Princess Mera is teenage royalty and heir to the throne of Xebel, a colony ruled by the other no-so-lost land under the sea, Atlantis. Her father, his court, and the entire kingdom are expecting her to marry and introduce a new king. But Mera is destined to wear a different crown.... When the Xebellian military plots to overthrow Atlantis and break free of its oppressive regime, Mera seizes the opportunity to take control of her own destiny by assassinating Arthur Curry—the long-lost prince and heir to the kingdom of Atlantis. But her mission gets sidetracked when Mera and Arthur unexpectedly fall in love. Will Arthur Curry be the king at Mera's side, or will he die under her blade as she attempts to free her people from persecution? An astonishing story that explores duty, love, heroism, and freedom…all through the eyes of readers' favorite undersea royalty. From New York Times best-selling author Danielle Paige (Dorothy Must Die) and artist Stephen Byrne comes a Mera -and-Aquaman story that explores Mera's first steps on land, and her first steps as a hero or villain, forcing her to choose to follow her heart or her mission to kill.Princess Mera is teenage royalty and heir to the throne of Xebel, a colony ruled by the other no-so-lost land under the sea, Atlantis. Her father, his court, and the entire kingdom are expecting her to marry and introduce a new king. But Mera is destined to wear a different crown.... When the Xebellian military plots to overthrow Atlantis and break free of its oppressive regime, Mera seizes the opportunity to take control of her own destiny by assassinating Arthur Curry—the long-lost prince and heir to the kingdom of Atlantis. But her mission gets sidetracked when Mera and Arthur unexpectedly fall in love. Will Arthur Curry be the king at Mera's side, or will he die under her blade as she attempts to free her people from persecution? An astonishing story that explores duty, love, heroism, and freedom…all through the eyes of readers' favorite undersea royalty. From New York Times best-selling author Danielle Paige (Dorothy Must Die) and artist Stephen Byrne comes a Mera -and-Aquaman story that explores Mera's first steps on land, and her first steps as a hero or villain, forcing her to choose to follow her heart or her mission to kill.

This Companion provides an engaging account of the postcolonial novel, from Joseph Conrad to Jean Rhys. Covering subjects from disability and diaspora to the sublime and the city, this Companion reveals the myriad traditions that have shaped the postcolonial literary landscape.

A detailed study of an increasingly popular genre, this book offers readings of a group of significant and representative works, drawing on a range of interpretative strategies to examine the ways in which the contemporary historical novel engages with questions of nation and identity to illuminate Britain's post-imperial condition.

The English Novel in History 1700-1780 provides students with specific contexts for the early novel in response to a new understanding of eigtheenth-century Britain. It traces the social and moral representations of the period in extended readings of the major novelists, as well as evaluatiing the importance of lesser known ones. John Richetti traces the shifting subject matter of the novel, discussing: * scandalous and amatory fictions * criminal narratives of the early part of the century * the more disciplined, realistic, and didactic strain that appears in the 1740's and 1750's * novels promoting new ideas about the nature of domestic life * novels by women and how they relate to the shift of subject matter This original and useful book revises traditional literary history by considering novels from those years in the context of the transformation of Britain in the eighteenth century.

The Postcolonial Historical Novel is the first systematic work to examine how the historical novel has been transformed by its appropriation in postcolonial writing. It proposes new ways to understand literary realism, and explores how the relationship between history and fiction plays out in contemporary African and Australasian writing.

The book takes as its theme the relationship between literature and the contemporary means of production and distribution collectively termed 'the media' - in particular, film and television. The intention of the book is to explore and evaluate the mutual opportunities and restrictions in this relationship. In the grammar of our culture there seems to be an accepted opinion that print is superior in terms of cultural production to film, radio or television, that to read a book is somehow a 'higher' cultural activity than seeing a play on television or seeing a film. By the same token, a novel is a 'superior' work of art to film or television. The longer perspective reveals that traditionally there always is a greater respect paid to the previous mode of literary production - poetry was superior to drama, poetic drama was superior to the novel, and film attained cult and classic status initially over television.