Promoted as a 'disturbingly perfect' and 'deeply shallow' television drama and created by Ryan Murphy, who is also behind the teen musical show Glee, Nip/Tuck has been one of the most popular and controversial shows on cable TV. The misadventures and soap opera-esque entanglements of the lives of plastic surgeons Christian Troy (Julian McMahon) and Sean McNamara (Dylan Walsh) won Golden Globes and boycotts from the American Family Association. Yet, as this first full critical examination of Nip/Tuck shows, ironically the show is an examination of the American family and its many definitions, anxieties and complications of gender and sexuality, and the class issues and illusions surrounding the American dream. It is also revealed as a glorious televisual melodrama, full of Gothic tropes and contemporary sensationalism and at the same time, a deeply misanthropic satire on the American dream with a sometimes highly problematic portrayal of women and minorities. The book also features an interview with frequent Nip/Tuck director Elodie Keene and an episode guide.

Having retired from plastic surgery after 28 years, Dr. Nadler has taken the artistic ablity and eye for detail that made him a world renowned plastic surgeon and applied them to personal training creating 'The Nip Tuck Workout.'It is a unique concept based on achieving beauty through creating symmetry and proportion.This is not body building; this is body enhancing! It is the ultimate in non-surgical body shaping suitable for the novice or the veteran.

It's brains versus Botox Lizzie's life is so perfect she has to look down to see cloud nine...until she realizes she's about to hit the dreaded four-oh. For most women, turning forty is more dangerous than wearing a bikini thong in a big surf. Not Lizzie. Until, that is, she loses her job to a younger, more telegenic journalist -- and her husband to a sex goddess who keeps fit by doing step aerobics off her ego. That's when she starts to wonder about brains versus Botox. For Lizzie's sister, beauty is one of the most natural and lovely things money can buy. But must Lizzie go under the knife to win back the man she loves? The answer is as obvious as a pre-1990s nose job. This book will have you in stitches...literally! Love, adultery, death, and a disastrous bikini wax

The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.

Ex-nurse-turned-insurance fraud investigator Pauline Sokol's willing to risk anything to put a bad doc out of business—even her best friend Goldie's near-perfect proboscis! Her cross-dressing compadre has agreed to get his shnozz bobbed so Pauline can pose as his private nurse and gain entry into Highcliff Manor—a posh plastic surgery "spa" making an illegal killing with their repeat clientele. But when a super-rich "frequent flier" is unexpectedly widowed—and a receptionist who knows too much is given the boot . . . off a nearby cliff!—Pauline realizes she's stuck her own nose into something really nasty. Despite the pleasant distraction of the hunky Dr. Neal—and the unexpected appearance of her sexy cohort, Jagger—Pauline can't shake the feeling she's being closely watched. And if she's not careful, she'll be the next one who goes under the knife!

Journalist Lizzie McPhee has always thought of beauty as a case of mind over matter – if you don't mind, it doesn't matter. But all that changes when she begins the countdown towards the big 4-0. Suddenly, she's comparing her butt buoyancy to that of women on billboards and worrying about wrinkles. But the pitter-pitter-pat of tiny crow's feet is soon the least of Lizzie's worries. In the space of twenty four hours, she is replaced as news anchor by a young himbo who keeps fit by doing step aerobics off his own ego. And then she catches her surgeon husband Hugo cheating with catty soap actress Britney Amore – a woman whose bra cup size is bigger than her IQ. Suddenly, Lizzie is in free fall. Can she turn back the clock, and win back her life? Or will she discover there's a better way to grow older gracefully? Praise for Kathy Lette: 'Fabulous, fast-paced, funny & unapologetically female. Nobody does it better.' DEBORAH FRANCES-WHITE, THE GUILTY FEMINIST 'Deliciously rude and darkly funny, but with compassion and humanity at its heart. Read with relish.' NICOLE KIDMAN 'Kathy Lette can turn from raunchy farce to the most tender emotion in a trice.' STEPHEN FRY

Melodrama in Contemporary Film and Television debates the ways in which melodrama expresses and gives meaning to: trauma and pathos; memory and historical re-visioning; home and borders; gendered and queer relations; the family and psychic identities; the national and emerging public cultures; and morality and ethics.