition in creating spaces that reflect, support, and enhance the lifestyles of today while at the same time embracing the history of each individual home. From Manhattan townhouses and apartments to beachside retreats in the Hamptons, Gambrel has a passion for timeless and unique interiors that allow him to design a backdrop for individual and changing lives. The photographs and accompanying text, written by Gambrel himself, reveal the inside stories behind stunning interiors that feature his signature mix of the modern and the traditional, and give the reader a window into his unique inspirations and design point of view.

Perfect for fans of The Rosie Project, Same Time, Same Place is "a heartwarming story about how history plays out in our present - and how the power to heal is right in front of us, if only we can be brave enough to look for the clues." (Vicky Zimmerman, author of Miss Cecily's Recipes for Exceptional Ladies) Daisy works nights. Nate works days. But maybe they aren't as different as they assume. Daisy is the night security guard at the Manchester Museum of Social History. She takes her job very seriously, protecting the museum from teenage troublemakers. Nate works the day shift, though he'd be more suited as a museum guide the way he chats with the visitors. Daisy doesn't approve: how does he find it so easy to talk to strangers? For five minutes each day, their shifts overlap at handover. It's the only interaction they have...until mysterious things begin to happen at the museum. Daisy notices priceless objects going missing and then reappearing, with no explanation (and with nothing on the security footage!). No one believes her except Nate, and he agrees to help her investigate. They soon discover they have a lot more in common than they realized...and their investigation uncovers not only the truth, but new possibilities for their future.