Nowhere is a fast-paced conspiracy thriller by debut author Jon Robinson. 'No one's coming for us. Not our families, not the police. No one.' Alyn, Jes, Ryan and Elsa are Nowhere. A concrete cube in the middle of a dense forest. Imprisoned inside are one hundred teenagers from all over the country. They're all criminals. But none of them remember committing any crimes. Who has put them there. What do their captors want? And how will they ever break free . . . ? ***an intensely gripping conspiracy thriller for 11+ readers*** *** a phenomenal debut novel, for readers who love Jason Bourne and Alex Scarrow*** Jon Robinson was born in Middlesex in 1983. When he's not writing, he works for a charity in central London. NOWHERE is his debut novel. Find out more about Jon at www.facebook.com/jonrobinsonbooks

"A fast-paced spy thriller with enough twists and turns to keep readers entertained." - Publishers Weekly Red Sparrow meets One of Us Is Lying in this action-packed, romance-filled YA debut about a girl trying to outrun her past. Ninety-four countries. Thirty-one schools. Two bullets. Now it's over . . . or so she thinks. Sophia Hepworth has spent her life all over the world--moving quickly, never staying in one place for too long. She knows to always look over her shoulder, to be able to fight to survive at a moment's notice. She has trained to be ready for anything. Except this. Suddenly it's over. Now Sophia is expected to attend high school in a sleepy Montana town. She is told to forget the past, but she's haunted by it. As hard as she tries to be like her new friends and live a normal life, she can't shake the feeling that this new normal won't last. Then comes strong and silent Aksel, whose skills match Sophia's, and who seems to know more about her than he's letting on . . . What if everything Sophia thought she knew about her past is a lie? Cinematic and breathtaking, Tiffany Rosenhan's debut stars a fierce heroine who will risk everything to save the life she has built for herself.

“A call-to-action to everyone out there who wants to fight back.” —Bustle “Scandal, justice, romance, sex positivity, subversive anti-sexism—just try to put it down.” —Kirkus Reviews (starred review) “Cuts straight to the core of rape culture—masterfully fierce, stirring, and deeply empowering.” —Amber Smith, New York Times bestselling author of The Way I Used to Be Three misfits come together to avenge the rape of a fellow classmate and trigger a change in the misogynist culture at their high school transforming the lives of everyone around them in this searing and timely story. Who are the Nowhere Girls? They’re everygirl. But they start with just three: Grace Salter is the new girl in town, whose family was run out of their former community after her southern Baptist preacher mom turned into a radical liberal after falling off a horse and bumping her head. Rosina Suarez is the queer punk girl in a conservative Mexican immigrant family, who dreams of a life playing music instead of babysitting her gaggle of cousins and waitressing at her uncle’s restaurant. Erin Delillo is obsessed with two things: marine biology and Star Trek: The Next Generation, but they aren’t enough to distract her from her suspicion that she may in fact be an android. When Grace learns that Lucy Moynihan, the former occupant of her new home, was run out of town for having accused the popular guys at school of gang rape, she’s incensed that Lucy never had justice. For their own personal reasons, Rosina and Erin feel equally deeply about Lucy’s tragedy, so they form an anonymous group of girls at Prescott High to resist the sexist culture at their school, which includes boycotting sex of any kind with the male students. Told in alternating perspectives, this groundbreaking novel is an indictment of rape culture and explores with bold honesty the deepest questions about teen girls and sexuality.

Notes on Nowhere was first published in 1997. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The term utopia implies both "good place" and "nowhere." Since Sir Thomas More wrote Utopia in 1516, debates about utopian models of society have sought to understand the implications of these somewhat contradictory definitions. In Notes on Nowhere, author Jennifer Burwell uses a cross section of contemporary feminist science fiction to examine the political and literary meaning of utopian writing and utopian thought. Burwell provides close readings of the science fiction novels of five feminist writers-Marge Piercy, Sally Gearhart, Joanna Russ, Octavia Butler, and Monique Wittig-and poses questions central to utopian writing: Do these texts promote a tradition in which narratives of the ideal society have been used to hide rather than reveal violence, oppression, and social divisions? Can a feminist critical utopia offer a departure from this tradition by using utopian narratives to expose contradiction and struggle as central aspects of the utopian impulse? What implications do these questions have for those who wish to retain the utopian impulse for emancipatory political uses? As one way of answering these questions, Burwell compares two "figures" that inform utopian writing and social theory. The first is the traditional abstract "revolutionary" subject who contradicts existing conditions and who points us to the ideal body politic. The second, "resistant," subject is partial, concrete, and produced by conditions rather than operating outside of them. In analyzing contemporary changes in the subject's relationship to social space, Burwell draws from and revises "standpoint approaches" that tie visions of social transformation to a group's position within existing conditions. By exploring the dilemmas, antagonisms, and resolutions within the critical literary feminist utopia, Burwell creates connections to a similar set of problems and resolutions characterizing "nonliterary" discourses of social transformation such as feminism, gay and lesbian studies, and Marxism. Notes on Nowhere makes an original, significant, and persuasive contribution to our understanding of the political and literary dimensions of the utopian impulse in literature and social theory. Jennifer Burwell teaches in the Department of English at Wesleyan University in Connecticut.

From the Printz Award-winning author of Satellite comes a compelling new novel about a girl who must brave the elements to help a lost child with an otherworldly secret. Sixteen-year-old Emily is on the run. Between her parents and the trouble she's recently gotten into at school, she has more than enough reason to get away. But when she finds a little boy named Aidan wandering in the woods, she knows she needs to help him find his way home. But getting home is no easy matter, especially when Emily finds out that Aidan isn't even from Earth. When their plane crashes into the side of a snowy mountain, it's up to Emily to ensure Aidan and their pilot, Bob, make it off the mountain alive. Pursued by government forces who want to capture Aidan, the unlikely team of three trek across the freezing landscape, learning more about each other, and about life, than they ever thought possible. "I love Nick Lake's writing. I would read anything he wrote--grocery list, email, etc.--because his writing, always, is so real and brave. He takes on subjects other writers might avoid, and he writes the hell out of them." --New York Times bestselling author Jennifer Niven on Nick Lake

#1 New York Times bestselling author Ellen Hopkins's poignant middle grade novel in verse about coming to terms with indelible truths of family and belonging--now in paperback! For the most part, Hannah's life is just how she wants it. She has two supportive parents, she's popular at school, and she's been killing it at gymnastics. But when her cousin Cal moves in with her family, everything changes. Cal tells half-truths and tall tales, pranks Hannah constantly, and seems to be the reason her parents are fighting more and more. Nothing is how it used to be. She knows that Cal went through a lot after his mom died and she is trying to be patient, but most days Hannah just wishes Cal never moved in. For his part, Cal is trying his hardest to fit in, but not everyone is as appreciative of his unique sense of humor and storytelling gifts as he is. Humor and stories might be his defense mechanism, but if Cal doesn't let his walls down soon, he might push away the very people who are trying their best to love him. Told in verse from the alternating perspectives of Hannah and Cal, this is a story of two cousins who are more alike than they realize and the family they both want to save.

"In this memoir that spans dozens of countries worldwide, a young girl and her family adopt one new identity after another and run from both the law and the secrets that will eventually catch up to all of them"--