The Gose Family Circus has been traveling all around the world bringing happiness to the Kingdom of Lysteria and surrounding lands for generations. Not all is as it seems, though. The circus has its secrets. When the queen of Lysteria calls upon Kadic and Annie Gose to help find her kidnapped daughter, they feel they have no choice but to do all they can to bring her home.

Witness astounding feats of physics Hurry! Hurry! Come one, come all. Meet a man who can pull two railroad passenger cars with his teeth and a real-life human cannon ball. Come face to face with a dead rattlesnake that still bites. And unlock the secrets to the magician's bodiless head. Welcome to Jearl Walker's Flying Circus of Physics, 2nd Edition, where death-defying stunts, high-flying acrobatics, strange curiosities, and mind-bending illusions are all part of everyday life. You don't need a ticket; you only need to look to the world around you to uncover these fascinating feats of physics. Completely updated and expanded, this Second Edition of Jearl Walker's best-selling book features more than 700 thoroughly intriguing questions about relevant, fun, and completely real physical phenomena. Detailed explanations and references to outside sources guide your way through the problems. You'll discover answers to such questions as: * Can you start a fire with ice? * Why does the sky turn green just before a tornado? * Why do wintergreen LifeSavers glow in the dark when you bite them? * If you are falling in an elevator, should you try to jump up at the last second or lay flat against the floor? * How do electric eels produce their electric field? * Why is wet sand darker than dry sand? * What causes an oasis mirage? * Why do stars twinkle? * Could you drive a car on a ceiling?

What is the significance of noise in modernist music and literature? When Stravinsky’s Rite of Spring premiered in Paris in 1913, the crowd rioted in response to the harsh dissonance and jarring rhythms of its score. This was noise, not music. In Sublime Noise, Josh Epstein examines the significance of noise in modernist music and literature. How—and why—did composers and writers incorporate the noises of modern industry, warfare, and big-city life into their work? Epstein argues that, as the creative class engaged with the racket of cityscapes and new media, they reconsidered not just the aesthetic of music but also its cultural effects. Noise, after all, is more than a sonic category: it is a cultural value judgment—a way of abating and categorizing the sounds of a social space or of new music. Pulled into dialogue with modern music’s innovative rhythms, noise signaled the breakdown of art’s autonomy from social life—even the “old favorites” of Beethoven and Wagner took on new cultural meanings when circulated in noisy modern contexts. The use of noise also opened up the closed space of art to the pressures of publicity and technological mediation. Building both on literary cultural studies and work in the “new musicology,” Sublime Noise examines the rich material relationship that exists between music and literature. Through close readings of modernist authors, including James Joyce, T. S. Eliot, Edith Sitwell, E. M. Forster, and Ezra Pound, and composers, including George Antheil, William Walton, Erik Satie, and Benjamin Britten, Epstein offers a radically contemporary account of musical-literary interactions that goes well beyond pure formalism. This book will be of interest to scholars of Anglophone literary modernism and to musicologists interested in how music was given new literary and cultural meaning during that complex interdisciplinary period.

This book documents and discusses the meaning(s) of the creative process at play in the crafting and staging of circus acts. It highlights the experience of circus artists as their skills develop and mature into public performances that create aesthetic and emotional values in the modern economy of live spectacles. It scrutinizes the meaning that circus acts produce for the spectators and for the artists themselves who live this process from the inside. This is a book for those studying semiotics and wanting to see it applied to a real life milieu in accessible and passionate prose. The Meaning of the Circus is grounded on the personal experience of Professor Paul Bouissac as both a circus entrepreneur and a researcher with decades of primary material on the significance of past and contemporary circus acts. It is based on substantial accounts provided by many men and women who have agreed to share the challenges, joys, and anxieties of their life as artists. Personal and rigorous, it contributes to the hermeneutics of the circus arts by adding existential depth to the production and reception of their performances.

Each of the colourful books featured in this series have electronic sounds that operate when the pages are opened to accompany the large pop-ups for even more fun.