Nicholas of Cusa (1401-1464) was one of the most illustrious figures of the fifteenth century--a man whose imagination spanned the late Middle Ages and the Renaissance to point the way to modernity. Theologian, philosopher, canon lawyer, reformer, church statesman, and cardinal, Cusanus' ideas of learned ignorance and the coincidence of opposites still attract attention today across a wide variety of disciplines. However, there is no one book in the marketplace that explains to a general audience all the different facets of this Renaissance man. This book, which might be considered "Nicholas of Cusa 101," offers separate chapters for the non-specialist introducing the vocabulary, ideas, and works of Nicholas of Cusa on a wide variety of topics. The book also provides a guide to his works in Latin, English, and other languages; all the secondary literature on each topic treated; a glossary of Cusan terms and ideas; and a guide to Cusan societies, sites, libraries, and museums.

Known for his deeply mystical writings about Christianity, Nicholas of Cusa wrote this, his most popular work, against a backdrop of widespread Church corruption. God, he believed, is found in all things, and thus cannot be perceived by man's senses and intellect alone. The path to ultimate knowledge, then, begins in recognizing our own ignorance. Deeply influenced by Saint Augustine, Nicholas mixes the metaphysical with the personal to create a deeply felt work, first published in 1453, designed to restore faith in even the most jaded.

Echoes of Aquinas in Cusanus’s Vision of Man demonstrates the influence that the philosophical and theological anthropology of Saint Thomas Aquinas had on Nicholas of Cusa’s (Cusanus) view of human nature. Markus Führer demonstrates that Cusanus's view of the place of man in the universe is remarkably similar to the view of Aquinas. Führer thereby challenges the prevailing opinion that Cusanus was a Renaissance philosopher dedicated to the philosophy of man and that he was one of the founders of Renaissance humanism. A close examination of the texts of both Aquinas and Cusanus, when compared to some of the leading Renaissance writers, indicates that it is not entirely true that Cusanus was Renaissance in his analysis of the human condition. Because Cusanus’s copies of some of the works of Aquinas are still intact and his marginal comments in these manuscripts indicate not only that he read Aquinas carefully, but also actually reacted to texts in Aquinas, it is possible to conduct a study of Cusanus’s use of Aquinas based directly on the text of Aquinas. Führer also explores similarities by studying the formulae that both writers used in expressing their respective positions. This book, with its unique examination of the impact of Aquinas’s thought upon Cusanus, will appeal to students and scholars of late medieval theology and philosophy.

In Nicolaus Cusanus on Faith and the Intellect, K.M. Ziebart argues convincingly that Cusanus’ epistemology was a direct response to late-medieval debates over the relation between faith and reason—one which sought to resolve these debates by introducing a controversially strong integration of philosophy and theology. By examining his works in the context of debates with his peers, Ziebart shows how and why Cusanus came to articulate a theory of knowledge in which faith is posited as inherent to the very structure of mind, as the vis iudiciaria, or power of judgment. This well-grounded study sheds new light on the Cusan philosophy and expands our view of a crucial, liminal period in European intellectual history.

"Fifteenth-Century Carthusian Reform" argues that monastic theology offers a medieval Catholic paradigm distinct from the scholastic theology that has been the conventional source for medieval-oriented interpretations of Renaissance and Reformation. It is based on thorough study of the manuscript record. Nicholas Kempf (ca. 1415-1497) taught at the University of Vienna before becoming the head of Carthusian monasteries in rural Austria and Slovenia. Faced with calls for reform in church and society, he placed his confidence in the patristic Christian idea of reform: the reform of the image of God in the human person. This contemplative monastic idea of reform depended on authoritative structures, especially the monastic rule and rational - yet divinely inspired - discernment by a spiritual director. What seemed like simpleminded submission to monastic structures was actually a way to avoid relying on human effort for salvation. By returning to one's true self (the image of God), one opened oneself up for genuine social relationships. To activist reformers, whether adherents of medieval scholasticism, Renaissance humanism, or modern Enlightenment, this monastic idea of reform has seemed escapist, backward-looking, and "womanish." Monks accepted these labels but read them as signs of hidden strength. This book attempts to read through monastic lenses.

Concentrating on the Habsburg Empire, this book examines the creation of cultural hierarchy in sixteenth-century Europe.