Christy Carlyle concludes her Duke’s Den series with this sparkling romance about two reluctant allies intent on following the rules and breaking every single one. His Only Regret… Rhys Forester, the new Duke of Claremont, lives his life by four words: Enjoy All, Regret Nothing. He’s devoted to the pleasure of his wild soirees, reckless behavior, and shocking the ton with his interests in trade. The debts that come with his title don’t fit the carefree lifestyle he’s created and when he’s forced to return to his family’s estate, he’s also forced to confront his one and only regret: the beautiful girl he left behind. May Be Falling in Love… Arabella Prescott has been the belle of more balls than she cares to remember. After three seasons and five rejected proposals, she’s done with the marriage mart. Bella’s hopes to live a comfortable life, alone, come crashing down when her parents demand she marry. But her salvation may come in the form of the man she hates the most. Bella has never forgiven Rhys for what he did to her, but desperate times call for fake engagements. With a few dozen rules, their scheme begins, but it’s not long before the former enemies find themselves breaking every single rule, including the most important of them all: don’t fall in love…

In The Meaning of Soul, Emily J. Lordi proposes a new understanding of this famously elusive concept. In the 1960s, Lordi argues, soul came to signify a cultural belief in black resilience, which was enacted through musical practices—inventive cover versions, falsetto vocals, ad-libs, and false endings. Through these soul techniques, artists such as Aretha Franklin, Donny Hathaway, Nina Simone, Marvin Gaye, Isaac Hayes, and Minnie Riperton performed virtuosic survivorship and thus helped to galvanize black communities in an era of peril and promise. Their soul legacies were later reanimated by such stars as Prince, Solange Knowles, and Flying Lotus. Breaking with prior understandings of soul as a vague masculinist political formation tethered to the Black Power movement, Lordi offers a vision of soul that foregrounds the intricacies of musical craft, the complex personal and social meanings of the music, the dynamic movement of soul across time, and the leading role played by black women in this musical-intellectual tradition.

Fred "Duke" Slater was the greatest African American football player of the first half of the 20th century. Born into poverty, he developed into a two-time All-American tackle at the University of Iowa from 1918 to 1921. When the College Football Hall of Fame opened decades later, Duke was the only African American elected in the inaugural class. He then became the first black lineman in National Football League history in 1922, embarking on a remarkable ten-year career in the NFL. Incredibly, Slater was the only African American in the entire NFL for most of the late 1920s, yet he was widely recognized as one of the League's best linemen. But his pioneering influence extended beyond the gridiron. After retirement, he broke ground in the legal field as just the second black judge in Chicago history. On the field or on the bench, the inspirational life of Judge Duke Slater is a true American success story.

The Stage Play Collection of Kyrelle Harris is a book of enthusiasm meant to grab the reader's attention and excite the audience. It can be acted out by children or teens and adults. Most of the plays are related to Kyrelle's experiences throughout his lifetime. For instance, in "Duke Harry," Harry is substituted for Harold Bowie, which is his real father's name. This play is about his relationship with his father. Kyrelle says he has obtained the gift of rhyming and writing genetically from his grandmother, Pearline Tardy (God rest her soul). He's keeping the legacy alive! He also says the drive and motivation came from his mother, Dorothy Harris.