The story of a Jew and a Christian unearthing the history of a small town in Germany and what happened there before, during and after the Holocaust. An example of a typical rural town, its denial of history for future generations and the fears and hatreds which survive to the present

IT'S MUCH ADO . . . ABOUT EVERYTHING. This modern-day retelling of Shakespeare's Much Ado About Nothing takes place at the idyllic Camp Dogberry, where sisters Bee and Hana Leonato have lived their whole lives. Their parents own the place, and every summer they look forward to leading little campers in crafts, swimming in the lake, playing capture the flag and sproutball, and of course, throwing legendary counselor parties. This year, the camp drama isn't just on the improv stage. Bee and longtime counselor Ben have a will-they-or-won't-they romance that's complicated by events that happened—or didn't happen—last summer. Meanwhile, Hana is falling hard for the kind but insecure Claudia, putting them both in the crosshairs of resident troublemaker John, who spreads a vicious rumor that could tear them apart. As the counselors juggle their camp responsibilities with simmering drama that comes to a head at the Fourth of July sparkler party, they'll have to swallow their pride and find the courage to untangle the truth, whether it leads to heartbreak or happily ever after.

The past is what happened. History is what we remember and write about that past, the narratives we craft to make sense out of our memories and their sources. But what does it mean to look at the past and to remember that "nothing happened"? Why might we feel as if "nothing is the way it was"? This book transforms these utterly ordinary observations and redefines "Nothing" as something we have known and can remember. "Nothing" has been a catch-all term for everything that is supposedly uninteresting or is just not there. It will take some--possibly considerable--mental adjustment before we can see Nothing as Susan A. Crane does here, with a capital "n." But Nothing has actually been happening all along. As Crane shows in her witty and provocative discussion, Nothing is nothing less than fascinating. When Nothing has changed but we think that it should have, we might call that injustice; when Nothing has happened over a long, slow period of time, we might call that boring. Justice and boredom have histories. So too does being relieved or disappointed when Nothing happens--for instance, when a forecasted end of the world does not occur, and millennial movements have to regroup. By paying attention to how we understand Nothing to be happening in the present, what it means to "know Nothing" or to "do Nothing," we can begin to ask how those experiences will be remembered. Susan A. Crane moves effortlessly between different modes of seeing Nothing, drawing on visual analysis and cultural studies to suggest a new way of thinking about history. By remembering how Nothing happened, or how Nothing is the way it was, or how Nothing has changed, we can recover histories that were there all along.

Named a Best Book of the Year by Time, The Washington Post, and Harper's Bazaar “A tender, spiky family saga about love in all its mysterious incarnations.” —Lorrie Moore, author of A Gate at the Stairs and Birds of America “Absolutely luminous . . . Weaves the transience of suburbia between the highs and lows of a family saga . . . Shocks, awes, and delights.” —Bryan Washington, author of Memorial From the outside, the Chengs seem like so-called model immigrants. Once Patty landed a tech job near Dallas, she and Liang grew secure enough to have a second child, and to send for their first from his grandparents back in China. Isn’t this what they sacrificed so much for? But then little Annabel begins to sleepwalk at night, putting into motion a string of misunderstandings that not only threaten to set their community against them but force to the surface the secrets that have made them fear one another. How can a man make peace with the terrors of his past? How can a child regain trust in unconditional love? How can a family stop burying its history and forge a way through it, to a more honest intimacy? Nights When Nothing Happened is gripping storytelling immersed in the crosscurrents that have reshaped the American landscape, from a prodigious new literary talent.

The timing couldn't be better--as scandals erupt over journalists and memoirists who've cooked their books--for a work that explores our difficulty in separating fact and fiction, while explicitly demonstrating how they differ and what they share. In prose so fine and wry it makes the back of your neck prickle, Jake Silverstein narrates a journey he undertook through the American Southwest and Mexico, looking to become a journalist. His picaresque travels are filled with beguiling and hilarious characters: nineteenth-century author Ambrose Bierce; an unknown group of famous poets; a twenty-first-century treasure hunter in the Gulf of Mexico; an ex-Nazi mechanic shepherding an old Mexican road race; a stenographer who records every passing moment; and various incarnations of the trickster devil. As bold, ambitious, and funny as it is unconventional, Nothing Happened and Then It Did is a deep and lasting pleasure.

With wit and anger, the author of the blackly comic What I Heard About Iraq takes us through the administration of the 'Bush junta'. Eliot Weinberger begins with the inauguration of George W. Bush and the actions and policies that presaged an invasion of Iraq even before the terrorist attack of 9/11. Giving a moving account of downtown Manhattan, where he lives, on the day after the attack, he accounts for the feeling of lost innocence in the United States. On the aftermath of 9/11, Weinberger goes on to excoriate the Bush administration for its panic peddling and massive and secret arrests of 'suspects', as well as the contrived 'intelligence' that led to the war on Iraq. Ranging from personal journalism to political analysis, Eliot Weinberger traces the nightmarish absurdities of the Bush administration with incisive elegance. Includes What I Heard About Iraq in 2005, the sequel to his earlier work. What Happened Here was nominated for a 2006 National Book Critics Circle Award for Criticism.

Bypassed medical and health technologies that are safer and more effective then those in current use in our medical system. Topics include therapeutic devices utilizing electricity, magnetism, color and sound frequencies. Also includes a description of the world's most powerful microscope which was built in the 1930s and then disappeared. Use of this microscope would change the direction of research and therapeutic approaches for all of today's major health problems.