“A sensitive look at the social and political barriers that deny disabled people their most basic civil rights.”—The Washington Post “The primer for a revolution.”—The Chicago Tribune “Nondisabled Americans do not understand disabled ones. This book attempts to explain, to nondisabled people as well as to many disabled ones, how the world and self-perceptions of disabled people are changing. It looks at the rise of what is called the disability rights movement—the new thinking by disabled people that there is no pity or tragedy in disability and that it is society’s myths, fears, and stereotypes that most make being disabled difficult.”—from the Introduction

“A sensitive look at the social and political barriers that deny disabled people their most basic civil rights.”—The Washington Post “The primer for a revolution.”—The Chicago Tribune “Nondisabled Americans do not understand disabled ones. This book attempts to explain, to nondisabled people as well as to many disabled ones, how the world and self-perceptions of disabled people are changing. It looks at the rise of what is called the disability rights movement—the new thinking by disabled people that there is no pity or tragedy in disability and that it is society’s myths, fears, and stereotypes that most make being disabled difficult.”—from the Introduction

On May 11, 1857, Hindu and Muslim sepoys massacred British residents and native Christians in Delhi, setting off both the whirlwind of similar violence that engulfed Bengal in the following months and an answering wave of rhetorical violence in Britain, where the uprising against British rule in India was often portrayed as a clash of civilization and barbarity demanding merciless retribution. Although by twentieth-century standards the number of victims was small, the Victorian public saw "the Indian Mutiny" of 1857-59 as an epochal event. In this provocative book, Christopher Herbert seeks to discover why. He offers a view of this episode--and of Victorian imperialist culture more generally--sharply at odds with the standard formulations of postcolonial scholarship. Drawing on a wealth of largely overlooked and often mesmerizing nineteenth-century texts, including memoirs, histories, letters, works of journalism, and novels, War of No Pity shows that the startling ferocity of the conflict in India provoked a crisis of national conscience and a series of searing if often painfully ambivalent condemnations of British actions in India both prior to and during the war. Bringing to light the dissident, disillusioned, antipatriotic strain of Victorian "mutiny writing," Herbert locates in it key forerunners of modern-day antiwar literature and the modern critique of racism.

The #1 New York Times–bestselling true crime author profiles the criminals who kill without conscience—includes case updates and three new accounts! In eight stunning Case Files volumes, from A Rose for Her Grave to the #1 blockbuster Last Dance, Last Chance, Ann Rule reigns as “America’s best true-crime writer” (Kirkus Reviews). Now, she updates the most astonishing cases from that acclaimed series—and presents shocking, all-new true-crime accounts—in one riveting anthology. In every explosive chapter of Without Pity, Ann Rule deepens her unrelenting exploration of the evil that lies behind the perfect facades of heartless killers . . . and the deadly compulsions of greed and power that shatter their outward trappings of material success. They are the admired, trusted neighbor; the affable family man; the sexy, charismatic lover; the high-achieving professional. Perhaps most frightening of all is that they are heroes in their own minds. But when someone gets in the way of their deluded dreams, they are capable of deadly acts of violence with no remorse. Analyzing the true nature of the sociopathic mind in chilling detail, Ann Rule traces the murderous crimes of seemingly ordinary men—killers who drew their unsuspecting victims into their twisted worlds with devastating consequences.

From weekend-long "Real World" marathons to the People's Choice Awards, from favorite characters (Brenda Walsh, Seth Cohen) to the most unfunny recurring skits on "Saturday Night Live," this is a celebration of television unlike any other. 100 illustrations.

It’s 2003 and the streets of South Central Los Angeles are at war. Elijah “Lil 9-Lives” Hassahn has put his gangster life behind him and is thriving with his family in his newfound wealth; but the past keeps coming back to haunt him. After four years in hiding, Lil Teflon is back with a bloodlust for revenge. Enemies hide in plain sight and an uprising begins. The Tiny Toons, the next generation of gangsters, play hard and fast with the rules, aiming to take the reins of the Nine-Os for themselves. A new threat arises when a major player in the Set is murdered. The finger of blame points in Elijah’s direction, and now he must either swallow his pride and keep the peace or revert to the violent man he used to be. Big 9-Lives and Big Teflon are pulled into the fray to calm the tensions, but lines are blurred between friend and foe. Meanwhile, Elise struggles to find balance in her new life with Elijah, the illicit drug trade, and her tortured past. As loyalties to brothers and friends are tested, Elijah is spinning out of control toward the point of no return. Can he make peace with a childhood friend who wronged him, or will he immerse himself back into the bloodshed of the urban trenches? In this provocative sequel in the Land Of No Pity series, it’s do or die and only the strong will survive.

Nineteen year old Paula rubbed the mosquito bite she'd gotten at a family picnic. She expected it would go away in a day or two.But by the end of the week she lay in a coma, paralyzed from the waist down with a doctor's dire prognosis mapping out a bedridden future of hopelessness.Plucky Paula refused to accept life on these terms. She had two weapons at her disposal to defeat the enemy seeking to rob her of all she'd dreamed of in life: A praying parent and an unwavering resolve to persevere until victory was won!"I'm no victim. I will walk again. My life will be full. Failure is not an option!"