This volume of previously uncollected work represents the final legacy of one of the great and truly American writers of our time. It includes five of Raymond Carver's early stories (including the first one he ever published), a fragment of an unpublished novel, poems that have previously appeared only in small-press editions, and all of his uncollected nonfiction. Included here as well is Carver's last essay, "Friendship" about a London reunion with Richard Ford and Tobias Wolff. Arranged chronologically, this book affords an intimate and comprehensive thirty-year vision of a great writer in the process of becoming himself.

This volume of previously uncollected work represents the final legacy of one of the great and truly American writers of our time. It includes five of Raymond Carver's early stories (including the first one he ever published), a fragment of an unpublished novel, poems that have previously appeared only in small-press editions, and all of his uncollected nonfiction. Included here as well is Carver's last essay, "Friendship" about a London reunion with Richard Ford and Tobias Wolff. Arranged chronologically, this book affords an intimate and comprehensive thirty-year vision of a great writer in the process of becoming himself.

In Strictly No Heroics, a normal teen girl must navigate crushing on her best friend, starting a new summer job, and not being squashed during the next supervillain showdown in B.L. Radley's young adult debut filled with humor and heart. A Normie’s guide to staying alive in Sunnylake City: 1. Keep your head down. 2. Don’t make enemies. 3. Strictly no heroics. The world is run by those with the Super gene, and Riley Jones doesn’t have it. She’s just a Normie, ducking her way around the hero vs. villain battles that constantly demolish Sunnylake City, working at a crappy diner to save up money for therapy, and trying to figure out how to tell her family that she’s queer. But when Riley retaliates against a handsy superhero at work, she finds herself in desperate need of employment, and the only place that will hire her is HENCH. Yes, HENCH, as in henchmen: masked cronies who take villains' coffee orders, vacuum their secret lairs, and posture in the background while they fight. Riley's plan is to mind her own business and get paid...but that quickly devolves when she witnesses a horrible murder on the job. Caught in the thick of a gentrification plot, a unionization effort, and a developing crush on her prickly fellow henchwoman, Riley must face the possibility that even a powerless Normie can take a stand against injustice.

The complete uncollected fiction and nonfiction, including the five posthumously discovered “last” stories, published here in book form for the first time—from “one of the great short story writers of our time—of any time” (The Philadelphia Inquirer). Call If You Need Me includes all of the prose previously collected in No Heroics, Please, four essays from Fires, and those five marvelous stories that range over the period of Carver’s mature writing and give his devoted readers a final glimpse of the great writer at work. The pure pleasure of Carver’s writing is everywhere in his work, here no less than in those stories that have already entered the canon of modern literature.

A rich collection of poems from not only “one of the great short story writers of our time” (The Philadelphia Inquirer), but one of America’s most large-hearted and affecting poets. Like Raymond Carver’s stories, the more than 300 poems in All of Us are marked by a keen attention to the physical world; an uncanny ability to compress vast feeling into discreet moments; a voice of conversational intimacy, and an unstinting sympathy. This complete edition brings together all the poems of Carver’s five previous books, from Fires to the posthumously published No Heroics, Please. It also contains bibliographical and textual notes on individual poems; a chronology of Carver’s life and work; and a moving introduction by Carver’s widow, the poet Tess Gallagher.

Raymond Carver’s canonical status is secure: his short stories appear regularly in all of the major literary anthologies, and his fiction and poetry are taught at universities around the world. Despite this, there are few instructional aids to teaching Carver's work at university level, and none that take into account the interdisciplinary nature of many modern university courses. Carver Across the Curriculum addresses these needs. Drawing on the experiences and expertise of a group of international scholars, it presents a variety of innovative, interdisciplinary approaches to teaching Carver’s work at the undergraduate and postgraduate levels. The chapters cover a wide range of disciplines, including music, creative writing, translation, humor studies, food studies, the medical humanities, and the visual and performing arts. As such, the collection serves as a guide and a source of inspiration to instructors, and offers readers new insights into Carver’s fiction and poetry.