Nobody's Nation offers an illuminating look at the St. Lucian, Nobel-Prize-winning writer, Derek Walcott, and grounds his work firmly in the context of West Indian history. Paul Breslin argues that Walcott's poems and plays are bound up with an effort to re-imagine West Indian society since its emergence from colonial rule, its ill-fated attempt at political unity, and its subsequent dispersal into tiny nation-states. According to Breslin, Walcott's work is centrally concerned with the West Indies' imputed absence from history and lack of cohesive national identity or cultural tradition. Walcott sees this lack not as impoverishment but as an open space for creation. In his poems and plays, West Indian history becomes a realm of necessity, something to be confronted, contested, and remade through literature. What is most vexed and inspired in Walcott's work can be traced to this quixotic struggle. Linking extensive archival research and new interviews with Walcott himself to detailed critical readings of major works, Nobody's Nation will take its place as the definitive study of the poet.

Born in Tijuana to a Mexican father and an Anglo mother, Urrea moved to San Diego at age three. In this memoir of his childhood, Urrea describes his experiences growing up in the barrio and his search for cultural identity.

If you are a red blooded American who really loves and wants to help your country, then this book is a must read for you! It gives Americans of all walks of life the chance to sit down and calmly look at themselves with the hope that they will take to heart the author's analysis and common sense suggestions. The book is not intended to be a complete makeover of America, but rather a way to save what's great and improve what may be in the way of our survival as the world's greatest superpower in history. Remember, nobody is perfect!

The Roman, Byzantine and Ottoman Empires, foreign invasion, communism and tribal conflict: these have been the realities of life in Northern Albania for centuries. In this rich and comprehensive history, Tom Winnifrith examines the many different elements that have shaped this independent and little-known region of the Balkans. He explores the fundamental division between the South of Albania and its mysterious, romantic North - more feudal, more tribal, more Catholic and more prone to Austrian and Italian influence. It is also a region less affected by Greece, both ancient and modern, and by medieval Byzantium or the Orthodox faith. Northern Albania, with a terrain and climate much harsher than the south of the country, has traditionally had little respect for law and authority while its inhabitants remain in thrall to an ancient honour code -- the kanun -- demanding blood feuds and terrible revenge. Nobody's Kingdom traces the history of this ruggedly beautiful region, frequently disturbed by both invaders and internal strife yet retaining a distinct national identity and character. From its origins in the ancient kingdom of Illyria and the Roman province of Illyricum, through Byzantine and Ottoman rule, the granting of Albanian independence in 1912, the rise and fall of communism to its current fragile democracy, Northern Albania can be seen as a cultural crossroads - especially remarkable given its mountainous and difficult landscape. This book, both scholarly and readable, is the first modern comprehensive history of Northern Albania and is a timely and accessible introduction to a remote and inaccessible region.

This book is an unveiling of the egregious behavior of white America perpetrated against people of color, particularly the black man that they so commonly named Negro—a name that primarily denotes “a piece of commodity-usable property.” This is an exposé on love and forgiveness or how else can we, as a nation, or even the world, move on. This book reveals how the black man accepted being a Negro, a piece of commodity, and, even now, refuses to detach himself from that subservient consciousness of the Negro. I Ain’t Nobody’s Negro is the beginning of a quest to change people’s consciousness of who they are. The black man was systematically taught, for over two hundred years, that black is bad and white is good; thus is the reason why he fries his hair straight, colors his eyes, and bleaches his skin—all to be as close to white as he can. He was trained to subconsciously hate himself. This book shows the black man how to become self-fulfilled and self-reliant and how to love himself as well as those that committed the hate-filled atrocities against him over the years.

They believed neglecting faith would bring no consequences. Let the term 'Holy War' be forever redefined. You are cordially invited to stroll the streets of a modern-day "Mayberry" that has lost its way, unaware of its role in a global apocalyptic future. Each step away from the faith was the equivalent of a blind sprint towards disaster, and for the people of Grace's Parrish this resulted in being designated as the point Satan chose to breach and ignite an inextinguishable hell on earth! With death and time confiscated, the tormented citizens surrendered the one they treated as an outcast to relieve their anguish. Those who believe their life includes more than their fair share of transgressors will easily identify with protagonist Margaret Sullivan. This modern-day Joan of Arc epitomizes fighting empty-handed is not synonymous with being unarmed, and when the smoke clears, the price is heavy. Nobody's Mulligan is a call to self-inventory with eternity at stake. Accentuated with the divinity of forgiveness, Nobody's Mulligan culminates with a robust "What if?" question ripe for insertion into present day discussion. Escalating depravities are the ravenous moths devouring the Christian fibers of our American quilt and this plague has but one remedy. Nobody's Mulligan is a compelling proclamation that 'turning the other cheek' is not an invitation to the sinister and silences "Fifty Shades of Gray" with a single shade of pray. A feel-great-fiction certain to reverberate through the Christian faith and into ancillary sects of Irish, conservative, women's empowerment, family saga, and dramatic thriller enthusiasts. Bon appetit!

Nobody's Children is an intense look at child welfare policies on abuse and neglect, foster care, and adoption. Elizabeth Bartholet, one of the nation's leading experts on family law, challenges the accepted orthodoxy that treats children as belonging to their kinship and their racial groups and that locks them into inadequate biological and foster homes. She asks us to apply the lessons learned from the battered women's movement as we look at battered children, and to question why family preservation ideology still reigns supreme when children rather than adult women are involved. Bartholet asks us to take seriously the adoption option. She calls on the entire community to take responsibility for its children, to think of the children at risk of abuse and neglect as belonging to all of us, and to ensure that "Nobody's Children" become treasured members of somebody's family.