Northrop Frye's Anatomy of Criticism (1957) is widely regarded as a masterpiece of literary theory. The product of years of reading and reflection, the book's value extends far beyond its impact on criticism as a whole; ultimately, it must be viewed as a synoptic defense of liberal learning by one of the twentieth century's most distinguished critics. In this, the twenty-third volume of the Collected Works, editor Robert D. Denham presents the notebooks to the Anatomy, blue-prints, as it were, for Frye's comprehensive account of literary conventions. Composed from the late 1940s to 1956, the notebooks document the struggle Frye underwent to provide a structure for his work. This involved incorporating previously published essays and developing new material that would maintain the continuity of his argument. This fully annotated volume contains seventeen holograph notebooks, each illuminating some aspect of the grand structure that eventually emerged. Altogether, the notebooks offer an intimate picture of Frye's working process and a renewed appreciation for his magisterial accomplishment.

Romance was a theme that ran through much of Northrop Frye's corpus, and his notebooks and typed notes on the subject are plentiful. This unpublished material, written between 1944 and 1989, traces a remarkable re-evaluation in his thinking over the course of time. As a young scholar, Frye insisted that romance was an expression of cultural decadence; however, in his later years, he thought of it as "the structural core of all fiction." The unpublished material Michael Dolzani has gathered for Northrop Frye's Notebooks on Romance shows how the pattern and conventions of romance inform the writing of history, anthropology, psychology, philosophy, and theology. While Frye is best known for his writing on myth and biblical scholarship, he himself eventually conceived of romance as the true and equal contrary to myth and scripture, a "secular scripture" whose message is de te fabula, "this story is about you." Given the current popular revival of romance in fiction and film, the appearance of Frye's unpublished work on romance is of profound importance.

Michael Dolzani divides these notes into three categories: those on Spenser and the epic tradition; those on Shakespearean drama and, more widely, the dramatic tradition from Old Comedy to the masque; and those on lyric poetry and non-fiction prose.

The result is a pivotal work, redefining our understanding of one of the most important humanists of the twentieth century.

In the third published volume of Canadian literary critic Frye's (1912-91) 77 holograph notebooks, the material is mostly from the 1970s, when he was writing the first of his books on the Bible, The Great Code. However, it begins with Notebook Three from the late 1940s in which he writes primarily on religious themes. It concludes with Notebook 23 from the middle 1980s, written between his first and second book on the Bible; and one from the 1960s devoted largely to his reading of Dante's Purgatorio and the first ten cantos of the Paradiso. Altogether the volume contains 11 notebooks, three sets of typed notes, and a transcription of 24 lectures on The Mythological Framework of Western Culture in 1981-82. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).

In the early 1960s, Northrop Frye began keeping notebooks with the aim of creating a critical epic that he referred to as the 'Third Book'. Although ultimately abandoned, the 'Third Book' remains an essential component of Frye's works.