No Green Berries or Leaves is a collection of autobiographical essays by Paul J. Stankard, recognized widely as one of the world's master glass artists. Stankard is particularly renowned and respected for his flameworked floral motifs expressed in crystal paperweights, rectangular columns, and orbs. Stankard was trained in scientific glassblowing and worked in industrial scientific glass during most of the 1960s. Challenged by an inner sense of creativity and the need to establish his creative independence, he started making paperweights in the early 1970s. Attracted to the emerging studio glass movement, recognized as a maker of fine paperweights, and driven by an intense and incessant pursuit of excellence, Stankard was -- by the 1980s -- recognized as a highly accomplished glass artist, a member of the pioneering generation of glass artists in America. As the emotional, intellectual, and spiritual dimensions of his art matured, and as he continued to develop new techniques for expressing his art, he also assumed more prominent influence in the development of educational programs and institutions that celebrated and expanded art in glass. Throughout his life, Stankard also wrestled with, and learned how to succeed in spite of, a learning disability -- dyslexia. No Green Berries or Leaves presents the author's record of his life as a struggling, then highly successful, artist; reveals insights into the challenges he faced as a dyslexic and how he came to understand, then circumvent, his disability; and records his perspectives on the history of the studio glass movement in America as he witnessed and experienced it during the past fifty years. This book will be of value to readers interested in the life of a major American artist and the history of the glass art movement in America, as well as to those looking for an inspirational story of how one man faced, addressed, and outwitted a learning disability and climbed the steep road to success to become a master artist in glass.

Amerika, Florenwerke, Kalifornien

This is a resource that strives to inform, inspire, and motivate all who work in craft and wish to improve the creative expression of their work. While the book features flameworked glass and a selection of the leading artisans who do this work, the insights and recommendations presented transcend material and speak to broader issues relevant to all creative craftspeople. The book is made up of three parts, presented in engaging and accessible language. The first section consists of three essays by scholar-artists that provide essential context for the book by considering the recent history of craft; the relationships among craft, design, and art; and the many facets of beauty. Section two presents a personal retrospective on the 50-year career of internationally acclaimed artist Paul J Stankard. A pioneer in the Studio Glass Movement, Stankard is considered a living master in the art of floral paperweight making. The third section provides overviews of the careers of twelve highly regarded contemporary glass artists. Collectively, the reader is presented with insightful perspectives on the aspirations, strategies, challenges, and accomplishments of a representative sample of internationally respected flameworking artists.