This massive collection of original stories and articles inspired by the 'Cthulhu Mythos' created by H.P. Lovecraft was published in Japan in 2002 as a two-volume set under the name Hishinkai. The list of contributing authors is a who's-who of Japanese horror fiction, featuring some of the finest writers in Japan today. In cooperation with Tokyo Sogensha, the Japanese publishers, and the anthology editor, Mr. Asamatsu Ken, we are proud to present these dark visions of the Mythos as interpreted by Japanese authors. You will find some stories that return like old friends, carrying on the Lovecraft tradition, while others will shock you with totally new and unexpected vistas of horror. Each story is accompanied by a thought-provoking introduction by Robert M. Price, the recognized master of the Mythos. The cover is by Yamada Akihiro, who has handled many of the covers for the Japanese-language editions of Lovecraft and other Mythos works, and has established a name for himself in the States as well.

Astonishing True Story of the Miracles That Are Changing Africa Born into a long line of witch doctors, Surprise ("Surpresa") Sithole was destined for a life of fear, oppression, and poverty in the jungles of Africa. But at the age of fifteen, he was awakened in the middle of the night by an unfamiliar voice. Urgent, but not harsh, it told him to get up and leave his family immediately. As Surprise stepped out into the night, away from everything dear to him, he had no idea who God was--or what he had in store for him. From miraculous signs and wonders to supernatural deliverance from certain death to divine revivals that overtook countries, Surprise has followed wherever God has led, becoming an agent of hope and change in a continent devastated by war, poverty, and spiritual oppression. Voice in the Night is the amazing true story of what began that night in a jungle hut more than twenty-five years ago: a journey--an adventure--of faith and miracles.

One of South America's most celebrated contemporary poets takes us on a fantastic voyage to mysterious lands and seas, into the psyche, and to the heart of the poem itself. Night Journey is the English-language debut of the work that won María Negroni an Argentine National Book Award. It is a book of dreams--dreams she renders with surreal beauty that recalls the work of her compatriot Alejandra Pizarnik, with the penetrating subtlety of Borges and Calvino. In sixty-two tightly woven prose poems, Negroni deftly infuses haunting imagery with an ironic, personal spirituality. Effortlessly she navigates the nameless subject to the slopes of the Himalayas, to a bar in Buenos Aires, through war, from icy Scandinavian landscapes to the tropics, across seas, toward a cemetery in the wake of Napoleon's hearse, by train, by taxis headed in unrequested directions, past mirrors and birds, between life and death. Night Journey reflects a mastery of a traditional form while brilliantly expressing a modern condition: the multicultural, multifaceted individual, ever in motion. Displacement abounds: a "medieval tabard" where a pelvis should be, a "lipless grin," a "beach severed from the ocean." In one poem "nomadic cities" whisk past. In another, smiling cockroaches loom in a visiting mother's eyes. Anne Twitty, whose elegant translations are accompanied by the Spanish originals, remarks in her preface that the book's "indomitable literary intelligence" subdues an unspoken terror--helplessness. Yet, as observed by the angel Gabriel, the consoling voice of wisdom, only by accepting the journey for what it is can one discover its "hidden splendor," the "invisible center of the poem." As readers of this magnificent work will discover, this is a journey that, because its every fleeting image conjures a thousand words of fertile silence, can be savored again and again.

One of South America's most celebrated contemporary poets takes us on a fantastic voyage to mysterious lands and seas, into the psyche, and to the heart of the poem itself. Night Journey is the English-language debut of the work that won María Negroni an Argentine National Book Award. It is a book of dreams--dreams she renders with surreal beauty that recalls the work of her compatriot Alejandra Pizarnik, with the penetrating subtlety of Borges and Calvino. In sixty-two tightly woven prose poems, Negroni deftly infuses haunting imagery with an ironic, personal spirituality. Effortlessly she navigates the nameless subject to the slopes of the Himalayas, to a bar in Buenos Aires, through war, from icy Scandinavian landscapes to the tropics, across seas, toward a cemetery in the wake of Napoleon's hearse, by train, by taxis headed in unrequested directions, past mirrors and birds, between life and death. Night Journey reflects a mastery of a traditional form while brilliantly expressing a modern condition: the multicultural, multifaceted individual, ever in motion. Displacement abounds: a "medieval tabard" where a pelvis should be, a "lipless grin," a "beach severed from the ocean." In one poem "nomadic cities" whisk past. In another, smiling cockroaches loom in a visiting mother's eyes. Anne Twitty, whose elegant translations are accompanied by the Spanish originals, remarks in her preface that the book's "indomitable literary intelligence" subdues an unspoken terror--helplessness. Yet, as observed by the angel Gabriel, the consoling voice of wisdom, only by accepting the journey for what it is can one discover its "hidden splendor," the "invisible center of the poem." As readers of this magnificent work will discover, this is a journey that, because its every fleeting image conjures a thousand words of fertile silence, can be savored again and again.

It is the story of Poland in the years leading up to the war, the horrors Polish Jews faced during the Nazi occupation, the brief period of hope when they believed they were building a better society, and their gradual disillusionment as state sponsored corruption, brutality, Stalinist paranoia, and anti-Semitism developed. The story is told through the memories of four people, Stasia Alapin Rubilowicz, her husband Mietek Rubilowicz, her son Peter Alapin, and her friend Alina. Life in Poland before and during the war is seen primarily through Stasia's eyes, who evokes her youth in an affluent family, largely assimilated into Polish society. This life was shattered forever in her early adulthood when the Nazis invaded, bringing death and destruction to Poland and to Polish Jews in particular. She recounts the anguish of life in the Warsaw Ghetto, her escape from it, her survival on the run, her betrayal to the Gestapo by a woman who had known her at school, and her rescue from prison by Christian Polish friends at the risk of their lives. In the second half of the book we are introduced to Mietek and her friend Alina, who describe their experiences in Poland during and after the war and their hopes that communism would rid the country of bigotry injustice, and want. But as old hatreds, now supported by a perverted catechism of socialist dogma, reawakened anti-Semitism they became increasingly disillusioned, ultimately deciding they had no recourse but to leave Poland and start a new life elsewhere. By 1968 the Polish communist leadership, through a campaign of intimidation and harassment, had succeeded in ridding Poland of virtually all its surviving Jews.Night Voices is a testimony both to the strength of the human spirit and to our capacity for self-delusion.

Winner of the Australian Literature Society Gold Medal Shortlisted for the Miles Franklin Literary Award Every night for twenty nights in a hotel room in Venice, an Australian man recently diagnosed with an incurable disease writes a letter home to a friend. In these letters, against a rich background of earlier journeys in literature, with Dante as his imagined guide, he reflects on what it means to live a good life in the face of death. Praise for Night Letters by Robert Dessaix ‘Dessaix writes with great elegance, with passion, compassion and sly wit. Literally, a wonderful book.’ John Banville ‘An absolutely unique book: intelligent, funny, rich, tender at the right moments, a plum pudding of stories, observations and discoveries.’ Alberto Manguel ‘Night Letters is exhilarating. The goads, the teasing, the question marks fired up into the atmosphere make any passive reading of it quite impossible.’ The Sydney Morning Herald