“If it wasn’t for the fused-with-Zyx thing, I suppose I would just be normal—whatever that means.” When Felix Yz was three years old, a hyperintelligent fourth-dimensional being became fused inside him after one of his father’s science experiments went terribly wrong. The creature is friendly, but Felix—now thirteen—won’t be able to grow to adulthood while they’re still melded together. So a risky Procedure is planned to separate them . . . but it may end up killing them both instead. This book is Felix’s secret blog, a chronicle of the days leading up to the Procedure. Some days it’s business as usual—time with his close-knit family, run-ins with a bully at school, anxiety about his crush. But life becomes more out of the ordinary with the arrival of an Estonian chess Grandmaster, the revelation of family secrets, and a train-hopping journey. When it all might be over in a few days, what matters most? Told in an unforgettable voice full of heart and humor, Felix Yz is a groundbreaking story about how we are all separate, but all connected too.

The school year is almost at an end, and the chocolate sale is ancient history. But no one at Trinity School can forget the Chocolate War. Devious Archie Costello, commander of the secret school organization called the Vigils, still has some torturous assignments to hand out before he graduates. In spite of this pleasure, Archie is troubled that his right-hand man, Obie, has started to move away from the Vigils. Luckily Archie knows his stooges will fix that. But Obie has some plans of his own.

The “extraordinary and wonderful” award-winning play in a new edition featuring an additional poem, production photos, and an introduction by Jesmyn Ward (The New York Times). From its inception in California in 1974 to its Broadway revival in 2022, the Obie Award–winning for colored girls who have considered suicide/when the rainbow is enuf has excited, inspired, and transformed audiences all over the country. Passionate and fearless, Shange’s words reveal what it meant to be a woman of color in the 20th century—and they continue to ring true in the 21st. First published in 1975, it was praised by The New Yorker for “encompassing . . . every feeling and experience a woman has ever had”. This new edition celebrates the play’s enduring legacy with introductions by Jesmyn Ward and Broadway director Camille A. Brown. It also features a poem not previously included in the text, and a selection of photos capturing the play’s evolution and reinvention.

"Allow me to introduce you to a remarkable book, full of love, wonder, hope, and the importance of getting to be who you were meant to be. You must read this." - David Levithan, author of Every Day and editor of George. When people look at George, they think they see a boy. But she knows she's not a boy. She knows she's a girl. George thinks she'll have to keep this a secret forever. Then her teacher announces that their class play is going to be Charlotte's Web. George really, really, REALLY wants to play Charlotte. But the teacher says she can't even try out for the part . . . because she's a boy.

Ayenee is not what they were promised. The man-made eighth continent was supposed to be a neutral land where the nations of the world could come together in peace. But when the Last War wiped out nearly all life on the planet, Ayenee became a refuge for the dwindling human population left behind. Over a century later, it stands as the center of new life in a changed world. However, by altering the face of the planet, humans have reawakened magic and monsters long ago forgotten, and those things are seeping back into reality more with each passing day. Lita and Rain will both do anything to leave the darknesses of their shattered pasts and the things they've done behind them. They have each created quiet lives where they can just be left alone. But when they are both pulled into a madman's plot to kill people they care about, the two are left with no choice - they must simultaneously confront their deepest inner monsters while also conjuring them up enough to do unspeakable things once more . . . this time in the name of good. THE CRIMES OF ORPHANS contains love, vampires, and intense action . . . but it is not a love story, vampire story, or action story. It is a story about two people who are so damaged that they cannot possibly forgive themselves, but they just might be able to find forgiveness in one another.

A coming-of-age story about transgender tween Obie, who didn't think being himself would cause such a splash. For fans of Alex Gino's George and Lisa Bunker's Felix Yz. Obie knew his transition would have ripple effects. He has to leave his swim coach, his pool, and his best friends. But it’s time for Obie to find where he truly belongs. As Obie dives into a new team, though, things are strange. Obie always felt at home in the water, but now he can’t get his old coach out of his head. Even worse are the bullies that wait in the locker room and on the pool deck. Luckily, Obie has family behind him. And maybe some new friends too, including Charlie, his first crush. Obie is ready to prove he can be one of the fastest boys in the water—to his coach, his critics, and his biggest competition: himself.

A coming-of-age story about transgender tween Obie, who didn't think being himself would cause such a splash. For fans of Alex Gino's George and Lisa Bunker's Felix Yz. Obie knew his transition would have ripple effects. He has to leave his swim coach, his pool, and his best friends. But it’s time for Obie to find where he truly belongs. As Obie dives into a new team, though, things are strange. Obie always felt at home in the water, but now he can’t get his old coach out of his head. Even worse are the bullies that wait in the locker room and on the pool deck. Luckily, Obie has family behind him. And maybe some new friends too, including Charlie, his first crush. Obie is ready to prove he can be one of the fastest boys in the water—to his coach, his critics, and his biggest competition: himself.