Winner of Australia’s richest literary award, No Friend but the Mountains is Kurdish-Iranian journalist and refugee Behrouz Boochani’s account of his detainment on Australia’s notorious Manus Island prison. Composed entirely by text message, this work represents the harrowing experience of stateless and imprisoned refugees and migrants around the world. In 2013, Kurdish-Iranian journalist Behrouz Boochani was illegally detained on Manus Island, a refugee detention centre off the coast of Australia. He has been there ever since. This book is the result. Laboriously tapped out on a mobile phone and translated from the Farsi. It is a voice of witness, an act of survival. A lyric first-hand account. A cry of resistance. A vivid portrait of five years of incarceration and exile. Winner of the Victorian Prize for Literature, No Friend but the Mountains is an extraordinary account — one that is disturbingly representative of the experience of the many stateless and imprisoned refugees and migrants around the world. “Our government jailed his body, but his soul remained that of a free man.” — From the Foreword by Man Booker Prize–winning author Richard Flanagan

WINNER OF THE VICTORIAN PREMIER'S LITERARY PRIZE FOR LITERATURE AND FOR NON-FICTION 2019 Where have I come from? From the land of rivers, the land of waterfalls, the land of ancient chants, the land of mountains... In 2013, Kurdish journalist Behrouz Boochani was illegally detained on Manus Island. People would run to the mountains to escape the warplanes and found asylum within their chestnut forests... This book is the result. Laboriously tapped out on a mobile phone and translated from the Farsi. It is a voice of witness, an act of survival. A lyric first-hand account. A cry of resistance. A vivid portrait through six years of incarceration and exile. Do Kurds have any friends other than the mountains? WINNER OF THE NSW PREMIER'S AWARD 2019 WINNER OF THE ABIA GENERAL NON-FICTION BOOK OF THE YEAR 2019 WINNER OF THE NATIONAL BIOGRAPHY AWARD 2019 INAUGURAL WINNER OF THE BEHROUZ BOOCHANI AWARD FOR SERVICES TO ANTHROPOLOGY FINALIST FOR THE TERZANI PRIZE 2020 LONGLISTED FOR THE COLIN RODERICK LITERARY AWARD 2019 PRAISE FOR NO FRIEND BUT THE MOUNTAINS 'Our government jailed his body, but his soul remained that of a free man.' RICHARD FLANAGAN 'The most important Australian book published in 2018.' ROBERT MANNE 'A powerful account ... made me feel ashamed and outraged. Behrouz's writing is lyrical and poetic, though the horrors he describes are unspeakable' SOFIE LAGUNA 'A poetic, yet harrowing read, and every Australian household should have a copy.' MAXINE BENEBA CLARKE 'A chant, a cry from the heart, a lament, fuelled by a fierce urgency, written with the lyricism of a poet, the literary skills of a novelist, and the profound insights of an astute observer of human behaviour and the ruthless politics of a cruel and unjust imprisonment.' ARNOLD ZABLE 'A shattering book every Australian should read' Benjamin Law (@mrbenjaminlaw 01/02/2019) 'A magnificent writer. To understand the true nature of what it is that we have done, every Australian, beginning with the prime minister, should read Behrouz Boochani's intense, lyrical and psychologically perceptive prose-poetry masterpiece.' The Age 'He immerses the reader in Manus' everyday horrors: the boredom, frustration, violence, obsession and hunger; the petty bureaucratic bullying and the wholesale nastiness; the tragedies and the soul-destroying hopelessness. Its creation was an almost unimaginable task... will lodge deep in the brain of anyone who reads it.' Herald Sun 'Boochani has defied and defeated the best efforts of Australian governments to deny asylum seekers a face and a voice. And what a voice: poetic yet unsentimental, acerbic yet compassionate, sorrowful but never self-indulgent, reflective and considered even in anger and despair. ... It may well stand as one of the most important books published in Australia in two decades, the period of time during which our refugee policies have hardened into shape - and hardened our hearts in the process.' SATURDAY PAPER 'An essential historical document.' Weekend Australian 'In the absence of images, turn to this book to fathom what we have done, what we continue to do. It is, put simply, the most extraordinary and important book I have ever read.' Good Reading Magazine (starred review) 'Brilliant writing. Brilliant thinking. Brilliant courage.' Professor Marcia Langton AM (@marcialangton 01/02/2019) 'Segues effortlessly between prose and poetry, both equally powerful.' Australian Financial Review 'Boochani has woven his own experiences in to a tale which is at once beautiful and harrowing, creating a valuable contribution to Australia's literary canon.' Writing NSW

Longlisted for the 2019 Women's Prize for Fiction A Black Caucus of the American Library Association 2019 Honor title, Fiction "McFadden, writer of great, imaginative novels for years now (including Sugar and Gathering of Waters), is back with one of her best yet. Exploring ritual sacrifice in contemporary West Africa, Praise Song offers a fascinating, painful glimpse into a world beyond America's shores, filled with tragedy and love and hope." --Entertainment Weekly "Perhaps one of the best books of the year, Praise Song for the Butterflies is a stunning, brief portrait that humanizes the plight of those in ritual servitude. It's a fantastic work from a gifted author." --The Gazette "A fictional West African country is the setting for Bernice L. McFadden's latest work, Praise Song for the Butterflies. Here we meet Abeo Kata, a 9-year-old girl who is ripped from her privileged lifestyle when her father forces her to become a slave in a religious sect. Rescued after 15 years, Abeo struggles to overcome dark family secrets while learning to love again." --Essence Magazine Included in BookRiot's "22 Upcoming Releases by Authors of Color Featured at BEA" "Bernice L. McFadden's novel Praise Song for the Butterflies has received great reviews and will be published today. The book centers on Abeo Kata, the privileged daughter of a government employee and a stay-at-home mother in West Africa whose happy life changes dramatically after she's placed in a shrine as an offering. Fifteen years later, Abeo is finally rescued and must learn to move beyond her traumatic past." --Good Morning America "McFadden crafts a compassionate, unforgettable story of loss and redemption." --BBC Culture "Recent favorites [at Mahogany Books in Washington, DC] include...award-winning novelist Bernice L. McFadden's forthcoming Praise Song for the Butterflies, about a nine-year-old West African girl sacrificed into religious servitude." --Vanity Fair "The novel has a timeless quality; McFadden is a master of taking you to another time and place. In doing so, she raises questions surrounding the nature of memory, what we allow to thrive, and what we determine to execute...McFadden brings the sweeping drama of her earlier works--The Book of Harlan, Glorious, Gathering of Waters--into this small book, and reminds me of the gentle fierceness of Edwidge Danticat's writing." --Los Angeles Review of Books "Praise Song for the Butterflies is written like a fable--one of devastation, but triumph, too. Bernice L. McFadden's novel sheds light on the long practice of trokosi, ritual servitude to priests." --Refinery29 Abeo Kata lives a comfortable, happy life in West Africa as the privileged nine-year-old daughter of a government employee and stay-at-home mother. But when the Katas' idyllic lifestyle takes a turn for the worse, Abeo's father, following his mother's advice, places the girl in a religious shrine, hoping that the sacrifice of his daughter will serve as atonement for the crimes of his ancestors. Unspeakable acts befall Abeo for the fifteen years she is held in the shrine. When she is finally rescued, broken and battered, she must struggle to overcome her past, endure the revelation of family secrets, and learn to trust and love again. In the tradition of Chris Cleave's Little Bee, this novel is a contemporary story that offers an eye-opening account of the practice of ritual servitude in West Africa. Spanning decades and two continents, Praise Song for the Butterflies will break your heart and then heal it.

As American tanks came to a halt on the Euphrates at the close of the war against Saddam Hussein, President Bush called on the oppressed peoples of Iraq to rise up against their ruler. Thousands of peshmerga (Kurdish guerrillas) responded, seizing the towns and countryside of northern Iraq. But after Saddam signed the truce with the U.N. forces, he sent his surviving units north, slaughtering the lightly-armed Kurds and driving millions more into exile while the Allies stood aside. For the Kurds, it was one more betrayal in their long and tragic history. In No Friends but the Mountains, veteran Middle East journalists John Bulloch and Harvey Morris provide the only history of the Kurdish people available today. Ranging from their earliest origins to the aftermath of the Gulf War, Bulloch and Morris trace the course of the Kurds' past and identify the pressures that have denied them a state of their own for so many centuries. Numbering some sixteen million and spread across five countries, the Kurds are the world's largest nationality without a state--a people divided among themselves in their struggle for independence, the pawns of rival governments throughout history. Bulloch and Morris show how they were exploited by the Turks and the Great Powers in the days of the Ottoman Empire, how the British, French, and the new Turkish republic subverted Woodrow Wilson's promise of a Kurdish state in 1918, and how the Kurds' revolts and insurrections led to further repression. Later the peshmerga guerrillas were funded and manipulated by Saddam Hussein, the Shah of Iran, Israel, and the CIA--while the Turkish government has harshly repressed any signs of Kurdish identity, banning the use of the Kurdish language until only recently. Both Saddam and Khomeini's government sought to use the Kurds to their own advantage during the long Iran-Iraq War. Bulloch and Morris trace the history of the main Kurdish organizations, such as the PKK in Turkey and the KDP in Iraq, underscoring the divisions that are threatening Kurdish survival at a time when the Iraqi army stands poised to attack the "safe haven" established by the U.N. This authoritative, highly readable account details the story of the rebellion, exile, and return that followed the Gulf War, providing a critical historical perspective on these momentous events. Written by two leading Middle East journalists, No Friends But the Mountains offers the first history of the long-suffering people at the center of one of the world's most explosive conflicts.

In this lively satire of contemporary South Pacific life, we meet a familiar cast of characters: multinational experts, religious fanatics, con men, "simple" villagers, corrupt politicians. In writing about this tiny world of flawed personalities, Hau‘ofa displays his wit and range of comic resource, amply exercising what one reviewer called his “gift of seeing absurdity clearly."

This book rethinks Plato’s creation and use of myth by drawing on theories and methods from myth studies, religious studies, literary theory and related fields. Individual myths function differently depending on cultural practice, religious context or literary tradition, and this interdisciplinary study merges new perspectives in Plato studies with recent scholarship and theories pertaining to myth. Significant overlaps exist between prominent modern theories of myth and attitudes and approaches in studies of Plato’s myths. Considering recent developments in myth studies, this book asks new questions about the evaluation of myth in Plato. Its appreciation of the historical conditions shaping and directing the study of Plato’s myths opens deeper philosophical questions about the relationship between philosophy and myth and the relevance of myth studies to philosophical debates. It also extends the discussion to address philosophical questions and perspectives on the distinction between argument and narrative.

"Should appeal to all rugged individualists who dream of escape to the forest."—The New York Times Book Review Sam Gribley is terribly unhappy living in New York City with his family, so he runs away to the Catskill Mountains to live in the woods—all by himself. With only a penknife, a ball of cord, forty dollars, and some flint and steel, he intends to survive on his own. Sam learns about courage, danger, and independence during his year in the wilderness, a year that changes his life forever. “An extraordinary book . . . It will be read year after year.” —The Horn Book