It's Christmas Eve in Eden, Florida, and Wylie 'Coyote' Melville, professional therapist and hobbyist forensic consultant, is called to the scene of a horrific crime at a quiet suburban address. Wylie has enough on his plate as it is, his father is slipping deeper into the clutches of Alzheimer's, his new kitten Django is wreaking havoc with the soft furnishings and a homeless man has taken up residence on his front lawn. But a local family has been found brutally slain in their own home, and Wylie's friend Detective Sergeant Carlos O'Brien wants him to use his rare ability to 'read minds', to see the clues. So he starts his own haphazard investigation, but with suspicions of mob involvement and the police strangely keen to shut down Wylie's amateur operation, he might be biting off more than he can chew. No Regrets, Coyote is a wild ride to the dark heart of the Florida underworld. For fans of Christopher Brookmyre, Carl Hiaasen and Elmore Leonard, and introduces a brilliantly original detective with the crime scene skills of Sherlock Holmes and the personal life of Jeff 'the Dude' Lebowski.

“A very cool ride. If Raymond Chandler was reincarnated as a novelist in South Florida, he couldn’t nail it any better than Dufresne.”—Carl Hiaasen On Christmas Eve in Eden, Florida, Wylie “Coyote” Melville, therapist and forensic consultant, is summoned to a horrific crime scene. Five members of the Halliday family have been brutally killed. Wylie’s rare talent is an ability to read a crime scene, consider the evidence seen and unseen, and determine what’s likely to have happened. The police are soon convinced that the deaths were a murder-suicide carried out by a broken and desperate Chafin Halliday, but Wylie’s not so sure. As Wylie begins his own investigation with the help of his friend Bay Lettique—a poker-playing sleight-of-hand artist with links to the Everglades County underworld—he discovers a web of corruption involving the police union, Ponzi-scheming lawyers, county politicians, and the Russian mob. What follows is a heart-stopping, edgy novel that introduces a completely original crime solver.

"Sometimes a story comes along that just plain makes you want to hug the world. The Remarkable Journey of Coyote Sunrise is Dan Gemeinhart’s finest book yet — and that’s saying something. Your heart needs this joyful miracle of a book." — Katherine Applegate, acclaimed author of The One and Only Ivan and Wishtree Five years. That's how long Coyote and her dad, Rodeo, have lived on the road in an old school bus, criss-crossing the nation. It's also how long ago Coyote lost her mom and two sisters in a car crash. Coyote hasn’t been home in all that time, but when she learns that the park in her old neighborhood is being demolished—the very same park where she, her mom, and her sisters buried a treasured memory box—she devises an elaborate plan to get her dad to drive 3,600 miles back to Washington state in four days...without him realizing it. Along the way, they'll pick up a strange crew of misfit travelers. Lester has a lady love to meet. Salvador and his mom are looking to start over. Val needs a safe place to be herself. And then there's Gladys... Over the course of thousands of miles, Coyote will learn that going home can sometimes be the hardest journey of all...but that with friends by her side, she just might be able to turn her “once upon a time” into a “happily ever after.”

“If Raymond Chandler were reincarnated as a novelist in south Florida, he couldn’t nail it any better than John Dufresne.”—Carl Hiaasen John Dufresne has been hailed by the New York Times as “an original talent . . . [whose] humor is frightfully dark, but . . . dazzling.” I Don’t Like Where This Is Going continues the misadventures of therapist-on-the-run Wylie “Coyote” Melville. Wylie has witnessed a woman falling to her death outside the Luxor Hotel. Troubled by the ensuing cover-up, he becomes a man on a mission, enlisting the help of his old friend, an ace card player and master magician, to help find answers. The duo’s escapades range from poker tables to desert highways, from bordellos to child beauty pageants, resulting in a thoroughly satisfying and hilarious whodunit.

Joni Mitchell is one of the foremost singer-songwriters of the late twentieth century. Yet despite her reputation, influence, and cultural importance, a detailed appraisal of her musical achievement is still lacking. Whitesell presents a through exploration of Mitchell's musical style, sound, and structure in order to evaluate her songs from a musicological perspective. His analyses are conceived within a holistic framework that takes account of poetic nuance, cultural reference, and stylistic evolution over a long, adventurous career. Mitchell's songs represent a complex, meticulously crafted body of work. The Music of Joni Mitchell offers a comprehensive survey of her output, with many discussions of individual songs, organized by topic rather than chronology. Individual chapters each explore a different aspect of her craft, such as poetic voice, harmony, melody, and large-scale form. A separate chapter is devoted to the central theme of personal freedom, as expressed through diverse symbolic registers of the journey quest, bohemianism, creative license, and spiritual liberation. Previous accounts of Mitchell's songwriting have tended to favor her poetic vision, expansive verse structures, and riveting vocal delivery. Whitesell fills out this account with special attention to musical technique, showing how such traits as complex or conflicting sonorities, dualities of harmonic mode, dialectical tensions of texture and register, intricately layered instrumental figuration, and a variable vocal persona are all essential to her distinctive identity as a songwriter. The Music of Joni Mitchell develops a set of conceptual tools geared specifically to Mitchell's songs, in order to demonstrate the extent of her technical innovation in the pop song genre, to give an account of the formal sophistication and rhetorical power characterizing her work as a whole, and to provide grounds for the recognition of her intellectual stature as a composer within her chosen field.

A heartfelt, daring, divinely hilarious debut novel about a priest who embarks on a fateful journey with a pistol in his pocket and an injured coyote in his backseat. "A beautiful and meditative exploration of shattered faith." —Brit Bennett, author of The Vanishing Half Father Dan is homeless. Dismissed by his conservative diocese for eccentricity and insubordination, he’s made his exile into a kind of pilgrimage, transforming his Toyota Camry into a mobile monk’s cell. Then he sees a minivan sideswipe a coyote. Unable to suppress his Franciscan impulses, he takes the injured animal in. With his unexpected canine companion in the backseat, Dan makes his way west, encountering other offbeat travelers and stopping to take in the occasional roadside novelty (MARTIN'S HOLE TO HELL, WORLD-FAMOUS BOTTOMLESS PIT NEXT EXIT!). But the coyote is far from the only oddity fate has delivered into this churchless priest’s care: it has also given him a bone-handled pistol, a box of bullets, and a letter from an estranged friend. By the time Dan gets to where he’s going, he’ll be forced to reckon once and for all with the great mistakes of his past, and he will have to decide: is penance better paid with revenge, or with redemption?

As children, Molly, Lena, and Tessa McBride were torn apart by a life-changing moment. Now, tragedy will bring the sisters together again, offering them the chance to find happiness in sorrow. Reissue.