A cultural catalog of everyday things rapidly turning into rarities—from landlines to laugh tracks. So many things have disappeared from our day-to-day world, or are on the verge of vanishing. Some we may already think of as ancient relics, like typewriters (and their accompanying bottles of correction fluid). Others seem like they were here just yesterday, like boom boxes and CDs. We may feel fond nostalgia for certain items of yore: encyclopedias, newspapers, lighthouses. Other items, like MSG, not so much. But as the pace of change keeps accelerating, it’s worth taking a moment to mark the passing of the objects of our lives, from passbooks and pay phones to secretaries and skate keys. And to reflect on certain endangered phenomena that may be worth trying to hold on to—like privacy, or cash. This thoughtful alphabetized compendium invites us to take a look at the many things, ideas, and behaviors that have gone the way of the subway token—and to reflect on what is ephemeral, and what is truly timeless.

Black Mirror meets Dead Poets Society, OBSOLETE is a thrilling adventure set in the not so distant future, where technology is invisibly engrained in every aspect of life, even finding a home inside of us. Crime, Disease, and Poverty are all but extinct. Democracy is decided in real-time with lightning-fast ease. Holographic projections are at everyone's fingertips, swallowing them in in a world of constant entertainment and communication. There's just one problem: the kids are all becoming hyperactive, disconnected screen-addicts. The America Learns Initiative, a federal program under the Department of Restructure, has a solution: The Success Spheres! Championing the mantra, "Do nothing and learn!" this state of the art technology promises to save the failing school system, its students, and teachers, once and for all. After an unauthorized history lesson, Professor T is reassigned to one of the worst performing schools around. There, unlikely allies and hidden threats lead T to revelations about a conspiracy with sinister roots. What T discovers could threaten to overturn the ALI's Success Sphere program and the very foundations of society, itself.

A collection of rare pagan poetry and purple prose from the heart of the 1920s counterculture. Victor Neuburg is most famous for two things: discovering Dylan Thomas, and being the man that Aleister Crowley once turned into a camel. Obsolete Spells offers another side of Neuburg, through his own poems and the strange books of Vine Press, the hand-operated imprint he ran from his West Sussex cottage between 1920 and 1930. Neuburg's youth involved terrifying-yet-farcical years as Crowley's lover, victim, and magickal sidekick. His later period, as editor of the influential "Poet's Corner" column for the Sunday Referee, found him a key figure in London's literary scene. But in between, Neuburg acted as a conduit for bohemian writers, arts luminaries, and the sexually adventurous: Peter Warlock set his words to music, singer Marian Anderson lived in his spare room, and he was a fixture at utopian community, the Sanctuary. Through it all, he turned the handle on the Vine Press: books of nature writing and anonymous song; poems and artwork worthy of The Wicker Man, side-by-side with a book on cricket. Obsolete Spells offers a selection of Neuburg's work and others from Vine Press books--over-the-top hymns to the Old Gods, tales from a utopian landscape, and more, most of which has been out of print for a century.

Blending architecture, design, and technology, a visual tour through futures past via the objects we have replaced, left behind, and forgotten. So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world. Extinct is filled with curious, half-remembered objects, each one evoking a future that never came to pass. It is also a visual treat, full of interest and delight.