A groundbreaking collection of Holocaust literature by the heirs to the greatest evil of our time. History is preserved in the memories of the survivors of the Holocaust and the imaginations of their children, the so-called Second Generation. Nothing Makes You Free considers the heritage of the descendants of those who faced the horrific lie that adorned the gates of many German concentration camps: "Arbeit Macht Frei" ("Work Makes You Free"). In the words of this groundbreaking anthology's introduction: "Other kids' parents didn't have numbers on their arms. Other kids' parents didn't talk about massacres as easily as baseball. Other kids' parents loved them, but never gazed at their offspring as miracles in the flesh....How do you deal with this responsibility? Well, if you were a writer, you wrote." Gathered here are writings of both fiction and nonfiction, ranging from farce to fantasy to brutal realism, from an international selection of writers, including Art Spiegelman, Eva Hoffman, Peter Singer, and Carl Friedman. Contributors: Lea Aini, David Albahari, Tammie Bob, Lilly Brett, Melvin Jules Bukiet, Leon De Winter, Esther Dischereit, Barbara Finkelstein, Alain Finkielkraut, Carl Friedman, Eva Hoffman, Helena Janaczek, Anne Karpf, Alan Kaufman, Ruth Knafo Setton, Mihaly Kornis, Savyon Liebrecht, Alcina Lubitch Domecq, Gila Lustiger, Sonia Pilcer, Doron Rabinovici, Henri Raczymov, Victoria Redel, Thane Rosenbaum, Goran Rosenberg, Peter Singer, Joseph Skibell, Art Spiegelman, J. J. Steinfeld, Val Vinokurov "Nothing Makes You Free is a wide-ranging, exuberant, and altogether powerful collection. A necessary reminder of the lingering effects of the Holocaust and of all the embers—in each generation—saved from the fire."—Aryeh Lev Stollman, author of The Far Euphrates and The Illuminated Soul "What happens to a generation of writers born after but indelibly shaped by the Holocaust? From the bitterly sardonic title of Bukiet's clear-eyed and refreshingly unsentimental collection to its last words, this volume will cause all to see this past in startlingly new and unexpected ways. This is certainly not their parent's Holocaust. But in all their immense variety, dexterity, oppressed imaginativeness, pain, and wonder, these writings show how even as a 'vicarious past,' the Holocaust continues to shape both inner and outer worlds of the survivors' offspring and now, by extension, our own as well."—James E. Young, author of At Memory's Edge and The Texture of Memory "A superb anthology...tenderness mixes with rage, sorrow with bitterness, in this first-rate gathering of pieces by those who refuse to forget."—Kirkus Reviews, starred review "A trenchant array...convincingly demonstrate[s] that the Second-Generation experience and the artistic vision growing from it is not merely a diluted version of the survivors' experience, but a distinct phenomenon and ethos of its own."—Miami Herald "An important book."—Booklist

A groundbreaking collection of Holocaust literature by the heirs to the greatest evil of our time. History is preserved in the memories of the survivors of the Holocaust and the imaginations of their children, the so-called Second Generation. Nothing Makes You Free considers the heritage of the descendants of those who faced the horrific lie that adorned the gates of many German concentration camps: "Arbeit Macht Frei" ("Work Makes You Free"). In the words of this groundbreaking anthology's introduction: "Other kids' parents didn't have numbers on their arms. Other kids' parents didn't talk about massacres as easily as baseball. Other kids' parents loved them, but never gazed at their offspring as miracles in the flesh....How do you deal with this responsibility? Well, if you were a writer, you wrote." Gathered here are writings of both fiction and nonfiction, ranging from farce to fantasy to brutal realism, from an international selection of writers, including Art Spiegelman, Eva Hoffman, Peter Singer, and Carl Friedman. Contributors: Lea Aini, David Albahari, Tammie Bob, Lilly Brett, Melvin Jules Bukiet, Leon De Winter, Esther Dischereit, Barbara Finkelstein, Alain Finkielkraut, Carl Friedman, Eva Hoffman, Helena Janaczek, Anne Karpf, Alan Kaufman, Ruth Knafo Setton, Mihaly Kornis, Savyon Liebrecht, Alcina Lubitch Domecq, Gila Lustiger, Sonia Pilcer, Doron Rabinovici, Henri Raczymov, Victoria Redel, Thane Rosenbaum, Goran Rosenberg, Peter Singer, Joseph Skibell, Art Spiegelman, J. J. Steinfeld, Val Vinokurov "Nothing Makes You Free is a wide-ranging, exuberant, and altogether powerful collection. A necessary reminder of the lingering effects of the Holocaust and of all the embers—in each generation—saved from the fire."—Aryeh Lev Stollman, author of The Far Euphrates and The Illuminated Soul "What happens to a generation of writers born after but indelibly shaped by the Holocaust? From the bitterly sardonic title of Bukiet's clear-eyed and refreshingly unsentimental collection to its last words, this volume will cause all to see this past in startlingly new and unexpected ways. This is certainly not their parent's Holocaust. But in all their immense variety, dexterity, oppressed imaginativeness, pain, and wonder, these writings show how even as a 'vicarious past,' the Holocaust continues to shape both inner and outer worlds of the survivors' offspring and now, by extension, our own as well."—James E. Young, author of At Memory's Edge and The Texture of Memory "A superb anthology...tenderness mixes with rage, sorrow with bitterness, in this first-rate gathering of pieces by those who refuse to forget."—Kirkus Reviews, starred review "A trenchant array...convincingly demonstrate[s] that the Second-Generation experience and the artistic vision growing from it is not merely a diluted version of the survivors' experience, but a distinct phenomenon and ethos of its own."—Miami Herald "An important book."—Booklist

Amir and Effi collected relatives. With Holocaust survivors for parents and few other "real" relatives alive, relationships operated under a "Law of Compression" in which tenuous connections turned friends into uncles, cousins, and grandparents. Life was framed by Grandpa Lolek, the parsimonious and eccentric old rogue who put his tea bags through Selektion, and Grandpa Yosef, the neighborhood saint, who knew everything about everything, but refused to talk of his own past. Amir and Effi also collected information about what happened Over There. This was more difficult than collecting relatives; nobody would tell them any details because they weren't yet Old Enough. The intrepid pair won't let this stop them, and their quest for knowledge results in adventures both funny and alarming, as they try to unearth their neighbors' stories. As Amir grows up, his obsession with understanding the Holocaust remains with him, and finally Old Enough to know, the unforgettable cast of characters that populate his world open their hearts, souls, and pasts to him. Translated by Jessica Cohen from the Hebrew Shoah Shelanu.

"Perhaps there is no simple, easy way to educate children about the Holocaust. Yet [this] new extraordinary work in the form of a nonfiction graphic novel for children is a valiant attempt to do just that. These testimonials... serve as a reminder never to allow such a tragedy to happen again."—BookTrib Between 1933 and 1945, Adolf Hitler and the Nazi party were responsible for the persecution of millions of Jews across Europe. This extraordinary graphic novel tells the true stories of six Jewish children who survived the Holocaust. From suffering the horrors of Auschwitz, to hiding from Nazi soldiers in war-torn Paris, to sheltering from the Blitz in England, each true story is a powerful testament to the survivors' courage. These remarkable testimonials serve as a reminder never to allow such a tragedy to happen again. Features a current photograph of each contributor and an update about their lives, along with a glossary and timeline to support reader understanding of this period in world history.

Describes the life of Eva Mozes and her twin sister Miriam as they were interred at the Auschwitz concentration camp during the Holocaust, where Dr. Josef Mengele performed sadistic medical experiments on them until their release.

The first comprehensive study of Holocaust literature as a major postwar literary genre, The Holocaust Novel provides an ideal student guide to the powerful and moving works written in response to this historical tragedy. This student-friendly volume answers a dire need for readers to understand a genre in which boundaries and often blurred between history, fiction, autobiography, and memoir. Other essential features for students here include an annotated bibliography, chronology, and further reading list. Major texts discussed include such widely taught works as Night, Maus, The Shawl, Schindler's List, Sophie's Choice, White Noise, and Time's Arrow.

This collection of new essays examines third-generation Holocaust narratives and the inter-generational transmission of trauma and memory. This collection demonstrates the ways in which memory of the Holocaust has been passed along inter-generationally from survivors to the second-generation—the children of survivors—to a contemporary generation of grandchildren of survivors—those writers who have come of literary age at a time that will mark the end of direct survivor testimony. This collection, in drawing upon a variety of approaches and perspectives, suggests the rich and fluid range of expression through which stories of the Holocaust are transmitted to and by the third generation, who have taken on the task of bearing witness to the enormity of the Holocaust and the ways in which this pronounced event has shaped the lives of the descendants of those who experienced the trauma first-hand. The essays collected—essays written by renowned scholars in Holocaust literature, philosophy, history, and religion as well as by third-generation writers—show that Holocaust literary representation has continued to flourish well into the twenty-first century, gaining increased momentum as a third generation of writers has added to the growing corpus of Holocaust literature. Here we find a literature that laments unrecoverable loss for a generation removed spatially and temporally from the extended trauma of the Holocaust. The third-generation writers, in writing against a contemporary landscape of post-apocalyptic apprehension and anxiety, capture and penetrate the growing sense of loss and the fear of the failure of memory. Their novels, short stories, and memoirs carry the Holocaust into the twenty-first century and suggest the future of Holocaust writing for extended generations.