This book analyses engagements with non-Shia practices of Muḥarram celebrations in the past and present, in South Asia and within a larger diaspora. Breaking new ground by bringing together a variety of regional perspectives (the Deccan, the Punjab, Singapore, South Africa, and Trinidad and Tobago) and linguistic backgrounds (Bhojpuri, Gujarati, Marathi, Punjabi, Tamil, Urdu), the chapters discuss the importance of Muḥarram celebrations in terms of their respective actors. While in some cases these include an interrelationship with Shia Muslims and their traditions of mourning during Muḥarram, other contributions address contexts in which Shias, and even Muslims, form only a minor component of the celebrations, or even none at all. Focusing on Muḥarram celebrations that are beyond the script provided by Shia Muḥarram practices, this book opens up new perspectives on Muḥarram as a social practice widely shared by South Asians across regions. The book will be a key resource to scholars and students of South Asian studies, Asian religion, in particular rituals and religious practices, and Islamic studies but also engaging to non-academic readers interested in the practices of several regions.

This volume critically engages with recent formulations and debates regarding the status of the regional languages of the Indian subcontinent vis-à-vis English. It explores how language ideologies of the “vernacular” are positioned in relation to the language ideologies of English in South Asia. The book probes into how we might move beyond the English-vernacular binary in India, explores what happened to “bhasha literatures” during the colonial and post-colonial periods and how to position those literatures by the side of Indian English and international literature. It looks into the ways vernacular community and political rhetoric are intertwined with Anglophone (national or global) positionalities and their roles in political processes. This book will be of interest to researchers, students and scholars of literary and cultural studies, Indian Writing in English, Indian literatures, South Asian languages and popular culture. It will also be extremely valuable for language scholars, sociolinguists, social historians, scholars of cultural studies and those who understand the theoretical issues that concern the notion of “vernacularity”.

Secularism and Islam in Bangladesh comprehensively analyses the syncretistic form of Bengali Islam and its relationship with secularism in Bangladesh from pre-British to contemporary times. It focuses on the importance of understanding the dynamics between religion and secularism within specific cultural contexts. The author draws upon historical, sociological, and political literature, Bangladeshi electoral results, newspaper reports, and elite interviews with political commentators and offers a rich historical and empirical analysis. Arguing that extremist interpretations of Islam, which aim to establish a theocratic state, have not been able to influence the pluralistic religious and cultural life of Bangladesh substantially, the book shows that religious and cultural pluralism will continue to thrive despite the apparent threat posed by increasing religiosity among Bangladeshi Muslims. This book is a timely and significant contribution to the discourse on secularism and Islam, with relevance beyond Bangladesh and the wider Islamic world. It will appeal to scholars and researchers working in the fields of South Asian Studies, Asian Religions, and the Sociology of Religion.

Chakshudana or rituals of opening the eyes are practiced across multiple South Asian communities by artists, sculptors, and priests. The ritual offers gods access to the mortal world. This practice, applied to the study of material and visual culture, offers a distinctive perspective to interrogate the complex engagements with paintings, sculptures, found objects, fragments, built environments, and ecologies. This volume takes the process of seeing as its focus—to look closely, remaining true to the object, but also to see widely—from multiple subjective stances and diverse bodily engagements such as walking to dreaming, glancing to looking askance, hypnotic stares, and to see beyond the visible. It examines art history through nuanced considerations of materiality, aesthetics, and regional specificities. The essays emerge from current research that builds on the contributions of Michael W. Meister, W. Norman Brown Distinguished Professor of History of Art and South Asia Studies at the University of Pennsylvania, whose works laid the foundations for the study of South Asian visual and material culture. The essays in this book underscore methodological resonances rather than privileging conventional categories of media or chronology, exploring artistic media including temples and paintings as well as Bengali-quilted textiles, manuscript ‘lozenges,’ and metal repousse. This volume, part of the Visual Media and Histories Series, will be of interest to students and researchers of history of art, religious studies, and history as well as the allied disciplines of anthropology and folklore studies. Chapter 2 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons (CC-BY-NC-ND) 4.0 license.

Inhalt: - Gautam Liu: Premchands Hindi: Zur Genese des Standardregisters in der gegenwärtigen Hindi-Prosa - Akanksha Yadav, Vinita Chandra: Conditional Vows: Exchange and Reciprocity between the Deity and Laity in Chaṭh - Arian Hopf: Das Rāmāʾin in der Urdu-Literatur - Benjamin Zachariah: Syed Mujtaba Ali's Unpainted Canvas: The Chacha Stories and a Bengali View of Weimar Germany, c. 1929–1932 - Bipasha Bhattacharya: Two Books on Visva-Bharati - Shruti Krishna Bhat: A Path of Liberation that Fetches Prosperity: Juxtaposing the Śākta View of bhukti-mukti and the Philosophy of Action-Liberation

Rethinking the history of African enslavement in the western Indian Ocean through the lens of Iranian cinema From the East African and Red Sea coasts to the Persian Gulf ports of Bushihr, Kish, and Hurmuz, sailing and caravan networks supplied Iran and the surrounding regions with African slave labor from antiquity to the nineteenth century. This book reveals how Iranian cinema preserves the legacy of this vast and yet long-overlooked history that has come to be known as Indian Ocean slavery. How does a focus on blackness complicate traditional understandings of history and culture? Parisa Vaziri addresses this question by looking at residues of the Indian Ocean slave trade in Iranian films from the second half of the twentieth century. Revealing the politicized clash between commercial cinema (fīlmfārsī) and alternative filmmaking (the Iranian New Wave), she pays particular attention to the healing ritual zār, which is both an African slave descendent practice and a constitutive element of Iranian culture, as well as to cinematic sīyāh bāzī (Persian black play). Moving beyond other studies on Indian Ocean and trans-Saharan slavery, Vaziri highlights the crystallization of a singular mode of historicity within these cinematic examples—one of “absence” that reflects the relative dearth of archival information on the facts surrounding Indian Ocean slavery. Bringing together cinema studies, Middle East studies, Black studies, and postcolonial theory, Racial Blackness and Indian Ocean Slavery explores African enslavement in the Indian Ocean through the revelatory and little-known history of Iranian cinema. It shows that Iranian film reveals a resistance to facticity representative of the history of African enslavement in the Indian Ocean and preserves the legacy of African slavery’s longue durée in ways that resist its overpowering erasure in the popular and historical imagination. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

The volume examines translation of key German texts into the modern Indian languages as well as translation from the vernacular languages of South Asia into German. Our key concerns are shifting historical contexts, concepts, and translation practices. Bringing an intellectual history dimension to translation studies, we explore the history of translation, translators, and sites of translation. The organization of the volume follows some key questions. Which texts were being translated? At what point or period in time did this happen? What were the motivations behind these translations? Topics covered range from thematic nodes or clusters, e.g., translations of Economics texts and ideas into Urdu, or the translation of Marx and Engels into Marathi, to personal endeavours, such as the first Hindi translation of Goethe’s Faust done by Bholanath Sharma in 1939. Missionary as well as Marxist activist translation work from Malayalam, Tamil and Telugu is included too. On the other hand, German translations of Tagore and Gandhi setting in shortly after 1912 are also examined. Also discussed are political strategies of publication of translations from modern Indian languages guiding the output of publishing houses in the GDR after 1949. Further included are the translator’s perspective and the contemporary translation and literary culture. What happens through the process of linguistic translation in the realm of cultural translation? What can a historical study of translation tell us about the history of Indo-German intellectual entanglements in the long twentieth century? The volume brings together multifaceted interdisciplinary research work from South Asian and German studies to answer some of these questions.